One movie that came out on May 6, 2005 was Ridley Scott’s crusades epic KINGDOM OF HEAVEN. It was poorly received in the U.S. at the time but later had a widely-considered-superior director’s cut, which I have reviewed. Today I’ll consider a different May 6th release that has not yet had its director’s cut re-evaluation moment.
I don’t remember if I knew about JIMINY GLICK IN LALAWOOD when it came out in its limited release, during which according to Box Office Mojo it collected $36,039. (I assume they rounded to the nearest dollar – the real total could be as much as 49 cents higher.) But there was no chance I would’ve gone to see it then. I confess that as much as I’d loved THREE AMIGOS and Ed Grimley growing up, in the aughts I did not think Martin Short was funny anymore. I was also instantly turned off by fat suits (which I wasn’t really wrong about), so I turned my nose up to Primetime Glick, the Comedy Central show where this hack entertainment journalist character did sort of Space Ghost Coast to Coast style awkward improvised celebrity interviews.
But let me point you to a historical note. Two weeks before JIMINY GLICK IN LALAWOOD came out, the first ever Youtube video, Me at the zoo, was uploaded. During the intervening two decades, through the medium of Youtube clips, I have become aware that Jiminy Glick does in fact make me laugh, so I was actually excited to watch the movie version.
Well, the character is still funny. And it seems like a great idea for an improvised movie: he goes to the Toronto International Film Festival. They were able to improvise scenes with actors attending the actual festival, and debut the movie there the following year. There is a plot and new characters and what not, but most of the laughs come just from Jiminy saying ridiculous things to real celebrities. They take advantage of the setting to interview actors on the red carpet (Kiefer Sutherland, Sharon Stone, Jake Gyllenhaal, Forest Whitaker, Susan Sarandon) and even film some bits with Jiminy at parties (annoying Kevin Cline by following him around, thinking Whoopi Goldberg is Oprah Winfrey). They also cheat by having in-studio interviews like the show, including Steve Martin, Kurt Russell and Rob Lowe. All of these people get the joke, but some are better at playing along. (read the rest of this shit…)
NUTCRACKERS is a new David Gordon Green movie that went straight to Hulu. Since 2018 he’s directed four Blumhouse horror sequels (
“You know, this is what happens when people spend too much time in Florida.”
I was excited when I first heard of GREEN BOOK – a two-hander teaming two actors I love, Viggo Mortensen (
A SIMPLE FAVOR is an entertaining thriller from known-for-comedy director Paul Feig (THE HEAT). He brings to it some humor and his obvious rapport with the great casts he puts together, but if we had to categorize it we’d be forced to put it in with 
August 21, 1998
It turns out maybe the comedies that come out in August are not essential to a summer movie retrospective. That’s a lesson I’m learning. I actually saw DEAD MAN ON CAMPUS at the time, but I realize now that I was conflating my memory of it with IDLE HANDS. I knew it was a different movie, but I thought it was another supernatural teen horror comedy. It was about half an hour in before I realized oh shit, he’s not gonna turn into a zombie. This is that movie where they find out their college has an obscure rule that if your roommate commits suicide then they have to give you straight As (just go with it) so they try to find an unstable roommate and push him to the brink. The kind of movie that should just have a disclaimer and a 1-800 number running across the screen throughout like a watermark on a critic’s screener. 
THE AVENGERS PART 2 is probly the most comic bookiest comic book movie achieved by mankind so far, which is to say that most of the action scenes have like 15 different supermen and secret agents and shit flipping around shooting magic beams and power waves and explosive arrows and laser things and doing super punches and alley ooping each other and what not as they fight against an army of flying wiseass robots. There are two main characters who wear capes, one that turns into a giant monster, one that’s from a viking fantasy dimension or whatever, at least two that fly of their own accord and two using the jets on their power suits, one that moves faster than sound and another that does mind control and shoots red, uh… magic I guess?… from her hands. It’s not played exactly “gritty” but it’s not a joke either. It means it.
