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Posts Tagged ‘siege movies’

Assault on Precinct 13 (2005)

Wednesday, February 8th, 2023

Recently, events converged to remind me there was a (sort of) remake of John Carpenter’s ASSAULT ON PRECINCT 13 back in 2005. Well, really what happened was that movie PLANE came out – the Gerard Butler one with the plane – and that’s from the same director, Jean-François Richet. He did a couple gritty French crime movies in the ‘90s and then his phone rang and Hollywood said, “Hello, this is Hollywood, would you be interested in remaking ASSAULT ON PRECINCT 13, or as you call it in France, ASSAUT?” I imagine he very thoughtfully said “Oui” and then hung up.

According to his commentary track they didn’t have the script yet when they hired him. He chose James DeMonaco to write it because he’d just seen THE NEGOTIATOR, a movie this does seem kinda similar to. DeMonaco had also written a film for Francis Ford Coppola*. (read the rest of this shit…)

One Shot

Monday, November 8th, 2021

ONE SHOT is the new Scott Adkins joint, and the most heavily hyped and anticipated movie of the moment for those who stay plugged in to “Action Twitter.” I’m sure Adkins would prefer to work in a little higher budget range, but I think having a dedicated and growing following as he continues to make movies like this is a much better outcome than if he had been cast as Iron Fist or some big movie character like we all used to say he should. Instead of a super hero he’s an institution.

This one is not from Jesse V. Johnson or Isaac Florentine, but rising #3 most prolific Adkins director James Nunn (GREEN STREET 3, ELIMINATORS). And as you might guess from the title, yes, it is a movie like ROPE or RUNNING TIME designed to look like it was filmed in one continuous shot. I know there are some who don’t like that approach, so I will say in its defense that it doesn’t come across as flashy or show-offy at all (not that I would see that as a bad thing, personally) and the real time feeling serves to heighten the tension of its siege scenario. And in case you were wondering there is an organic explanation of the title (the protagonists believe they are defending their “one shot” to stop a terrorist attack). (read the rest of this shit…)

Siege (a.k.a. Self Defense)

Thursday, July 29th, 2021

SIEGE (previously released in the U.S. as SELF DEFENSE) is a 1983 Canadian exploitation film brought to my attention thanks to the new release on Blu-Ray and DVD from Severin Films. It seems more inspired by ASSAULT ON PRECINCT 13 than any other movie, and it’s not a wall-to-wall scorcher like that, but I liked it because it’s quick and raw and has some really unique elements.

Down south in the U.S that year, heroic movie cops were being forced to break the rules to stop perverted rapists (10 TO MIDNIGHT, SUDDEN IMPACT) and kids were turning into serial killers because they witnessed gay sex (SLEEPAWAY CAMP). By contrast, SIEGE paints a picture of a Halifax gay bar and their low income neighbors being terrorized by the violent bigots in a right wing militia. The chaos starts with a police strike, where officers on the picket line egg on onlookers as they roar around in their cars whoo-hooing and doing donuts. Reporters speculate that the rowdiness will snowball from there. Sure enough a group of thugs choose this time to enter the club and announce a “New Order” they want to impose on Nova Scotia. (read the rest of this shit…)

Green Room

Monday, April 25th, 2016

tn_greenroomGREEN ROOM has a pretty good spin on a classic setup: a touring punk band in a siege movie. This shitty young band called The Ain’t Rights, living out of their van and crashing with strangers, spending more on beer than on gas, going out of their way for questionable gigs in The Middle of Nowhere, Oregon, end up locked in the dressing room of a scary skinhead club because one of them walked in on a murder. The Punks Who Knew Too Much.

If there’s not already an ad that says “it’s ROMPER STOMPER meets ASSAULT ON PRECINCT 13!!!” then here it is available to cut and paste, A24 Films.

