I like this series. Never as good as I want it to be, but not as frustrating as THE EXPENDABLESes. Neeson gets to be awesome and talk real serious on phones, Besson gets to throw in some ridiculousness, there’s a little bit of interesting subtext. So I’m glad they’re still going (even if implying through the medium of taglines that this is the last one).
It’s kinda sad to see (SPOILER FOR TRAILER) poor Famke getting Kerseyed here, but wise to take the series in a totally different direction. Obviously it’s kind of a play on THE FUGITIVE, complete with a part where he walks through a water pipe in case you didn’t pick up on it. I guess the idea is “what if instead of an everyman or Wesley Snipes THE FUGITIVE happened to the greatest leather jacket wearing black ops badass of our time? WHAT THEN?”
I hope he jumps down from the pipe while talking on a phone! That would be a good mix of FUGITIVE and TAKEN.
The director is Olivier Megaton again, not my favorite. But TAKEN 2 and COLOMBIANA were both much better than TRANSPORTER 3, so I don’t write him off.
Sometimes a man just has to walk among the tombstones, you know? Stroll within the grave markers. Saunter betwixt the memorials. Seagal did it in PISTOL WHIPPED and now my man Liam Neeson (THE DEAD POOL) is taking a turn. He’s doing it in a mystery thriller based on book #10 in a series by Lawrence Block. The movie version is written and directed by Scott Frank, the guy that wrote OUT OF SIGHT, so it’s more about capturing that crime novel feel than being another Neeson vehicle like UNKNOWN or NON-STOP. That said, he is allowed to be awesome, and there are some scuffles.
Admittedly the opening scene is better than anything else in the movie. It’s a flashback to 1991, but has a ’70s feel. Stringy-haired, racial-slur-using asshole police detective Matthew Scudder (Neeson) walks into an empty bar where cops get free drinks. And this is how you know he sucks: the bartender greets him by name, and he doesn’t even say hi or look at him. He just knocks on the counter and then sits down at a booth with his back to him. Fuck you, man! I guarantee you this prick doesn’t tip either. (read the rest of this shit…)
So far I think I like the idea of Liam Neeson action vehicles more than the actual execution of them. Both TAKENs were fun, but with post-actiony scuffles and not as tight of storytelling as I prefer in a formula revenge movie. UNKNOWN from what I remember was kinda fun, but what was it about again? He was playing an amnesiac I believe? Yeah, that’s about how I feel about that one.
By far my favorite of this cycle is THE GREY, but that’s because it was all about manly drama. Most of the actual action (anything involving wolves) was as indecipherable as they come. So I came to his new airplane suspense thriller (from UNKNOWN director Jaume Collet-Serra) pretty jaded, but I enjoyed it more than expected.
I guess now they’re saying May 4th is Star Wars Day. Yet another fake holiday created by Hallmark and Kenner. At first I assumed they chose May 4th because it’s 21 days before the anniversary of when STAR WARS was released and they are planning seven STAR WARS trilogies. But then somebody explained that it’s supposed to sound like “may the fourth be with you.” Get it. From the nerds who brought you Talk Like a Pirate Day: Seriously, A Whole Day of This Would Be Fun Ye Guys.
Well I’m sorry to perpetuate it, but I decided to use this as an excuse to try to finish a project I started last year when the Star Warses came out on the blu-ray and I watched all six of them again.
I like these movies. Like anybody I especially like the original versions of the original three. But – I think I mentioned this before – one thing I am sick of god damn ever fucking hearing about is fuck George Lucas, he changed the movie that I like, he made a new movie that had farting in it, he owes me, this is at least equal to child rape, most likely way worse, now I finally understand the type of psychological struggle that a 14 year old molested junkie prostitute is going through, boo fucking hoo, etc. Not that it was not a legitimate topic at one time, and inspired by true incidents, but now it’s a decades old discussion done by everybody always and still people will bring it up as if it’s a fresh wound or, worse, as if it’s some sort of rebellious cry against the system if they point out the same damn thing that everybody of their generation also thinks and always will.
I mean honestly, I don’t know how you could verify this but I bet there are more than a billion words on the internet complaining about George Lucas. They hate that motherfucker so much they saw it as a dream come true when he sold his independent artistic creation to the Disney corporation to be used as a licensed property trademark franchise product. Hopefully now the curse is on some other sucker (J.J. Abrams now and whoever takes the gig after him), ’cause they really gotta give the People vs. George Lucas topic a rest, the same way a comedian would at some point just have to leave it be about the airline peanuts, no matter how strongly he feels about how hard it is to open those bags.
Even around here where we have the best god damn commenters in the world (am I right outlawvern.com? I can’t HEAR you!) it’s risky to bring up STAR WARS or George Lucas in any context. But I was watching those blu-rays and I thought it might be a good challenge to try to write reviews of the star warses that I would consider worth reading. I’m not saying I’m gonna succeed, I’m saying I’m gonna try. I’m watching all of them yet again and they’re in these special editions that tie them all together so I might as well write about them from a perspective few have ever considered: as the guy now intends them. One long six chapter story watched in order from 1-6. (read the rest of this shit…)
Well, I was stupid to write off K-19 all these years. I don’t know why I did. I didn’t even know what it’s about. I think I knew K-19 wasn’t a mountain, it’s a submarine. I knew it had kind of an audacious name but was directed by this year’s #1 Oscar snub, Kathryn Bigelow. That should’ve been enough, but I never heard anything too good about it and didn’t feel the need to see it.
