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Posts Tagged ‘Robert Z’Dar’

Mobsters

Monday, July 26th, 2021

July 26, 1991

MOBSTERS. Guys who are in mobs. Young ones. Famous ones. Doing mob stuff. What more do you need? According to rookie director Michael Karbelnikoff, story provider Michael Mahern and screenwriter Nicholas Kazan (FRANCES, AT CLOSE RANGE, PATTY HEARST, REVERSAL OF FORTUNE), “What? What do you mean?”

I have to tell you, I really struggled to get through this one, and considered turning it off and not reviewing it. Keep in mind that I already made it through MANNEQUIN: ON THE MOVE, SUBURBAN COMMANDO and PROBLEM CHILD 1 & 2 for this series. This is a much classier production than any of those, with all the period costumes and nice cinematography by Lajos Koltai (István Szabó’s MEPHISTO, WHITE PALACE) – there are some nice looking, atmospheric scenes, like an eerie outdoor shootout in the fog. But it’s empty and soul-less and boring as shit and not in an interesting way at all. (read the rest of this shit…)

Dead End City

Tuesday, December 12th, 2017

If you, like me, enjoy the occasional muddy VHS war against out-of-control Street Toughs, you may enjoy 1988’s DEAD END CITY, starring a bunch of people I never heard of being overshadowed by the menacingly inflated features of Robert Z’Dar (MANIAC COP, SAMURAI COP, BEASTMASTER 2: THROUGH THE PORTAL OF TIME).

Here he plays Maximum (at least that’s what the credits say his name is), who leads a gang of white biker dudes with headbands, sunglasses, gang vests, chains, fingerless gloves and spiked gauntlets into a neighborhood to shoot random people, invade homes, blow up cars, etc. Maximum is mysterious in his fashion choices – he wears a suit and tie with the end of the tie ripped off, then later he adopts a studded biker look and then a band-t-shirt-sewn-onto-long-jacket punk look. The gang is called the Ratts, and they have names like Zim and Ripp, but I can’t tell any of them apart except for “Ratt Queen” (Isis Richardson, PHOENIX THE WARRIOR) because she’s the only female and the only one with big hair with a streak in it like an X-Man or a Jem and the Hologram.

Jack Murphy (Greg Cummins, Bosch) owns a factory in the area – I never figured out what type of factory – and isn’t too concerned about the radio reports or the government official (Don Barber, “Man in Bathroom,” DEATH CHASE) who comes to tell him to evacuate. The next day he gives in and sends the staff home, but, not wanting to relocate to a shantytown, he decides to stay in the factory with his friend Brett (Durrell Nelson, AN AMERICAN CAROL, stuntman in THE TOXIC AVENGER), his secretary Nancy (Aleana Downs, WITCHCRAFT III: THE KISS OF DEATH) and her visiting blind brother Malcolm (Rob Wuesthoff, stuntman in TEEN WOLF TOO). (read the rest of this shit…)

Maniac Cop 3: Badge of Silence

Thursday, December 11th, 2014

tn_maniaccop3In the tradition of MANIAC COP 2, MANIAC COP 3: BADGE OF SILENCE begins with footage from the end of the last one. Undead Maniac Cop Matt Cordell (Robert Z’Dar)’s honor guard funeral is intercut with new scenes of a voodoo priest (Julius Harris, also in Larry Cohen’s BLACK CAESAR) stabbing a head with a ritualistic dagger and chanting. So now we know that part 2’s CARRIE-esque ending is actually a voodoo curse. Man, first Chucky, then Screwface, now this. What the bloodclot, voodoo?

Robert Davi returns as Mac, who is investigating these voodoo guys and suspects a connection to Cordell. Claudia Christian’s character Riley doesn’t show, but there’s another female lead (Gretchen Becker), a younger officer nicknamed “Maniac Kate” for her Dirty Harry type approach to law enforcement. Mac knows her mother and considers her a kid sister, but seems kind of flirtatious in their first scene together at the gun range (hopefully now renamed The Six Target-Shooting Officers Killed By Maniac Cop In Part 2 Memorial Gun Range) where they take turns shooting the target while she vents about getting in trouble for shooting an attempted rapist. Mac says she should’ve waited a little longer so she could’ve shot more than just an attempted rapist. Classy.

Maniac Kate responds to a pharmacy holdup by a crazed pill-feaster (Jackie Earle Haley in the movie that came before the one that earned him an Academy Award nomination for best supporting actor). Kate and the junkie end up in the hospital, the hostage dead, and a pair of sleazy tabloid video journalists film the whole thing and broadcast an edited version that makes her look like she was in the wrong. (read the rest of this shit…)

Maniac Cop 2

Wednesday, December 10th, 2014

tn_maniaccop2Bruce Campbell and Laurene Landon return for the bigger, I think better MANIAC COP 2. I guess it had a bigger budget than the first one and it has a more confident, cinematic feel. Hats off to cinematographer James Lemmo (who also did the first one, MS. 45, VIGILANTE and THE GLADIATOR) for his deliberate, ominous pans through New York City locations. There’s even a great opening credits sequence designed by Pablo Ferro (DR. STRANGELOVE) that really establishes the mood as the camera glides across a police impound lot and the remains of the vehicle involved in the climax of part 1.