I have very little experience in the world of punk rock, but from my ignorant perspective this comes off as a more authentic depiction than any of the other movies I’ve seen about it. That includes RETURN OF THE LIVING DEAD. And I don’t consider Cherry Bomb from HOWARD THE DUCK to be punk at all. Anyway I’ll be interested to find out if my musician friends find more fault with it than I did. To me it feels like writer/director Jeremy Saulnier might’ve come up with the idea while playing in a band like this, or if not he must’ve known people in this life. Like his first movie MURDER PARTY (a horror comedy in the world of Brooklyn hipster artists) it seems to be inspired by subcultures and people he knows from life, not movies. And like his second movie BLUE RUIN (an indie revenge drama) it goes out of its way to make violence messier, uglier and more difficult than in most movies. Like, what if it wasn’t Bruce Willis, but a regular dude like you who had to fight his way out of a corner using sharp objects he finds laying around?

But it comes a little closer than the other two movies to straight up embracing its genre. It even uses the always enjoyable action movie move of one of the band members getting referred to as “Jiujitsu” and then it turns out he really is a practicioner of said martial art. His armlocks and chokeholds come in handy. (read the rest of this shit…)

Alone in the Dark

Sunday, October 31st, 2010

tn_aloneindarkALONE IN THE DARK is the story of a bunch of people together in the dark. It’s a siege movie, but it starts out like THE NINTH CONFIGURATION or other movies where a guy comes in to take over as the new doctor at a mental hospital, and he meets all the colorful characters and what not. For example New Line Cinema’s mascot Lynn Shaye plays the receptionist who turns out to be a patient.

Dwight Schultz, aka Howling Mad Murdoch, the mentally ill member of the A-Team, gets to play the doctor in this one. It would be cool if Mr. T showed up as a vegan helicopter pilot, or George Peppard as a spacey hippie who absolutely hates it when a plan comes together. Instead they have ex-military Jack Palance and preacher/arsonist Martin Landau as two of the guys on the third floor. These are the patients one hospital employee describes as “very, very intense.” They also got a huge fat child molester (Erland van Lidth, Dynamo from THE RUNNING MAN) and a notion that Dwight Schultz killed the old doctor and they gotta get revenge. They wait for a window of opportunity, and it opens up pretty quick when there’s a power outage and they’re able to get out, Michael Meyers style. (read the rest of this shit…)

Rio Bravo

Saturday, February 2nd, 2008

Recently a reader named David Lambert sent me a very accurate email:

“…I’ve loved your site for almost a decade now, but my one complaint is the almost complete lack of reviews for Westerns.

The Western is the most bad-ass genre out there and it’s a huge hole in your ‘reviewography.’

How can a guy calling himself ‘Outlaw’ Vern not represent the genre that the term ‘outlaw’ comes from?”

You got me, David. I knew he was right so I pledged to “at least review RIO BRAVO or something,” and he gave me a variety of other suggestions that could come in handy if I am to strive for this particular type of excellence. (read the rest of this shit…)

Vern has seen STARSHIP TROOPERS 2

Thursday, March 25th, 2004

Hey folks, Harry here… I’m so envious of Vern… he’s seen STARSHIP TROOPERS 2 – and while I know it was shot for 3 shiny canadian loons, I can’t help but hope it has more pretty people with vacant eyes being torn to shreds by big bugs! I can hope… right? Here he is…

Dear fellas,

As promised back when I reviewed WILD THINGS 2: DARK TERRITORY, I have returned with a review of STARSHIP TROOPERS 2: HERO OF THE FEDERATION, a much better straight to video sequel in my opinion. But that’s not saying much. But it’s okay though.

This part 2 is directed by Mr. Phil Tippett, the special effects genius who worked on such other part 2s as STAR WARS part 2, INDIANA JONES part 2, ROBOCOP part 2 and HOUSE part 2. He was also “demon supervisor” on THE GOLDEN CHILD part 1. He has his own studio which did some of the effects in BLADE part 2, in case any of the talkbackers were wondering how I was gonna work that one into this review.

Anyway more importantly Mr. Tippett did the effects for the first STARSHIP TROOPERS and he has also brought back the same writer, Ed “I also did ROBOCOP” Neumeier. So we’ve got some of the same people involved, even if we’re missing the crucial ingredient of Paul Verhoeven, perverted Dutchman. (read the rest of this shit…)