"KEEP BUSTIN'."

Posts Tagged ‘Lou Diamond Phillips’

Undertow

Tuesday, October 15th, 2019

Right after Kathryn Bigelow and Eric Red wrote NEAR DARK for her to direct, they wrote UNDERTOW for him. Her vampire movie got off the ground first, and it was almost a decade later when his weird thriller about three weirdos out in the woods during a hurricane became a Showtime movie.

It’s not supernatural, and maybe not even horror, but the mood somehow does remind me of NEAR DARK. Lou Diamond Phillips (RENEGADES) plays Jack (last name Ketchum, apparently!), who’s introduced in his car, drifting to the next town after – as he explains in voiceover narration – falling for a sheriff’s daughter. Too dangerous. But before he can find a new place to stay he drives his truck off the road into a forest and wakes up the captive of a paranoid old redneck named Lyle (Charles Dance, LAST ACTION HERO) and his timid wife Willie (Mia Sara, TIMECOP), who I assumed at first was his daughter. They live in an isolated home in some North Carolina woods that’s somewhere between a hermit’s shack and a luxury resort lodge. It looks cold and some of it is built out of rusty car doors, but it’s huge, with various buildings and facilities. (read the rest of this shit…)

Renegades

Thursday, June 20th, 2019

Maybe I’m out of touch, but I had never heard of RENEGADES. At first I assumed it was a western. It does reunite YOUNG GUNS stars Kiefer Sutherland and Lou Diamond Phillips (the original Woody & Wesley), but it’s a contemporary buddy/cop movie set in Philadelphia. And it’s as solid as you’d hope for from director Jack Sholder, following up ALONE IN THE DARK (1982), A NIGHTMARE ON ELM STREET 2: FREDDY’S REVENGE (1985) and THE HIDDEN (1987).

Sutherland (STAND BY ME) plays Buster McHenry, who is one of those guys who goes into a little diner and is on a first name basis with the old man behind the counter. You know the type. Like Dirty Harry, he happens to see a traffic stop turn into a hostage situation from the window while having some night time coffee. Like Riggs, he goes out and performs a crazy stunt, pretending to be a drunk guy wandering in the situation so he can take one guy’s gun, shoot two others, make one surrender. Then he slaps the commanding officer and spends a night in the drunk tank for it. He’s actually a cop but he’s on vacation, doing a private undercover case with the knowledge (but not official sanction) of his boss/mentor/dead dad’s friend Lieutenant Finch (Bill Smitrovich, BAND OF THE HAND). (read the rest of this shit…)

The Big Hit

Monday, March 19th, 2018

THE BIG HIT is a 1998 action-comedy with enough good qualities that I have a soft spot for it. Alot of the humor is too broad for me, but that’s okay. I saw it when it was in theaters, and returning to it 20 years later it’s interesting as a time capsule, a Polaroid of a specific moment in movie and pop culture history. It was a time when:

-New Kid On the Block brother, laughing stock rapper and underwear model Mark Wahlberg was suddenly a cool actor after having starred in BOOGIE NIGHTS the year before. This was his first movie released post-Dirk Diggler, but it had been shelved since 1996. At the time, most people still derisively called him Marky Mark. It’s so early in his career that he has a song on the end credits (“Don’t Sleep”).

-Hong Kong cinema had invaded Hollywood. John Woo had already done HARD TARGET, BROKEN ARROW and the Once a Thief tv show, Ringo Lam had done MAXIMUM RISK, Tsui Hark had done DOUBLE TEAM. Chow Yun Fat had starred in THE REPLACEMENT KILLERS, and Jet Li would soon be the villain in LETHAL WEAPON 4. So here we have Kirk Wong (director of CRIME STORY starring Jackie Chan) bringing a little bit of Hong Kong flair to the action in THE BIG HIT. Wahlberg practices on a kung fu dummy, and in his hidden weapons cache we see enough bladed weapons to stock a Shaw Brothers movie (plus a three-section-staff ala 8 DIAGRAM POLE FIGHTER).

(read the rest of this shit…)