"KEEP BUSTIN'."

Vern Vs. TRANSPORTER 3!!

Hey, everyone. “Moriarty” here.

Vern is the greatest writer about film writing about film anywhere that film is written about. If you disagree, I will pay a big guy to punch you in a soft place.

I haven’t seen TRANSPORTER 3 yet, but thanks to this review, I feel like I have. Every word’s a gem, Vern. Thanks for the huge Friday morning belly laugh.

Check it out. Tell me I’m wrong.

Here’s a test for you. How many times did you rewind the part in TRANSPORTER 2 where he sees in a reflection that there’s a bomb on the bottom of his car so he drives the car off a pile of junk, flips, successfully hooks the bomb onto a nearby crane and lands the car safely?

If you answered 3 or more, like me, then you will probaly be disappointed in TRANSPORTER 3, like I was. If you prefer part 1 then all bets are off, but me, I’m strictly a part 2 man. The first one had some good action scenes, like the sliding-around-in-oil-on-the-ground fight. But it put too much emphasis on the melodrama. I don’t care how cool he looks in a suit, that’s not gonna make it interesting to hear him keep talking about his fucking “rules.” Oh geez I wonder what would happen if he ever broke one of those rules he won’t fucking shut up about, I guess it’s kind of a moot point though because obviously he would nev– WHUH? He broke his own rules? What’s gonna happen now? We’re through the looking glass, people.

Transporter 3Part 2 was a work of beauty though, a complete re-engineering that chops out everything that was dull and fills the empty space with added awesomeness. They still have the elaborate Hong Kong style fights, they raise the level of preposterous stunts/effects shots, they introduce more colorful characters. They got all kinds of crazy shit: a skeleton thrown at a guy, a firehose as a weapon, a car straddling two buildings. Frank jumps a jetski onto a street, jumps over two colliding cars, has a kickboxing match inside a spinning plane. How many movies have a female assassin in a sexy nurse costume, garters and Tammy Faye style smeared makeup driving a stolen police car? Not many. Later she is impaled on a wall of spikes in her boyfriend’s apartment, which in my opinion was an unsafe thing to have but I guess that’s easy for me to say, I wasn’t there. Hindsight is 20/20. Anyway, the point is that I love unapologetically over-the-top action when it’s well executed, and TRANSPORTER 2 delivers.

(get it, he is delivering a package, that was a Gene Shalit line. But I meant it.)

The less talk, more rock approach works so well I was convinced it was half an hour shorter than the first one, but IMDb says it was only a few minutes shorter. This one is about ten minutes longer, but with less content.

At the beginning we find Frank Transporter apparently retired. He enjoys fishing with his wacky French inspector pal and watching fishing programs at home. But then suddenly a car crashes through his living room driven by a guy who he suggested for a job he turned down. The guy is wearing a bracelet which causes him to explode when he is taken out of the car. Then Frank gets knocked out and forced to take over the job, which involves driving some freckle faced Ukrainian gal who for some reason he thinks is supposed to be his partner but everybody knows is really “the package,” the kidnapped daughter of an EPA commissioner being blackmailed to sign over something or other to some industrialists who want to dump toxic waste or some shit.

Okay, so the BATTLE ROYALE 2 type gimmick with the exploding bracelet is ridiculous, I give them points for that. But the standing-around-talking-about-shit-nobody-cares-about to entertainment ratio is unbearably high, not just compared to part 2 but even compared to the first one. In the best scene another driver takes Frank’s car, which means he’ll blow up when it gets 75 feet away. So he steals a bike and rides it through a factory, jumps through a window and back into the car. There’s also a funny car-onto-train jump, a part where he gets thrown through a brick wall like it’s a cartoon, and a fight where he takes off his jacket, shirt and tie and uses them as weapons. There are definitely some good moments, but they are spaced apart by, you know, other types of moments. Lots of them. When you finally get to the crazy shit it kind of feels out of place.

The director is newcomer Olivier Megaton. It’s a great name but he doesn’t live up to it with this movie, he MAYBE directs like an Olivier Halfastickofdynamite. Let me give you an example. There’s a scene where the girl can’t reach the gas station restroom without setting off the bracelet, so she brazenly pees on the floor. Right after that some enemies drive by… and then there is a car chase. If this was TRANSPORTER 2, and maybe even if it was THE TRANSPORTER, there would’ve been a huge fight and somebody would’ve slipped in that puddle of piss, I guarantee you. In this one there’s not as much action and there’s not as much gags in the action. It seems lazy compared to the other two. The fights are still choreographed by Corey Yuen, but he doesn’t do as many, and some of them are hard to make out because of that chaotic editing and shakycam virus that his been infecting all the modern action movies.

The train stuff made me laugh, but as a finale it seems a little weak. We’ve seen similar train-related ludicrousness in TORQUE and (yes, I have to say it) UNDER SIEGE 2: DARK TERRITORY. I don’t think Luc Besson’s heart was in it when he wrote this one. Maybe he’s lost his creative focus because he’s still upset about the Weinsteins redubbing his fairy cartoon with Snoop Dogg’s voice.

The character of Frank Transporter does evolve slightly. At no point does he seem weirdly racist. (Somebody told me those were young coconuts he used as boxing gloves against the black guy in part 2 but they sure look like watermelons to me.) Also he becomes an ex-gay in this one. He actually denies being gay while turning down heterosexual advances, but it still has the same kind of subtext as in part 2 so I’m gonna still consider him gay. He’s clearly thinking with his dick though, I really gotta question his judgment falling for this particular transportee. The scene that brings him back to the vagina is also the scene that made me start to hate the female lead. This is a crazy bitch who has been lying to him and treating him like shit, then she pissed on the floor and stole some vodka, she gets all giggly and steals the keys to the car, dances around threatening to blow them both up and forces him to take off his shirt and kiss her. Yeah, great catch there, Frank. Totally worth it.