Maybe it’s the submarine thing. I know this is blasphemy to alot of people, but I never even got into that one submarine movie that everybody loves that’s by the director of DIE HARD and PREDATOR. I’ve tried and it’s fine and everything but I just can’t get myself excited about it like everybody else. Maybe I’m subconsciously rebelling against my old man, who worked on subs. I never went that way. I’m a proud surface dweller. Strictly a land man. Vote no on Atlantis. (read the rest of this shit…)
TAKEN 2 is another Liam Neeson post-action thriller where he gets to be smart and tough and wear a leather jacket and then the camera wiggles around while he cracks some bones or whatever. I tend to like these disposable Luc Besson productions for their absurd gimmicks and shameless lowbrowness, but they were more fun when they also had good action sequences. This one’s from Besson’s acolyte of the moment, Olivier Megaton, who did the joyless TRANSPORTER 3 and the more enjoyable COLOMBIANA. Neither of those have action scenes half as good as the ones in previous Besson joints like LEON, TAXI, TRANSPORTER 1-2, UNLEASHED, KISS OF THE DRAGON or DISTRICT B13.
I didn’t love the first TAKEN. Of course it’s funny to see Neeson as a wrist-snapping black-ops know-it-all, and I love a simple plot about a guy like this saving his daughter from kidnappers, and it was funny how his overprotective father paranoia seemed to become a reality, with her getting kidnapped by white slavers about 5 minutes into her European vacation. But then there’s the wobbly action scenes (a shame coming from the director of DISTRICT B13) and it doesn’t exactly have the momentum that makes this type of premise sing. It’s fun, but should be better. (read the rest of this shit…)
I remember when this movie came out everybody said it was terrible, then the longer director’s cut came out and it started to build up a reputation as underrated. Just to be safe I wanted to allow some time for that rep to foam over and then dry up and harden into a solid surface. The effects of oxygen on the polished surface create the ideal viewing circumstances. So I watched it 7 years later. (read the rest of this shit…)
10 years after the titans clashed, Zeus (Liam Neeson, NEXT OF KIN) and Hades (Ralph Fiennes, STRANGE DAYS) are about to feel their wrath. See, they’ve had their asshole dad Kronos imprisoned in the underworld forever, but with humans not praying to them they’re losing the power to contain him, and Ares (Edgar Ramirez) and some of their other kids are conspiring to set the old man free. And when he gets out he’s gonna get his revenge.
I should mention that Kronos is not a man, he’s a giant lava monster that makes the Kraken from part 1 look like a shrimp. So by “get his revenge” I basically just mean that he’s gonna walk around and stuff is gonna get destroyed. In fact Zeus and Hades don’t seem as bad now that I realize the type of family they grew up in. I’m sure even during peace time Kronos is constantly “getting revenge,” unless there is some sort of all-lava-monster community he can go to. If he’s expected to integrate with the mortals or even the Olympians there’s always gonna be a size and heat difference that’s gonna be problematic. (read the rest of this shit…)
Like some sort of mythological Greek hero whose companions have been struck down in the midst of a daring journey, I stand alone on this: I liked the CLASH OF THE TITANS remake.
I cannot lie. I thought it was good. Don’t sacrifice me to a kraken, I have the right to admit this publicly. Remember, the first amendment is about protecting all speech, no matter how vile. Just give me a chance to try to explain where I’m coming from here.
You know what movie’s good? SCHINDLER’S LIST! Why did nobody tell me this before?
Would you believe this was my first time seeing SCHINDLER’S LIST? It’s getting toward 20 years old and I remembered I hadn’t gotten around to seeing it yet. It’s kind of a heavy decision to make one day: hey, I got 3 hours before I gotta leave for work, maybe I should watch SCHINDLER’S LIST? Never had the urge I guess. (read the rest of this shit…)
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Skani on Man, I don’t know.: “@Fred, probably you’ve broken through to that next level of celebrity and have a fan account. Or maybe an evil…” Nov 17, 05:20
Skani on Man, I don’t know.: “Hi @GlaiveRobber – I think you raise good points here. I think Trump is pretty damn hardy for his age,…” Nov 17, 03:34
Franchise Fred on Man, I don’t know.: “Do I have a Letterboxd account? I never use it. Is there a fake Franchise Fred????” Nov 16, 20:49
Glaive Robber on Man, I don’t know.: “Skani, many thanks for the reply. I may have been a little misunderstood. I do honestly think there should have…” Nov 16, 20:24
Skani on Man, I don’t know.: “Hey Fred, I’m glad some of this nonsense has been helpful to someone. Other than a LinkedIn account under my…” Nov 16, 20:18
Franchise Fred on Man, I don’t know.: “Skani, I have appreciated your very level headed posts about some very volatile subjects in this thread and would even…” Nov 16, 17:16
Skani on Juror #2: “That’s pretty hilarious, Milton Friedman and Chomsky. No, yeah, that’s about right, as far as my read on Eastwood –…” Nov 16, 14:42
Miguel Hombre on Juror #2: “Man oh man, I do not want to start a war on another thread about politics – but since Eastwood…” Nov 16, 14:31
Skani on Juror #2: “Miguel, that’s all very well-said, and I did not know that shit. I am a more casual Clint fan, but…” Nov 16, 14:03
Miguel Hombre on Juror #2: “Skani: This is also in no way a defense of Zaslav either – but Warner Brothers has released a very…” Nov 16, 13:34
Skani on Man, I don’t know.: “Actually, I should say — a lot of my analysis of media is based on written news, and I can’t…” Nov 16, 13:25
Skani on Man, I don’t know.: “Hey, @GlaiveRobber – To your first point about masculinity. There definitely is a “there” there with the concept of “toxic…” Nov 16, 13:13
VERN on Juror #2: “The problem with that is that the investment of streaming movies is just promoting your streaming service, or your stock…” Nov 16, 09:52