
I noticed there are a couple still-only-on-VHS horror movies that are heavy metal themed, and that also seems to be a motif through some of the modern horror I’ve been enjoying like DEVIL’S CANDY and MANDY, so I decided to take a look at them in this special Slasher Search investigation (in association with Tape Raider). This first one is from 1985 and it’s about a hair metal or whatever type of band who make two major mistakes
1) For some reason thinking that a remote mountain area is a cool place to film their new video
2) Choosing the remote mountain area that’s protected by a family of anti-social brutes.
3) You know what, I’m gonna count #1 as two mistakes because why they hell did they think this would look cool in a video? It doesn’t even look cool in a horror movie. (read the rest of this shit…)

I don’t consider myself a Chuck Norris fan, but I love
How many times will I have to write a variation of this: “Yeah, I know, I didn’t think I wanted any new zombie movies either, but here’s another one I liked”? No one knows. WYRMWOOD: ROAD OF THE DEAD (2014) feels a little bit more like a normal zombie movie than
Many horror movies, maybe even most, teach us that no matter what life throws at us, we can get through it. We can survive. Some of us. Hopefully. Most of the time.
I remember DEF BY TEMPTATION (1990) seeming like an important indie movie at the time. Robert Townsend and then Spike Lee had created this excitement around the new black cinema in the late ’80s. This one predates Matty Rich’s STRAIGHT OUT OF BROOKLYN by a month and John Singleton’s
I’ve been saying for a little while now that a scary idea for a horror movie would be a
HELL FEST is a mainstream horror movie released on 2,297 screens by Lionsgate, but I never saw a trailer for it and only heard of it because Brian Collins recommended it on Twitter (he also
The way Stuart Gordon tells it, CASTLE FREAK was made because he saw Charles Band’s poster for it before it was even really a premise.
TO HELL AND BACK: THE KANE HODDER STORY is an above average horror movie doc, partially in filmatistic execution but especially in subject matter. I mean it has its share of generic talking head interviews and convention footage, and a questionable interview choice or two – the brief clips of “hip hop duo Twiztid” praising the man of the hour create a sinking feeling that we horror fans might be on the wrong side of history. And there’s lots of repetition that seems to me like it could’ve been trimmed to strengthen this 104 minute story into a fierce 80. But the movie’s emphasis on the vulnerabilities of a legendary movie slasher, contrasted with his menacing qualities both on and off screen, make for a fascinating story at times.
All I knew about THE DEVIL’S CANDY (2015) was

















