A CHRISTMAS HORROR STORY is a misleading title because 1) it’s not a horror version of A CHRISTMAS STORY and 2) it’s more than one Christmas horror story. It’s an anthology of several but it jumps around between them like CLOUD ATLAS or something.
This one is made by the Canadians. As a country they know their shit, in my opinion, having given us at least two of the Christmas genre classics, BLACK CHRISTMAS and THE SILENT PARTNER. This will not be added to that list, but it’s worth a watch.
The story begins on Christmas Eve at a spooky North Pole, where a ragged looking Santa Claus (George Buza, THE CHRISTMAS SWITCH, THE CASE FOR CHRISTMAS, A CHRISTMAS WEDDING, SNAKE EATER II: THE DRUG BUSTER) is preparing for his flight. Something seems wrong, and when he turns around there’s a bloody slash across his face. Then it skips to 12 hours earlier. (read the rest of this shit…)
TOY SOLDIERS is a kid’s movie clashing with an action movie. It’s rated-R and surprisingly legit, opening with chaos in Colombia, where Luis Cali (Andrew Divoff, WISHMASTER), the son of a captured narco-terrorist, has a court room held hostage. Within the first four minutes of the movie they throw a woman out of a high window and a judge out of a helicopter (an impressive skydiving stunt). Later they will take over a boarding school full of the children of American politicians and super-riches, and being that Columbine has not happened they will have no compunction about shooting the place up.
But when we meet our young protagonists jogging into The Regis School and spray painting it to say “The Rejects School”, Robert Folk (POLICE ACADEMY)’s score goes from sounding like a Chuck Norris movie to an episode of Amazing Stories or The Young Indiana Jones Chronicles. Oh, youth. They have self-owned themselves as rejects because they’re supposed to be the fuckup rich kids who got kicked out of every other prep school. Now they will endure the gauntlet of action-movie-scenario to prove their true worth. (read the rest of this shit…)
“Confessions are only admitted under torture, otherwise you might confess just to avoid torture and it wouldn’t be a true confession.”
Stuart Gordon’s THE PIT AND THE PENDULUM opens with Grand Inquisitor Torquemada (Lance Henriksen, STONE COLD) and his Spanish Inquisition goons pulling a dead body out of a coffin, convicting him of heresy and giving him 20 lashes, which busts him apart until he’s a pile of bones. The man’s family watch, outraged, while a bunch of other rich people smile to themselves and lick their lips. Torquemada crushes the dead man’s skull into powder and uses it to fill an hourglass. That’s all before the credits start.
So, this movie is not fuckin around. And you guys know how I feel about a movie that’s not fuckin around. (Usually positive.)
Even still, it kinda snuck up on me. It’s a Full Moon production, and they’re doing a period piece (Spain, 1492) in the one castle they have access to, lots of fake looking wigs, some actors delivering their lines in a modern tone, some not. And then there’s a shitty looking font on the credits and they still couldn’t bother to change the title (it calls it THE INQUISITOR). And as it gets into the plot about a woman falsely accused by the Spanish Inquisition it seems like it’s gonna be mostly sitting through gruesome torture scenes: public whipping, burning at the stake, some citizens enjoying it, others being forced to watch, people tied to racks, screaming, getting slashed and/or sexually humiliated. But that’s just the fuel to a story that really comes together, a nice amalgam of Edgar Allan Poe ideas, adventure and most of all an extreme caricature of the type of hypocrites who stand in judgment of others to hide their own faults. Gordon worked in theater for years before RE-ANIMATOR made him a Master of Horror, and I imagine this is alot like one of his plays. (read the rest of this shit…)
LOVING is a pretty simple true story about something that should be pretty simple: two people are in love and having a baby and decide to get married and build a life together. Should be up to them to decide if that’s a good idea, you would think, but the trouble is that Richard Loving (Joel Edgerton, WARRIOR) is white and Mildred Jeter (Ruth Negga, THE SAMARITAN, WARCRAFT) is black, and in Virginia in 1958 it was illegal for them to get married.
Like same sex couples before we got marriage equality a few years back, they had to go somewhere else to get married (Washington DC), but back at home the cops kick in their door one night and arrest them. Richard gets bailed out but they won’t let him bail out Mildred. Wait to see the judge on Monday, they say, as if that’s a reasonable thing to ask a man whose pregnant wife is currently locked up in a cold cell for ludicrous reasons. They threaten to arrest him if he keeps trying to get her released.