This is maybe 2 weeks later, when Jack (Campbell) has been cleared of the murders but is trying to get back on the force. I’m a little confused because there’s a new captain and reference to the previous one being dead, but for some reason the commissioner, played by Michael Lerner (BARTON FINK) instead of Richard Roundtree, and given a different name, is treated as the guy who’s always been there. He sends Jack and Theresa (Landon) to police psychologist Susan Riley (Claudia Christian, HALF PAST DEAD), which is also where a new character, Detective Sean “Mac” McKinney, ends up after shooting a suspect. (He didn’t kill him, but only because he says it’s too much paperwork.)
(read the rest of this shit…)

Maniac Cop

Tuesday, December 9th, 2014

tn_maniaccopMANIAC COP is like an ’80s b-movie dream team. William Lustig (MANIAC) directs, Larry Cohen (IT’S ALIVE!) writes, James Glickenhaus (THE EXECUTIONER, THE PROTECTOR) executive produces. And check out this cast: Tom Atkins (NIGHT OF THE CREEPS) is Frank McCrae, a tough NYC lieutenant investigating a murder spree by a mysterious dude in a police uniform. Bruce Campbell, one year after EVIL DEAD 2, is Jack Forrest, a cop who is implicated in the murders and goes on the run to find out who really did it. Hundra herself, Laurene Landon, plays his crimp-haired mistress Theresa Mallory, a fellow cop who helps him in his quest. Richard Roundtree (SHAFT) and William Smith (HELL COMES TO FROGTOWN) are the hardass commissioner and captain. Sam Raimi has a cameo. And also Jake LaMotta, for some reason. And Robert Z’Dar (TANGO & CASH) plays the maniac cop. He’s mostly in silhouette, so his superhumanly giant chin is not as much of a distraction as in some movies.

(Wait a minute… how did Bruce Campbell title his autobiography “If Chins Could Talk Kill” when he co-starred with Z’Dar? He knows his chin ain’t shit.)

Jack gets involved because his wife (Victoria Catlin, GHOULIES, Twin Peaks) notices him sneaking around and suspects him of being the maniac cop. But of course he’s really going to see Theresa. Whoops. Since his wife gets killed by the maniac and left in his hotel room, now it looks like he’s the guy. (read the rest of this shit…)

Cherry 2000

Monday, August 11th, 2014

tn_cherryCHERRY 2000 is a quirky post-apocalyptic adventure, one with a cool sci-fi western premise and alot of underlying oddness and satirical observation about life in the ’80s. The action is slightly stilted, and I think director Steve De Jarnatt (who followed this up with the pre-apocalyptic MIRACLE MILE) is more comfortable doing funny twists on the genre than sincerely following its tropes, but I also think there is a good faith effort to deliver the goods. There are lots of machine guns and blowtorches, some explosions, some great stunts involving a car hanging from a crane. When the weinery yuppie protagonist decides to man up he does it by setting fire to a bunch of cars and rigging an explosion that knocks over Tim Thomerson and swarms him with bees. Not bad. (read the rest of this shit…)

Samurai Cop

Tuesday, June 24th, 2014

tn_samuraicopA Japanese gang called The Katana Gang is on a rampage, so the LAPD call in a specialist.

“So they call him Samurai, huh?” asks the gang leader Fujiyama when he hears about this long-haired Fabio-lookin motherfucker played by former Sylvester Stallone bodyguard Matt Hannon.

“Yes,” explains right hand man Yamashita (Robert Z’Dar). “His real name is Joe Marshall. They call him ‘Samurai.’ He speaks fluent Japanese. He got his martial arts training from the masters in Japan. He was brought over here from the police force in San Diego to fight us.”

This being 1989, the year after ABOVE THE LAW, might have something to do with that backstory. The poster, which has nothing to do with the actual content of the movie, is definitely going for a MANIAC COP vibe. I think there’s some LETHAL WEAPON influence here too, or at least it’s trying to follow the formula of the white cop with loyal black partner who’s kind of bemused at how far the white guy goes over the line in his enforcement of the law. Samurai and his partner Frank (Mark Frazer, MICROWAVE MASSACRE) have alot of weird, sometimes racially uncomfortable banter about what their boss is gonna do to his “charcoal black ass” and stuff like that.

still_samuraicop5

The chief is pretty funny, he’s always angrier than necessary. I like when he yells to one of his employees “You, motherfucker, I’ll see you in hell! Leave me alone! Get a job!”

(read the rest of this shit…)

Equal Impact

Tuesday, June 11th, 2013

tn_equalimpact

vhsThis week in my column at DAILY GRINDHOUSE I take a look at yet another VHS-only martial arts oddity, it’s called EQUAL IMPACT. Hats off if any of you have heard of it. This one stars one-and-done tae kwon do practicing twin brothers Joe and Jay Gates, plus Robert Z’Dar and Joe Estevez. And as I was watching it I was surprised to realize it was filmed in Seattle.

see my findings over on Daily Grindhouse

Beastmaster II: Through the Portal of Time

Saturday, November 20th, 2010

tn_beastmaster2I didn’t have cable in the ’80s so I never saw THE BEASTMASTER until I went on that Coscarelli kick a while back. But I didn’t move on to the sequels since Coscarelli had nothing to do with them, I just assumed they were trash. Well, good guess. But when I saw part 2 in that book I was just writing about, DESTROY ALL MOVIES, I started thinking about the stupidity of sending the Beastmaster through a “portal in time” to modern day Los Angeles, and came to the inevitable realization that I should watch it.
(read the rest of this shit…)

Tango & Cash

Sunday, June 21st, 2009

tn_tangoandcashI don’t know if you can sense it in the air or anything. It doesn’t really come until the end of the year, but this is the 20th anniversary of TANGO & CASH. To be honest I don’t think I ever saw this one before, but I wanted to see it and review it a little ahead of all the hoopla. As much as people like you and I are will to talk about TANGO & CASH all the time I’m sure eventually we’re gonna get a little worn out by all the retrospectives and parades and everything that I’m sure they’ve been planning.

So now I’ve seen it and I know TANGO & CASH is a fun but not all that great 1989 action movie that personifies (moviefies?) the excess of the ’80s, and not just because it has a monster truck in it. (read the rest of this shit…)