"CATCH YOU FUCKERS AT A BAD TIME?"

Cult of Chucky

I kind of want the CHUCKY cinematic saga to go on forever, or at least as long as Don Mancini wants to keep making them. He’s the guy who wrote the original script BLOOD BUDDY, that became CHILD’S PLAY, and then wrote all six sequels to date, and directed SEED OF CHUCKY (2004), CURSE OF CHUCKY (2013) and now CULT OF CHUCKY (aka CHUCKY NUMBER SLEVIN).

CURSE was the first one made for the DTV market, and CULT follows in its footsteps: lower budget, limited locations, filmed in Winnipeg, more serious tone than BRIDE or SEED except for some broad meta references and some nods to continuity. It also brings back the star, Fiona Dourif (yes, Brad’s daughter) as Nica, innocent paraplegic woman now committed to an asylum, blamed for Chucky’s murders and convinced she imagined him to ease her guilt. Of course, the dumbass doctor (Michael Therriault, The Girlfriend Experience) decides he should bring in a vintage Good Guy doll as part of her therapy, and, you know, shit may or may not happen. (read the rest of this shit…)

October 9th, 2017 | 87 Comments »

Invaders From Mars

In the ’80s, lots of people were trying to make Steven Spielberg movies. And obviously POLTERGEIST is Tobe Hooper’s Steven Spielberg movie. Or Steven Spielberg’s Tobe Hooper movie. These days it sounds like they should’ve just been credited as co-directors if it had been allowed. Accounts vary. So let’s forget all that and call INVADERS FROM MARS his version of a Spielberg movie, but not a regular Spielberg movie. It’s the type that the weirdo who directed LIFEFORCE would make. And that Golan and Globus would produce.

It was, in fact, Hooper’s followup to LIFEFORCE (which the kid is watching in part of the movie – lenient parents) and has a screenplay by the same duo. That would be the great Dan O’Bannon (ALIEN, RETURN OF THE LIVING DEAD) and the mysterious Don Jakoby (DEATH WISH 3, ARACHNOPHOBIA, DOUBLE TEAM, VAMPIRES – how is the writer of all of those not legendary?) Hooper was still editing this when he started TEXAS CHAINSAW MASSACRE 2, so by my calculations this is right near the peak of feverish Hooper creativity. (read the rest of this shit…)

October 5th, 2017 | 23 Comments »

Ode to George Romero, Tobe Hooper and the Masters of Horror

After two years I was finally starting to get used to a post-Wes Craven world – now all the sudden we Fangorians find ourselves heading into Fall minus George Romero and Tobe Hooper, two of the largest shadows in horror. Like Craven, both of them made an iconic horror classic early on, and remained primarily in the genre for their whole careers, delivering many other gems across multiple decades. Romero’s DAWN OF THE DEAD and Hooper’s THE TEXAS CHAIN SAW MASSACRE are two of my most obsessed upon horror films, the two that seem to take turns being my All Time Favorite on any particular day. Just as important, Romero and Hooper each maintained a distinct voice that made their weaker movies still interesting when taken in context with the larger body of work.

When I think of Romero I think of independence. He and his Pittsburgh based commercial company Latent Image made NIGHT OF THE LIVING DEAD to break into features, a recipe they may have gotten from Herk Harvey’s CARNIVAL OF SOULS. For them it worked, but instead of moving to Hollywood, Romero built his empire in Pennsylvania and filmed almost all of his movies there. That includes his first studio movies, MONKEY SHINES and THE DARK HALF, both of which I think are underrated. Since he later moved to Toronto, his last three films, LAND OF THE DEAD, DIARY OF THE DEAD and SURVIVAL OF THE DEAD, are filmed around there. (read the rest of this shit…)

October 4th, 2017 | 70 Comments »

Night of the Comet

NIGHT OF THE COMET is like OMEGA MAN reborn as a vividly nineteen-eighties movie. To me it feels like a cousin of RETURN OF THE LIVING DEAD, and an acquaintance of MIRACLE MILE, CHERRY 2000 and A BOY AND HIS DOG. The tone is a little cartoony, but not silly; it has zombies, but the bigger threat comes from the government. It’s a good salty-sweet mix of bleak and cynical with sweet and fun.

The young leads, Reggie (Catherine Mary Stewart, NIGHTHAWKS, THE LAST STARFIGHTER) and her little sister Sam (Kelli Maroney, SLAYGROUND, CHOPPING MALL) are called “Valley girls” on the box, but luckily that means no more than where they live. Maybe they say “I’m so sure” or something, but they’re serious characters, not the goofy-talking stereotype we know from the Moon Unit Zappa song. Still, centering around youths of the ’80s, NIGHT’s primary locations are a movie theater, a radio station lit by neon art, and a mall. (read the rest of this shit…)

October 3rd, 2017 | 16 Comments »

The Legend of Billie Jean

THE LEGEND OF BILLIE JEAN is a cool little 1985 stick-it-to-the-man teen feel-good movie that I think still has alot of relevance today. Helen Slater (SUPERGIRL) plays Billie Jean, a Texas trailer park girl who lives parent-free with her young brother Binx (Christian Slater, no relation, MINDHUNTERS). One day they’re riding around on his motor scooter when they get harassed by a carload of giggly rich bros who I think are following the grade school throw-rocks-at-the-girl-you-like method of flirting. But things escalate until the scooter is damaged.