Yeah I know, some talkbacker will say some cliche about how “crazy bitches are better in bed, heh heh heh,” but come on. Is that worth cleaning up after her when she pisses in his car? This is not a decision that’s gonna work out in Frank’s favor. Plus if he likes em crazy he should’ve gone for Lola in part 2. She was way hotter and had better hygiene.

I consider TRANSPORTER 3 an underwhelming installment. Too bad, because we could really use a good silly action series in the 2000s. But he’s only on strike 2, so I guess I’d watch a part 4 if they make one. I have a rule against watching the sequels for movies I didn’t like in the first place, but rules are meant to be listed, bragged about and then broken.

–Vern

Originally posted at Ain’t-It-Cool-News: http://www.aintitcool.com/node/39184

View the archived Ain’t-It-Cool-News Talkback

This entry was posted on Friday, November 21st, 2008 at 4:40 am and is filed under Action, AICN, Reviews. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.

10 Responses to “Vern Vs. TRANSPORTER 3!!”

  1. Just watched it and didn’t like it. (I wasn’t a fan of the series anyway, but I watched it because a.) I like Robert Knepper and b.) the DVD hits stores over here on friday and I had to review it for a website.)
    Despite all its obvious flaws, there is one thing that seriously bothers me: Why the fuck did the two men who were supposed to save the politician’s daughter shoot a policeman and stole his navigation system? Did I miss anything?

  2. So I’ve just seen the first episode of the Transporter TV-series (co-produced by HBO and a bunch of international channels), and it’s pretty dire stuff. Post-action all the way. Apparently, they hired Cyril Raffaelli to choreograph the fights, but I guess they could’ve saved that cash and just asked the actors/stunt people to wave their hands around in wild haphazard fashion since all we see of the action are shaky, disjointed snippets. The car chases are repetitive, sluggish trawls, and it seems like the people running this thing decided what people really liked about the Transporter property were the bits of story connecting the action, so the focus is most definitely on them.

    The films were never great to begin with, but the premise could’ve yielded something with at least a smidgen more punch that this tepid bullshit delivers.

  3. Does it have any dialogue like “I want to feel sex one last time?” Because that would be tv gold.

  4. Sadly, no.

    There’s plenty of daftness in there, but nothing of that calibre.
    The girl Frank Transporter’s meant to protect flashes her tits n’ arse about two seconds after she’s met him and, one car ride later, feels that there’s a thing between them. Cue requisite sex scene. Also, the villain is this German sad-sack called “Frieder Trumpf” who tells a handful of boring stories about his child-molesting pa who used to be a conductor with the Berlin Philharmonic Orchestra. He later threatens the girl with said conductor’s baton.

    It may sound entertainingly stupid, but it really isn’t.

  5. Just watched Transporter 3 and was sad to realize that it’s total dogshit because I really liked the first two. I had a bad feeling during the first fight when the camera was shaky as shit and there were 4 cuts for every punch thrown. And then when he is riding a bike, he rides up a truck and there is literally like 17 cuts in 5 seconds. I mean, why not just show him riding the goddamned bike up the truck in one clear shot? It really sucks because there were some good flashes of what made the other two good but they were totally ruined by the shitty direction.

    Also, I *hated* the chick in this one. She was even uglier than the “sexy” nurse from part 2.

  6. Let me know how the fourth one is. Was going to watch it until I saw you were rewatching these.

  7. The Undefeated Gaul

    July 6th, 2017 at 4:20 am

    HALLSY, that’s Olivier Megaton for you. He did the exact same thing in TAKEN 2 and COLOMBIANA. Probably my least favorite director I can think of, as he’s being given decent concepts for films that could be fun/good and he turns them into unwatchable crapfests every single time. With TRANSPORTER 3 especially you can tell they shot good, exciting material, but he fucks it up on purpose in the editing. Should legally be considered a crime imho

  8. Woah, I had no idea they even made a fourth one until you said that. I think I might give it a pass though – 15% on RT. Maybe I will just finally get around to watching BLITZ instead.

    Gaul – I will definitely avoid this guy’s other movies. It’s painful to watch.

  9. Transporter: Refueled is actually not that bad, it has an interesting plot and some cool action scenes. Of all the places I guessed they would take the Frank Martin character, “getting into a wacky, bickering adventure with his dad like Indiana Jones and the Last Crusade”, would not be high on the list. Even stranger, they take away any impact or novelty of introducing Frank’s dad by recasting Frank with someone almost 20 years younger than Statham and got someone Statham’s age to play the dad. So basically it should have just been a new character or series, but if you can get over that, it’s not terrible.

    And yes, it’s definitely a step up from 3 and benefits from not being directed by Olivier Megaton. As said earlier, he may be the worst director working today – at least Zack Snyder and Michael Bay can direct the hell out of an action scene (in Bay’s case, sometimes). At least Paul W.S. Anderson seems to have some kind of vision behind what he does. At least Uwe Boll movies are kinda funny. Any “worst directors EVER” list that smugly puts Brett Ratner or McG on it and doesn’t mention Megaton is immediately invalid in my eyes.

  10. McG is disqualified for worst director because be filmed one of the greatest one takes in history.

Leave a Reply





XHTML: You can use: <a href="" title=""> <img src=""> <blockquote cite=""> <cite> <code> <b> <i> <strike> <em> <strong>