Occasionally during this Ronny Yu series I will go on tangents about films that are not directed by Ronny Yu, but are related to the topic at hand. I’ve been meaning to revisit my maybe-favorite-Brandon-Lee movie RAPID FIRE for years, and thought it would fit in well here. To be honest I forgot that I already reviewed it in 2009, but that’s okay, this is a better review. It was worth a reboot.
Lee followed his movie debut in LEGACY OF RAGE with LASER MISSION (1989) and SHOWDOWN IN LITTLE TOKYO (1991), but it was the Yu film that attracted the atttention of producer Robert Lawrence (A KISS BEFORE DYING) and made him want to find a vehicle to turn Lee into a huge American action star.
As I referenced in the LEGACY OF RAGE review, the Metrograph theater did an interview with Ronny Yu where he said of Lee, “He was 19 when I met him. He was wearing a leather jacket, leather boots, riding a bike, he was very rebellious,” and “He said, ‘I hate martial arts. I hate it. And don’t talk, don’t even mention Bruce Lee to me!’”
Years later in RAPID FIRE (1992), Lee’s character Jake Lo is introduced wearing a leather jacket, leather boots, riding a bike, looking very rebellious. An art major at a college in L.A., he pulls up to campus during a demonstration for democracy in China. Seeing the protest signs causes him to flash back to the historic events at Tiananmen Square, where he saw his dad (Michael Chong, TO LIVE AND DIE IN L.A.) killed by soldiers. According to RAPID FIRE’s entry in the AFI Catalog, “Lee was involved in the development of the story, and a key element that resonated with the actor was his character’s struggle to deal with his father’s death, which mirrored Lee’s personal life.” (read the rest of this shit…)
I’m not saying I liked SIN CITY: A DAME TO KILL FOR exactly, but it wasn’t as bad as reported. Considering that its two directors’ last films were 
Although THE CROW is what most people remember Brandon Lee for, it was this 1992 urban martial arts picture, his next to last starring role, that made the most serious attempt to turn him into an action icon. It positions him to continue his father’s legacy but in the context of American action of the early ’90s. John Woo and Jackie Chan movies were catching on huge here at that time, and this movie took plenty of influence from the shootouts and choreographed fights that excited us from those.
Okay, this group of National Guardsmen (Peter Coyote, Powers Boothe, Keith Carradine, Fred Ward, others) are on one of them training exercises, right? Basically, they gotta go out into the Louisiana swamp with a map, try to locate this one particular place. To practice their navigation skills. Most of them aren’t taking the job too seriously, paying more attention to their plans to hook up with some whores when they’re done. I mean they’re carrying guns, but with blanks, because who are they gonna shoot at anyway. There’s no enemy in this exercise.
There are about three kinds of Jean-Claude Van Damme pictures in my opinion. There are the real experimental, artsy type like Double Team and Knock Off (the best kind), the real cheap and crappy ones like Cyborg and Double Impact (the worst kind), and the more expensive ones where he’s trying to become a more respectable mainstream action star (the kind that Sudden Death is).
