Archive for the ‘Thriller’ Category
Tuesday, November 5th, 2019
LEON (THE PROFESSIONAL) sums up Luc Besson pretty good, doesn’t it? He’s creepy about young women. Also, he’s really good at putting them in cool, stylish action roles. His latest in that vein, ANNA, came out this summer with little fanfare (or box office), at least partly because Besson had recently been accused of rape. Maybe it deserved to fail. But for whatever it’s worth it’s a solid movie full of what he does well.
It actually has alot in common with ATOMIC BLONDE. A beautiful bisexual spy (well, assassin in this case) double and triple crosses her way through end-of-the-Cold-War European intrigue with a twisty plot and a couple of long, impressive fight sequences. Charlize and her action and David Leitch’s intoxicating colors and music are more my speed, but ANNA has the advantage of being real complicated without being hard to follow. It’s a satisfying tale. (read the rest of this shit…)
Tags: assassins, Cillian Murphy, Helen Mirren, KGB, Luc Besson, Luke Evans, models, Olivier Megaton, Sasha Luss
Posted in Action, Reviews, Thriller | 5 Comments »
Tuesday, October 15th, 2019
Right after Kathryn Bigelow and Eric Red wrote NEAR DARK for her to direct, they wrote UNDERTOW for him. Her vampire movie got off the ground first, and it was almost a decade later when his weird thriller about three weirdos out in the woods during a hurricane became a Showtime movie.
It’s not supernatural, and maybe not even horror, but the mood somehow does remind me of NEAR DARK. Lou Diamond Phillips (RENEGADES) plays Jack (last name Ketchum, apparently!), who’s introduced in his car, drifting to the next town after – as he explains in voiceover narration – falling for a sheriff’s daughter. Too dangerous. But before he can find a new place to stay he drives his truck off the road into a forest and wakes up the captive of a paranoid old redneck named Lyle (Charles Dance, LAST ACTION HERO) and his timid wife Willie (Mia Sara, TIMECOP), who I assumed at first was his daughter. They live in an isolated home in some North Carolina woods that’s somewhere between a hermit’s shack and a luxury resort lodge. It looks cold and some of it is built out of rusty car doors, but it’s huge, with various buildings and facilities. (read the rest of this shit…)
Tags: Charles Dance, crossbow, Eric Red, hurricane, Kathryn Bigelow, Lou Diamond Phillips, made-for-cable-movies, Mia Sara
Posted in Reviews, Thriller | 3 Comments »
Tuesday, September 24th, 2019
“Listen, I got nothin’ against playin’ army. I don’t mind that at all. I think the ideology of some of these folks is good. But there’s assholes everywhere…” –Steven Seagal as Dr. Wesley MacLaren in THE PATRIOT (1998)
I knew exactly three things about THE STANDOFF AT SPARROW CREEK: it was supposed to be potentially controversial for having something to do with a militia, people loved it at Fantastic Fest last year, and it was produced by Cinestate. Because of the last one it was often mentioned in articles alongside the works of S. Craig Zahler, portrayed as daring independent films that are super fuckin edgy because they blur the line between “regular movie” and “movie that all neo-Nazis own on blu-ray.”
That’s probly why I put off watching it until now. But there really wasn’t much to be afraid of. Realistically we can assume that these characters who have dozens of AR-15s, grenades, Kevlar vests and shit stashed in a warehouse are right wing extremists, because they have dozens of AR-15s, grenades, Kevlar vests and shit stashed in a warehouse. But it’s not about that. The closest thing to a political view ever discussed is that some of them believe in killing cops. The two characters that are portrayed as potentially honorable are an undercover cop trying to bust the militia and a former cop trying to save the undercover cop. Race is never discussed, other than one guy being former Aryan Brotherhood (which is portrayed as a stain on his record). It’s really just a novel way to do a “flushing out the mole” type suspense story. (read the rest of this shit…)
Tags: Brian Geraghty, Chris Mulkey, Cinestate, Henry Dunham, James Badge Dale, militia, Patrick Fischler, Robert Aramayo
Posted in Crime, Reviews, Thriller | 5 Comments »
Thursday, July 25th, 2019
PROGRAMMING NOTE: I’m still working on one more piece that will cap off the Last Summer of ’80s Action series next week. But last night, while celebrating the life of Rutger Hauer and linking to my reviews of his action movie roles (BLIND FURY!), I was confused as to why I couldn’t find a review of NIGHTHAWKS. It turned out I was working on one two years ago that I never posted, so I polished it up and have it for you today. R.I.P.
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NIGHTHAWKS. A couple of tough street cops who go out at night like, uh… a couple of hawks. Or probly more like that famous Edward Hopper painting of the mostly empty diner at night. Except no diner and not always at night.
