a survey of summer movies that just didn’t catch on
For the momentous conclusion of the Summer Flings series, please join me on a journey down Memory Lane. Actually, just turn with me onto Memory Lane and then stop immediately, because it’s right there on the right – August 9, 2016. That’s when Paramount Pictures and MGM admitted that they had spent $100 million for Timur Bekmambetov (WANTED) to remake BEN-HUR, and that if anyone was interested it would be briefly available for public viewing.
Believe it or not I was interested, but limited showings prevented me from being able to see it in the 3D I felt would be crucial for the full ludicrousness of the director of ABRAHAM LINCOLN: VAMPIRE HUNTER‘s take on one of old Hollywood’s greatest epics, so I gave up and didn’t see it until now.
On its own merits, this BEN-HUR is fine. It’s light on the Bekmambetovian shamelessness that I was excited for, but it’s a solid enough retelling of Lew Wallace’s stirring 1880 tale of fictional Jewish elite Judah Ben-Hur, who is enslaved, freed, and returns to confront his childhood friend turned Roman Prefect Messala. (read the rest of this shit…)
A great historical epic could be made about the Tuskegee airmen, the all black squadron of American fighter pilots in WWII. That’s what George Lucas thought back in ’88 when he started developing RED TAILS. He put together a script that he compared to LAWRENCE OF ARABIA (or NED OF ARABIA to Young Indiana Jones), a three-parter about their training, then their heroic battles, and then coming home to a racist country and Jim Crow laws that don’t give a shit that they’re heroes.
Eventually he decided that was too much for one movie and, like with STAR WARS, chose the middle chapter to focus on. But he also decided that he didn’t want it to be serious grown up drama. He thought it could be a fun movie for black teenagers. It’s an approach he had trouble selling to director Anthony Hemingway (The Wire), but even more to critics, who rejected the movie wholesale, often with some shaming about the movie they thought it should’ve been. (read the rest of this shit…)
We all know the grand American tradition of the movie about the black man but in the POV of the white man. It’s the story of the civil rights struggle and the brave white FBI agent or country lawyer who stood up and made a difference, or the spunky white lady who gave the mistreated black maids of Jackson a voice, but with her name on the cover. These are well-meaning, sometimes good movies, but they’re suspect in assuming the audience can only follow if they have a white surrogate on screen. They don’t trust us to put ourselves in the shoes of black characters. If Spike Lee hadn’t made MALCOLM X I bet it would’ve been about a white dude trying to understand Malcolm X, or giving him his ideas. (read the rest of this shit…)
Before seeing SAVAGES I wanted to catch up on some of the recent Oliver Stone pictures that I’d skipped. It turns out this one is 15 years old, so you could argue that I’m a little behind on Stone. Do you guys know if JFK is any good? What about PLATOON?
This is his most straight-forward crime genre picture before SAVAGES so I figured it was a good one to check out. Based on the book Stray Dogs by John Ridley (RED TAILS, UNDERCOVER BROTHER), it’s about this dirtbag Bobby (Sean Penn), an ex-tennis player in debt whose fancy-ass car breaks down in the middle of Tiny Desert Town, Hell (actually Superior, Arizona) on his way to delivering a bunch of cash to the guy who cut off some of his fingers, and then things get way worse. But he fucks Jennifer Lopez at least. (read the rest of this shit…)
I’m starting to feel like a pushover, ’cause I’m enjoying all these poorly reviewed movies. RED TAILS is a simple pleasure – a straightforward, old-fashioned tribute to the camaraderie between the pilots and crew members of the Tuskegee Airmen, the first African-American Air Force squadron. It centers on the friendship between straight-laced, mustache-having but sometimes flask-swigging Easy (Nate Parker) and reckless, authority-bucking wannabe-ace Lightning (David Oyelowo). Easy (unlike his grandson Easy E) always wants to be professional and follow protocol, Lightning likes to disobey orders to go play chicken with a German ammunitaion train or carelessly dive on a battleship with no backup. (read the rest of this shit…)