The judge would make the Lovings do a year for this – for being married! – but they plea bargain. Instead they have to leave the state (their home, their property, their family, their jobs) and not come back together for 25 years. So, against their will, they go to raise their kid (soon kids, plural) in the city.
Krampus – the child-punishing anti-Santa Claus of Alpine folklore – is one of those things that a certain type of American nerd is a little too proud to know about. The same ones that make Cthulu jokes. But despite them it’s a good idea for a Christmas monster movie, and I think this one is good enough to reclaim the old half goat, half demon’s honor.
Man, I don’t know about PIECES, you guys. This is another one I first saw in an all night horror marathon. I remember liking it. But this kind of crudely-presented-brutal-fucked-upness plays better with a crowd who are rowdy and dazed and trying to stay awake than alone in my living room. Maybe I should’ve woken up a bunch of people in the middle of the night and made them come over.
It’s a Spanish movie, but it takes place in Boston. It’s kind of like GOOD WILL HUNTING in my opinion. (I have not seen GOOD WILL HUNTING). I wasn’t sure which version you’re supposed to watch, so I went with the original. The Spanish is not spoken with a Boston accent. It turns out this version also has a different score that’s mostly piano and pretty good, I thought.
This is the style of slasher movie like NIGHTMARE or SLEEPAWAY CAMP or even HALLOWEEN now that I think about it where the killing dates back to childhood and the walking-in-on of a sex act. In this case though it’s a boy’s mother taking away his best porno puzzle and rather than fighting for his right to party he chops her up. He gets away with claiming it wasn’t him, though. Being a kid is a good alibi. (read the rest of this shit…)
When you’re the shogun’s executioner and your wife is murdered and you’re set up and your life is ruined and you choose to take your son on the demon’s path and become an elite assassin for hire, you do alot of wandering around having adventures. Part 3 of the LONE WOLF AND CUB series (or, if you prefer it dubbed and edited to be dumber, part 2 of the SHOGUN ASSASSIN series) is episodic in a good way. They cross a couple different enemies, get offered a couple different gigs, get into some shit with the Yagyu Clan, and their nemesis Retsudo is mentioned but not seen, like The Emperor in STAR WARS.
On their travels, Ogami Itto (Tomisaburo Wakayama) and son Daigoro (Akihiro Tomikawa) are jumped by a bunch of ninjas, so he kills them. (SPOILER)
Along a road there are some watari-kachi, mercenaries, drifters who go around trying to get gigs, often just “hired for show when someone needs more men in their procession” because the kind of lords they work for can’t afford to hire them full time. (see also: film critics) They’re sitting around with Master Kanbei (Go Kato, SWORD OF THE BEAST), who they consider uptight, so they try to take him down a notch. “You’re really peculiar. You don’t drink, you don’t touch women.” They don’t get him because they figure the only reason it’s worth having their job is to “have fun,” which we quickly realize means to rape women along the highway.
Master Kanbei chooses not to participate when these pricks run off to attack a passing mother and daughter, knocking out their male servant. But he doesn’t stop them either – not until he hears them brag about who they’re all working for. Then Kanbei intervenes in a very calm, business-like manner: he kills the servant, then the two victims, then makes the three mercenaries draw straws so that one can be killed and blamed for the murders. (read the rest of this shit…)
In his latest vehicle, the King of DTV Action Scott Adkins plays “Lucian / Strong Zealot,” the right (or possibly left) hand man to a dark master of mystical world-bending sorcery magic spell power beams named Kaecilius (Mads Mikkelsen, VALHALLA RISING). Kaecilius was once a student of The Ancient One (international martial arts superstar Tilda Swinton, CONSTANTINE) but now suspects she is siphoning dark magic to extend her life and therefore steals a magic ritual from a special book of ancient something something, etc. So Lucian / Strong Zealot and another person are sent after The Ancient One’s new student Dr. Stephen Strange (Benedict Cumberbatch, WAR HORSE) to try to destroy his magic apartment in New York and they have a fight in a hospital where they’re both ghosts but it’s kind of weird because (SPOILER IN FIRST PARAGRAPH OF REVIEW) Benedict Cumberbatch defeats Scott Adkins.
And Scott Adkins as “the ghost of one of the minions.”
Okay, the truth is this is not a Scott Adkins movie. His character is small enough that when his big scene is described in an Entertainment Weekly article they don’t bother to credit him. It’s weird that as Marvel Studios continue to build this vast universe of re-usable characters they chose to use
1) Idris fucking Elba as “magic bridge operator”
2) Ray god damn Stevenson as “one of Thor’s friends that he has back home”
Before GREEN ROOM, before Election 2016, there was Greydon Clark’s SKINHEADS (1989), about a small gang of neo-Nazis running wild.