You know what, you and I together are going to have to face that I actually have no idea why it’s call NIGHTHAWKS, but the point is it’s the story of NYPD (New York Police Department) undercover dudes Deke DaSilva (Sylvester Stallone, DEATH RACE 2000) and Matthew Fox (Billy Dee Williams, HIT!) who, just because they’re war veterans and also familiar with where all the low lifes go around here, are recruited by ATAC (Anti-Terrorist Action Command) to stop a terrorist (Rutger Hauer, WANTED DEAD OR ALIVE, in his first American film) who is in NYC (New York City) to attack the U.N. (United Nations) which in my opinion is B.S. (bullshit), you shouldn’t do something like that you jerk. (read the rest of this shit…)
Tags: Billy Dee Williams, Bruce Malmuth, Joe Spinell, Keith Emerson, Lindsay Wagner, Rutger Hauer, Sylvester Stallone
Posted in Action, Reviews, Thriller | 10 Comments »
Tuesday, July 23rd, 2019
THE PACKAGE is… kind of an action movie from director Andrew Davis. After the better-than-average Chuck Norris vehicle CODE OF SILENCE (1985) and Steven Seagal’s debut ABOVE THE LAW (1988) the director put some similar elements into a thriller with Gene Hackman in the lead. Hackman had just done MISSISSIPPI BURNING (which he got Oscar and Golden Globe nominations for) but did not have any black belts in anything, so I’m not sure why he thought he should be in movies?
He plays U.S. Army Master Sergeant Johnny Gallagher, who I assume is respected for his skills, but he seems mostly just beloved for being a great guy. He’s introduced arriving for security detail at the site of U.S.-Soviet Union disarmament talks in West Berlin and walking around smiling and saying hi to everybody. (read the rest of this shit…)
Tags: Andrew Davis, Dennis Franz, Gene Hackman, Harry Lennix, Joanna Cassidy, Kevin Crowley, Pam Grier, Summer of '89, Terry J. Leonard, Tommy Lee Jones
Posted in Action, Reviews, Thriller | 19 Comments »
Tuesday, May 14th, 2019
SANCTUARY (1998) is not The Great American Mark Dacascos Vehicle, but it’s pretty enjoyable classical DTV (or in this case straight-to-cable, I believe) action, the kind that made me fall in love with the format in the first place. Yes, it’s messy, at times confusing or befuddling. It’s kinda gloomy looking, sometimes there are iffy line deliveries, and there are definitely parts that I laugh at that I’m not supposed to. But also there’s some showcasing of a cool actor I like, pulpy traditions of the genre are exercised, and when something really cool happens there’s a sense of underdog achievement. You’re really pulling for it to be good.
It has a convoluted chronology: it starts with our Catholic priest hero Luke Kovak (Dacascos a year after DRIVE) in a Vatican interrogation room being questioned in Italian about what happened six days ago when he got attacked by some killers from his secret past. From the story of six days ago it keeps flashing back to the larger backstory of his former career doing dirty deeds for the government and why he went into hiding to get away from it. A few times he even remembers his childhood, when a priest was his role model until Dyson (Alan Scarfe, CATHY’S CURSE, IRON EAGLE II, LETHAL WEAPON 3) took him and some other orphans and raised them to be experts in martial arts, guns and spycraft. (read the rest of this shit…)
Tags: Alan Scarfe, Brian Irving, Elisabeth Rosen, Jaimz Woolvett, Kylie Travis, Mark Dacascos, Michael Stokes, Monika Schnarre, Nigel Bennett, Tibor Takacs
Posted in Action, Reviews, Thriller | 12 Comments »
Monday, May 6th, 2019
SPOILERS for both MISS BALAs
You may find this shocking, but the American remake of the great 2011 Mexican film MISS BALA is not as good as the original. Director Catherine Hardwicke (THIRTEEN, LORDS OF DOGTOWN, THE NATIVITY STORY) doesn’t Hollywood it up quite as much as the trailer made me think she might, but maybe she should’ve. She stays maybe 75% faithful to the original, maybe more, but the normal, slick style severely blunts the impact of the story compared to the previous suspensefully long, unblinking takes and documentary-like realism. It goes from an intense CHILDREN OF MEN type of style that puts you in the middle of it all with the protagonist to just some random, normal TAKEN sequel or something. And the major story changes that do happen are, in almost all cases, less interesting than the earlier version.