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Recent commentary and jibber-jabber
Muh on Avengers: Endgame: “Not really though. Half the time most of that work is done by pre-viz, stunt teams and second unit. And…” May 5, 19:46
KayKay on Tom Clancy’s Without Remorse: “Am only reading this review after I catch it this weekend but am cautiously optimistic so far based on the…” May 5, 18:49
KayKay on Avengers: Endgame: “I’m not really sure if directors of complex, searing human dramas are always going to be a good fit for…” May 5, 18:26
Muh on One Good Cop: “If a movie like Oscar costs 40 mil, don’t forget the 10-20 1990s dollars they spent to promote it…and theatres…” May 5, 18:25
Franchise Fred on Tom Clancy’s Without Remorse: “I also liked Michael B’ Jordan’s Tom Clancy’s John Clark IS Without Remorse. Hardcore Clancy was always a little too…” May 5, 15:35
Pacman2.0 on Tom Clancy’s Without Remorse: “My brain read “They could become this generation’s Woody & Wesley” as “they could become this generation’s Wheeler & Woolsey”,…” May 5, 13:54
Mr. Majestyk on Tom Clancy’s Without Remorse: “Also, I think the relationship between Denzel and Melissa Leo in the EQUALIZERs qualifies as a male/female combat bro type…” May 5, 13:43
VERN on Tom Clancy’s Without Remorse: “Unfortunately most of their movies don’t come out on disc. There are exceptions, like CHI-RAQ, PATERSON, THE BIG SICK and…” May 5, 13:28
MaggieMayPie on Tom Clancy’s Without Remorse: “I enjoyed this one. The underwater stuff and prison cell scene were the highlights for me. I did have to…” May 5, 13:23
Borg9 on Tom Clancy’s Without Remorse: “Yes, that scene reminded me of both BLOOD AND BONE and LOST BULLET. I don’t think I loved this one…” May 5, 13:18
Mr. Majestyk on Tom Clancy’s Without Remorse: “Dammit. I was hoping this one would suck because it’s on Prime and I don’t have Prime and now I…” May 5, 12:46
CJ Holden on One Good Cop: “It’s not a dealbreaker, just a bit odd. While looking up movies from 1991, I realized that this was the…” May 5, 12:13
Franchise Fred on One Good Cop: “CJ, I’m sure it was a soft #1 but yeah, these Hollywood films complain they’re bombs if they don’t make…” May 5, 12:02
VERN on Avengers: Endgame: “As of today’s Hollywood Reporter story about the Ta-Nehasi Coates scripted SUPERMAN movie they’re still talking about BLADE as a…” May 5, 11:58
VERN’S “I RECOMMEND THE SHIT OUT OF THIS PRODUCT” CORNER:
A great historical epic could be made about the Tuskegee airmen, the all black squadron of American fighter pilots in WWII. That’s what George Lucas thought back in ’88 when he started developing RED TAILS. He put together a script that he compared to 
We all know the grand American tradition of the movie about the black man but in the POV of the white man. It’s the story of the civil rights struggle and the brave white FBI agent or country lawyer who stood up and made a difference, or the spunky white lady who gave the mistreated black maids of Jackson a voice, but with her name on the cover. These are well-meaning, sometimes good movies, but they’re suspect in assuming the audience can only follow if they have a white surrogate on screen. They don’t trust us to put ourselves in the shoes of black characters. If Spike Lee hadn’t made MALCOLM X I bet it would’ve been about a white dude trying to understand Malcolm X, or giving him his ideas.
I’m starting to feel like a pushover, ’cause I’m enjoying all these poorly reviewed movies. RED TAILS is a simple pleasure – a straightforward, old-fashioned tribute to the camaraderie between the pilots and crew members of the Tuskegee Airmen, the first African-American Air Force squadron. It centers on the friendship between straight-laced, mustache-having but sometimes flask-swigging Easy (Nate Parker) and reckless, authority-bucking wannabe-ace Lightning (David Oyelowo). Easy (unlike his grandson Easy E) always wants to be professional and follow protocol, Lightning likes to disobey orders to go play chicken with a German ammunitaion train or carelessly dive on a battleship with no backup.
