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Archive for the ‘Romance’ Category

Under the Cherry Moon

Thursday, December 22nd, 2016

Remember in the ’60s when Prince starred in that French romantic comedy? Well, I guess that didn’t happen per se, but it’s kind of what his 1986 directorial debut UNDER THE CHERRY MOON feels like. It’s not really a period piece, but it’s filmed in gorgeous black and white (grain perfectly preserved on the excellent new Blu-Ray transfer), has a goofy old fashioned tone and doesn’t have many contemporary styles or references outside of the amazing soundtrack by Prince and the Revolution. The many songs we know as the album Parade (biggest hit: “Kiss”), but there’s also plenty of great instrumental music in there that’s sadly not on the soundtrack.

Prince plays Christopher Tracy, a slick gigolo type from Miami, currently on the Riviera living off of rich French women who he seduces during his job as pianist at a restaurant. He has it down to a science. Best friend/roommate/possibly brother Tricky (Jerome Benton from The Time) is a very effeminate fellow pussyhound who is in awe of Christopher’s skills as he lays in the bath tub improvising love poems over the phone. He’s designed to deliver a certain type of pleasure to a certain type of woman, and it helps that he looks like Prince.

The romcom formula kicks into gear when these love vultures learn of a party for the 21st birthday of the heiress Mary Sharon (Kristin Scott Thomas, ONLY GOD FORGIVES, in her first role), when she will inherit $50 million. They crash the party with plans for Chris to figure out how to marry her. (read the rest of this shit…)

Pride + Prejudice + Zombies

Thursday, August 25th, 2016

tn_ppzWhen I first heard about PRIDE & PREJUDICE & ZOMBIES – the book where Seth Grahame-Smith inserted the undead into Jane Austen’s original text – it sounded like a clever public domain art project, something I could respect without wanting to actually read it. When I heard that they were making it into a movie it sounded like kind of a bad idea, but since David O. Russell was doing it I thought maybe it would be interesting. By the time Russell left and it was finally made by 17 AGAIN director Burr Steers I had written it off.

But then I saw the trailer, where the absurd premise was done with a straight face, and that was all I needed to get on board. I should’ve known better, too, because this is actually a repeat of what happened with Grahame-Smith’s second book, ABRAHAM LINCOLN: VAMPIRE HUNTER. The wackiness of the title made me groan, but then I enjoyed the deadpan movie version. To this day it makes me smile to think that that actor had to master both delivering the Gettysburg Address and spinning an ax.

So I should learn to trust this Grahame-Smith guy. He also wrote Tim Burton’s DARK SHADOWS, which I enjoyed. But more importantly he has a corner on this rare, ballsy type of movie: lavish, earnest productions of intentionally ridiculous historical drama/horror-action combos. Steers has the unlikely discipline to treat Austen’s story of courtship among the rich with utter respect even though he’s moved it to a post-zombie apocalypse London surrounded by a moat and wall and at war with the undead hordes. I actually found myself invested in Austen’s original love story regardless of any zombie business. (read the rest of this shit…)

Mermaid

Thursday, March 24th, 2016

tn_mermaidMERMAID is the story of a dumb but not intentionally evil super-super-rich businessman playboy named Liu Xuan (Deng Chao, DETECTIVE DEE AND THE MYSTERY OF THE PHANTOM FLAME), a sort of Pretty Decent Gatsby with lots of shiny suits, a John Waters mustache, whole teams of security guards, lackeys and sexy dancers kissing his ass at all times. He has a weakness for the ladies, giving the time of day to every female from his seductive business partner Ruolan (Zhang Yuqi, CJ7) to a youngster in a sloppy mermaid costume who gets suplexed by security after crashing his pool party to give him her phone number.

One thing he doesn’t know: the fake mermaid Shan (Lin Yun) is actually a real mermaid sent to assassinate him to avenge his sonar devices massacring and trapping a society of merpeople in the Green Gulf wildlife reserve that he recently purchased for billions of dollars. But they kinda fall for each other. It’s like THE LITTLE MERMAID if it took place in the modern day and Ariel was trying to kill Prince Eric.

It’s directed and co-written by Stephen Chow, but he’s not in it as an actor and it’s not a martial arts movie. It is, however, full of his kinetic Looney Tunes style slapstick action. Hopefully the people who have a problem with wire tricks and digital FX assists already saw SHAOLIN SOCCER and KUNG FU HUSTLE and know to stay far away from Chow. This is a movie with a skateboarding mermaid, an out of control jetpack, a half man/half octopus who’s often hanging upside down or crawling around on the ceiling, a mermaid matriarch who splashes water into animated shapes to tell stories. And of course some cartoon violence, including poisoned sea urchin throwing stars. (read the rest of this shit…)

Carol

Tuesday, February 9th, 2016

tn_carolCAROL is a story of love – long, drawn out, dangerous, afraid-to-say-anything love. Young Therese Belivet (Rooney Mara, NIGHTMARE ON ELM STREET remake), working as a shopgirl, seems practically hypnotized when she spots customer Carol Aird (Cate Blanchett, INDIANA JONES AND THE KINGDOM OF THE CRYSTAL SKULL) in her fur coat, Christmas shopping for her daughter. When Carol forgets her gloves on the counter it gives Therese a reason to contact her, and they strike up a relationship outside of the store. Who does Carol think she is, Cinderella? Well, some of the men in the movie treat her like O.J.