It might seem okay if I hadn’t seen the original. Gina Rodriguez (ANNIHILATION) is quite good in the lead. In this version her name is Gloria Fuentes and she’s an American citizen returning to Tijuana to visit her friend Suzu (Cristina Rodlo, The Terror) and help her with her makeup when she tries out for the Miss Baja California pageant. After an audition they go to a party where her friend tries to flirt with the corrupt chief of police (Damian Alcazar, MEN WITH GUNS), who supposedly has some sway over who wins the pageant. So they’re there when members of the Las Estrellas gang come in to massacre the police, and Gloria, having seen them sneak in while she was in the bathroom, escapes alone. (read the rest of this shit…)
Tags: Anthony Mackie, Catherine Hardwicke, Damian Alcazar, Gina Rodriguez, Ismael Cruz Cordova, remakes, Thomas Dekker
Posted in Action, Reviews, Thriller | 6 Comments »
Thursday, May 2nd, 2019
I have great respect for Steven Knight. He wrote EASTERN PROMISES, ALLIED and THE GIRL IN THE SPIDER’S WEB, he wrote and directed the under-recognized Jason Statham movie REDEMPTION (a.k.a. HUMMINGBIRD) and the Tom-Hardy-on-the-phone movie LOCKE. Most of his shit is good. So when his new steamy sleazy noir thriller thing SERENITY was universally panned and made fun of for a purportedly insane plot twist I didn’t entirely buy it. I thought maybe people were being unappreciative of its apparent audacity, maybe I would enjoy it more.
But jesus, they weren’t lying. This is the most potent feeling of how did all these people agree that this was a movie worth making I’ve had in a long time. It’s not just that the twist is outlandish – it’s that it’s just not a good premise. Being crazy, being unpredictable, being bizarre, unfortunately does not always equal being cool. I just can’t picture the person who would get to the part where you find out what’s going on and think Ah ha, now we’re talking! This is absolutely an idea that is not dumb and was worth writing down and printing out on paper and getting talented people to convey in a storytelling medium! Your mileage may vary.
I will of course tell you what the twist is. I have to. But it starts as a story about Baker Dill (Matthew McConaughey (AMISTAD), Iraq vet turned charter boat captain and fisherman on a quest to catch a mythical beast of a fish he has named “Justice.” He’s kind of a mess, but well-liked on the tiny island of Plymouth. Also he’s hard up for money and taking it out on his faithful first mate Duke (Djimon Hounsou, also AMISTAD), who he fires and accuses of being bad luck. (read the rest of this shit…)
Tags: Anne Hathaway, Djimon Hounsou, Jason Clarke, Jeremy Strong, Matthew McConaughey, Steven Knight
Posted in Reviews, Thriller | 25 Comments »
Tuesday, April 16th, 2019
A while back, when I reviewed INNOCENT BLOOD and got into a bit of a John Landis run, I realized I’d never seen his 1985 movie INTO THE NIGHT. Didn’t even know anything about it. I guess you could say it’s kind of a thriller, but of the happening-over-one-night variety, and with some humor. Ed Okin (Jeff Goldblum, DEATH WISH) is a regular boring aerospace engineer guy who’s unhappy and doesn’t know why. He hasn’t been able to sleep for a long time and he feels disconnected from his wife (Stacey Pickren, RUNAWAY TRAIN). Then he starts dozing off at work, getting himself in trouble, so he decides to go home for a nap, and I think we are all familiar with what happens in movies any time somebody goes home in the middle of the day when their spouse doesn’t expect them. It’s just like in TOY STORY how the toys are always having meetings and playing games and shit whenever you’re out of the room. Similar thing with movie spouses when you’re at work. (read the rest of this shit…)
Tags: B.B. King, Bruce McGill, Dan Aykroyd, Jake Steinfeld, Jeff Goldblum, Jim Henson, John Landis, Michelle Pfeiffer, Paul Bartel, Paul Mazursky, Richard Farnsworth, Roger Vadim, Ron Koslow, Vera Miles
Posted in Reviews, Thriller | 22 Comments »
Tuesday, March 26th, 2019
THE GUILTY is an elegantly minimalistic Danish thriller. It’s a premise that makes LOCKE seem needlessly extravagant. Like that movie it’s a story told entirely through its lead character’s phone conversations, but in this one he’s not driving around. Tom Hardy saw it and said “God damn it! Why did you put me through all that? I could’ve just been in a room.” I’m not sure which accent he used.
(I haven’t seen BURIED and don’t remember much about THE TELEPHONE with Whoopi Goldberg, so I don’t know. Maybe they make this look like Michael Bay.)
The visuals take place entirely inside a small call center at a police station. The beautiful thing is that it neither feels like a gimmick or a thing they could’ve changed if they’d had a bigger budget. No, it just feels like the natural, best way to tell this particular story. (read the rest of this shit…)
Tags: Gustav Moller, Jakob Cedergren, minimalistic
Posted in Reviews, Thriller | 6 Comments »