Billie Jean would not be legendary if she put up with this type of treatment. Instead she goes to the store owned by the ringleader Hubie Pyatt (Barry Tubb, Wolfman from TOP GUN)’s dad (Richard Bradford, MORE AMERICAN GRAFFITI) and demands the $608 it will cost to repair the scooter. Mr. Pyatt pretends to be reasonable but then tries to get her to have sex with him for the money, which is very much not in the spirit of the request. As Billie Jean struggles to get away, Binx accidentally shoots Mr. Classy with his own gun. So Billie Jean and Binx and their friends Ophelia (Martha Gehman, F/X) and Putter (Yeardley Smith, THREE O’CLOCK HIGH) go on the run. (read the rest of this shit…)

September 28th, 2017 | 12 Comments »

Please bear with me

Hey friends,

As I mentioned in one of the comment threads somewhere, an enormous rent increase has forced me to move suddenly. I wish I was a monk who could just sweep up and glide over to the new place, but the truth is I have endless waves of books, CDs, movies, magazines, papers and random crap to sort and pack and move or figure out how to part with. It has consumed all my time and energy and soul. I hope to have something ready to post soon, but I’m not sure I will. I’m sorry to say these next two weeks or so I will have to be on semi-hiatus.

So thank you for your patience. I look forward to things being back to normal (or better).

P.S. I haven’t even seen MOTHER! yet, can you believe that shit

Me carrying my things to the new apartment. (Except I feel like a stepped-on marionette just from carrying boxes.)

September 18th, 2017 | 191 Comments »

Crouching Tiger, Hidden Dragon: Sword of Destiny

Okay, so admittedly it’s weird that 17 years after the acclaimed, Academy Award winning CROUCHING TIGER, HIDDEN DRAGON, The Weinstein Company up and made a sequel without the original director. And filmed it in English. And sold it to Netflix so it was barely released in theaters and may never be available on disc in most countries. It’s not surprising that people seem to have been disappointed, or just confused, or completely unaware of it. But if we think of it in terms of unlikely DTV sequels, CROUCHING TIGER, HIDDEN DRAGON: SWORD OF DESTINY is in the upper echelon.

No, the director is not Ang Lee, but it’s not nobody either – it’s Yuen Woo-Ping, whose choreography was the life’s blood of the first film. I wouldn’t say he tops it here, but he brings more graceful glides, spinning swords and nimble roof top skips and hops. It’s worth noting that today’s technology is used to create more elaborate magical realism, like when the two leads ride in on horses, block a barrage of spears, leap high into the air, land and begin a sword fight, all in one beautiful shot. (read the rest of this shit…)

September 14th, 2017 | 27 Comments »

Crouching Tiger, Hidden Dragon

CROUCHING TIGER, HIDDEN DRAGON is an important movie to me for a couple reasons. One is personal, but the other is kinda about you guys. I had been writing reviews on my Geocities websight for a bit, but I didn’t really think anybody gave a shit, so I had kind of given it up for a few months when I ran into an old friend who mentioned he liked what I wrote about CROUCHING TIGER and wondered when I was gonna write more reviews. So I did, and then I continued for like 17 years, and here we are. Thank you, Jacob M., for saying that to me that day.

I love CROUCHING TIGER. I wasn’t sure how well it would hold up after all these years. It was such an exciting movie of its time, but it’s been imitated, techniques have evolved, new things have been achieved in martial arts, we’ve changed. And though I still like HULK, the other Ang Lee film I was obsessed with in the early 2000s, it doesn’t quite knock my socks all the way off anymore. Just part way off.

CROUCHING TIGER, I’m happy to discover, still does. And it knocks them off in a deeper, more mature way than it used to. My socks were very impressed.

(read the rest of this shit…)

September 13th, 2017 | 25 Comments »

It

STAND BY ME vs. THE THING. A group of young nerd friends in the small town of Derry, Maine battle a shape-shifting (usually clown-shaped) thing-from-another-(not-specified) that feeds on the fears of children. Oh, and also feeds on the actual children, apparently as a way to create more of that sweet fear.

Stephen King’s book tells the story of this “Losers’ Club” in 1958, and then reunites them as adults to do It in grown up style. Andy Muschietti (MAMA)’s movie just handles the childhood half of the story, moving it up to the summer of 1989, three years after the book even came out.

I read the book probly 30 years ago and only remember it well enough to be thankful they left out the pre-teen gang bang scene. I still question the part where a bunch of boys and one girl go swimming together in their underwear and then hang out that way. Maybe it was different on the east coast but this seemed like an alien clown’s idea of what the youths do together. Also the graphic blood pact seemed to me from a different time, but I guess God bless those little psychos for being up to that kind of self-mutilation. I couldn’t do it. (read the rest of this shit…)

September 12th, 2017 | 175 Comments »

Okja

This year THE HOST and SNOWPIERCER director Bong Joon-ho made a truly one-of-a-kind movie. OKJA is a sweet girl-and-her-creature tale like MY NEIGHBOR TOTORO after it has been swallowed by a vicious satire of corporate greed and man’s treatment of animals. It’s produced by Netflix with an international cast, many of them speaking English, but its wild shifts in tone make it feel safely within the tradition of South Korean cinema.

It already seems bug-nuts from the opening, when aggressively-faux-enlightened Mirando Corporation CEO Lucy Mirando (Tilda Swinton, CONSTANTINE) gives her colorful presentation about the “discovery” of the allegedly miraculously eco-friendly “superpig” species and their plan to give them to farmers in 26 cities around the world to raise for ten years using their local traditions and then to crown one as the best.

The decade passes, and young Mija (Ahn Seo-Hyun, the daughter in THE YELLOW SEA) lives an idyllic life in some mountains in Korea helping her grandfather (Byun Hee-bong, MEMORIES OF MURDER) take care of their superpig Okja. She’s bigger than a hippo – looks like a giant Eeyore – but limber enough to leap around like Ang Lee’s Hulk. Mija plays with her and rolls around on top of her belly and climbs inside her mouth to brush her teeth for her. (read the rest of this shit…)

September 11th, 2017 | 13 Comments »

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