See, this takes place in the 1952 (five years before CRYSTAL SKULL), when women falling for each other was treated like a shameful crime or a sickness. Carol recently split from her husband Harge (Kyle Chandler [THE WOLF OF WALL STREET], looking more and more like Robert Foster as each minute of the day passes), and he’s still trying to work it out. But when that’s obviously not gonna happen he threatens to use a confessed lesbian incident against her in custody hearings. That’s devastating to her because her daughter is the only thing that matters to her.

It’s a movie where women dance with men and look over at each other from across the room. They have to make up alibis just for being together. Saying Therese is her assistant. If they’re sitting at a table together and a dude comes over and starts talking to them they have to act like he’s not interrupting, and sit and listen to the motherfucker. And he has no idea. He probly figures they’ve been sitting together wishing for a man. (read the rest of this shit…)

Top Five

Tuesday, December 23rd, 2014

tn_topfiveI usually have a hard time writing about comedies, but TOP FIVE is a moment worth commemorating: the point when Chris Rock finally became the filmmaker he always seemed like he wanted to be.

Not that he really needed that. The man has come a long way since having to play Luther Campbell on Saturday Night Live because he’s the only black guy. He’s reached the heights of standup, done some smart television, hosted the Oscars, produced GOOD HAIR and POOTIE TANG*, and yes, been funny in movies. But to me it seemed like his movies were always compromised in some way. Can you point to the one (or more) great Chris Rock vehicle? CB4 maybe?

I remember when he directed HEAD OF STATE I had high hopes. That’s about all I remember. Well, the one thing that made an impression was that it had narration sung by Nate Dogg.

TOP FIVE finally feels like that pure personal expression he’s been on the verge of. Not because he plays a comedian trying to be taken more seriously, but because his talents and passions are all over this. It’s a conversation movie. His character, comedian-turned-movie-star-tired-of-comedy Andre Allen, is being profiled by New York Times writer Chelsea Brown (Rosario Dawson) on the eve of his movie about the Haitian Revolution and his Bravo-sponsored wedding to a reality show star (Gabrielle Union). (read the rest of this shit…)

Her

Thursday, January 16th, 2014

tn_herHER by Spike Jonze – his fourth feature film in 14 years – is a completely unique movie. It’s a touching relationship drama mixed with light sci-fi and cultural satire that’s somehow brutally accurate and gently affectionate at the same time. It’s the story of this depressed writer Theodore (Joaquin Phoenix) who’s in the middle of a divorce, and he meets someone who he really connects with… only it’s not a person, it’s the artificially intelligent voice in his computer (Scarlett Johansson). Yeah, he thinks it’s weird at first too, but it just happens. You can’t argue with your heart I guess.

Spending his life with his operating system has its share of challenges. He has to carry a little camera around for her to see the world. It’s awkward introducing her to people. They can’t hold hands or take a picture together and when they get it on it’s basically phone sex. They’re dealing with alot of handicaps here.
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The Super-Kumite Finals: The Kumite (2003)

Tuesday, August 6th, 2013

tn_Super-Kumitetn_kumiteTHE KUMITE is the stupid American title for the 2003 Hong Kong film also known as STAR RUNNER. Thankfully there is a tournament in it, but if you’re wondering, it’s called “Star Runner,” not “The Kumite.” The word “kumite” is never used in the movie, unless you count the BLOODSPORT trailer they included on the DVD. Also, the guy in the cover is not the hero, that’s the guy he has to beat at the tournament. And the tagline “To die is an honor” has nothing to do with the movie at all. Nobody dies.
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SIFF 2013 review: Much Ado About Nothing

Friday, May 17th, 2013

tn_muchadoI got a ticket to the opening film of this year’s Seattle International Film Festival, a movie called MUCH ADO ABOUT NOTHING, from the director of THE AVENGERS and the writer of HAMLET. Yes, idolized big brother of the internet Joss Whedon had some time off after directing the highest grossing non-James-Cameron movie of all time so he invited all his actor friends to his house to do a low budget William Shakespeare movie. It was so low budget he had to do it in black and white even though it was on a RED camera.

The cast includes Reed Diamond from Homicide: Life On the Street, the younger sister that was added later on in Growing Pains, two people from the LAST HOUSE ON THE LEFT remake, and nobody else you ever heard of except for like ten or fifteen people that starred in Joss Whedon’s TV shows. A couple of them got intrusive applause when they showed up on screen or after their scenes were over, and to be fair at least nobody in the audience was dressed up like Firefly characters, but come on people, it’s called self control, and it can be yours. I believe in you. (read the rest of this shit…)

Revenge

Tuesday, September 11th, 2012

REVENGE is a 1990 film directed by the late Tony Scott. REVENGE is called REVENGE because it’s based on a novella called Revenge (by Jim Harrison) and because both are partly about revenge. But don’t let the stripped down title lead you to expect a pure revenge tale. Or at least not one that’s in a hurry to get to the revenge part.
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Breathless (1983)

Tuesday, August 21st, 2012

I gotta confess coming to this one from a place of cinematic ignorance. I’ve seen the original Godard movie, but I don’t remember jack shit about it. I thought it was pretty good, I believe. That’s about all I got. Still, I’m sure less people could tell you anything about the remake than everything about the original. So this makes me smart.
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