It starts, like so many cheap action movies, with the gang robbing a convenience store. But in this case they there’s no hero to kick their ass, and they intentionally turn their wrath on the elderly Jewish owners and a young black customer.
Now that they are murderers, they decide maybe it’s time to get out of town for a bit. Take a vacation in the mountains somewhere outside of Reno. But their rampage continues when they stop at a cafe and pick a fight with some other patrons. After Tiny (Duane Davis, UNDER SIEGE, TYSON, PAPARAZZI) accepts the challenge and outboxes the biggest, dumbest skinhead, Brains (Dennis Ott, “Bar Character,” ROAD HOUSE), their crazy leader Damon (Brian Brophy, CITY OF INDUSTRY) shoots and kills him. (read the rest of this shit…)
IMPRINT is a quiet little indie supernatural drama from 2007 that I never heard of until I was looking for genre movies from a Native American perspective.
Shayla Stonefeather (Tonantzin Carmelo, Into the West, Teen Wolf) is an attorney in Denver prosecuting Lakota teen Robbie Whiteshirt (Joseph Medicine Blanket) for murder. The local Native American community has come out in force proclaiming his innocence and protesting the unfairness of a nearly all white jury, so she’s seen as a traitor to her people when she gets him convicted.
Meanwhile her dad (Charlie White Buffalo, Into the West) is dying, so she goes back home to say goodbye and support her mother (musician Carla-Rae). She gets a call from her douchey white boyfriend/colleague Jonathan (Cory Brusseau, ESCAPE THROUGH TIME) saying that Robbie tried to escape and was shot to death, and then she starts seeing and hearing weird things around the house. Is she being harassed by Robbie’s angry brother Frank (Russell Chewey), or others who are angry about the Whiteshirt case? Or is it some ghosty business? Or a 50/50 blend?
And there’s another mystery. Her brother Nathaniel (Gerald Tokala Clifford, SKINS, SWELTER) has been missing for some time, possibly dead, after an incident with her father discovering him using meth. And though her father is catatonic most of the time, she hears him yell out things in the night, and got him to draw some pictures which seem to have some sort of significance. So this may be related to one or more of the mysteries. (read the rest of this shit…)
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A CHRISTMAS HORROR STORY is a misleading title because 1) it’s not a horror version of A CHRISTMAS STORY and 2) it’s more than one Christmas horror story. It’s an anthology of several but it jumps around between them like CLOUD ATLAS or something.
TOY SOLDIERS is a kid’s movie clashing with an action movie. It’s rated-R and surprisingly legit, opening with chaos in Colombia, where Luis Cali (Andrew Divoff, WISHMASTER), the son of a captured narco-terrorist, has a court room held hostage. Within the first four minutes of the movie they throw a woman out of a high window and a judge out of a helicopter (an impressive skydiving stunt). Later they will take over a boarding school full of the children of American politicians and super-riches, and being that Columbine has not happened they will have no compunction about shooting the place up.
“Confessions are only admitted under torture, otherwise you might confess just to avoid torture and it wouldn’t be a true confession.”
LOVING is a pretty simple true story about something that 
Krampus – the child-punishing anti-Santa Claus of Alpine folklore – is one of those things that a certain type of American nerd is a little too proud to know about. The same ones that make Cthulu jokes. But despite them it’s a good idea for a Christmas monster movie, and I think this one is good enough to reclaim the old half goat, half demon’s honor.
Man, I don’t know about PIECES, you guys. This is another one I first saw in an all night horror marathon. I remember liking it. But this kind of crudely-presented-brutal-fucked-upness plays better with a crowd who are rowdy and dazed and trying to stay awake than alone in my living room. Maybe I should’ve woken up a bunch of people in the middle of the night and made them come over.
When you’re the shogun’s executioner and your wife is murdered and you’re set up and your life is ruined and you choose to take your son on the demon’s path and become an elite assassin for hire, you do alot of wandering around having adventures. Part 3 of the 
In his latest vehicle, the King of DTV Action Scott Adkins plays “Lucian / Strong Zealot,” the right (or possibly left) hand man to a dark master of mystical world-bending sorcery magic spell power beams named Kaecilius (Mads Mikkelsen, 
Before 
IMPRINT is a quiet little indie supernatural drama from 2007 that I never heard of until I was looking for genre movies from a Native American perspective.
