"I'll just get my gear."

Posts Tagged ‘Nicholas Sadler’

Mobsters

Monday, July 26th, 2021

July 26, 1991

MOBSTERS. Guys who are in mobs. Young ones. Famous ones. Doing mob stuff. What more do you need? According to rookie director Michael Karbelnikoff, story provider Michael Mahern and screenwriter Nicholas Kazan (FRANCES, AT CLOSE RANGE, PATTY HEARST, REVERSAL OF FORTUNE), “What? What do you mean?”

I have to tell you, I really struggled to get through this one, and considered turning it off and not reviewing it. Keep in mind that I already made it through MANNEQUIN: ON THE MOVE, SUBURBAN COMMANDO and PROBLEM CHILD 1 & 2 for this series. This is a much classier production than any of those, with all the period costumes and nice cinematography by Lajos Koltai (István Szabó’s MEPHISTO, WHITE PALACE) – there are some nice looking, atmospheric scenes, like an eerie outdoor shootout in the fog. But it’s empty and soul-less and boring as shit and not in an interesting way at all. (read the rest of this shit…)

Sometimes They Come Back

Friday, May 7th, 2021

May 7, 1991

I don’t think I’ve ever included a TV movie in a summer movie retrospective, but this came up on a summer of ’91 list and I figured why not? After the opening weekend for A RAGE IN HARLEM and ONE GOOD COP, some people checked out a new Stephen King movie on the CBS Tuesday Movie Special. It aired against a Roseanne episode that introduced Shelly Winters as Nana Mary, the fourth episode of a short-lived sitcom called Stat, and a thirtysomething about Hope (Mel Harris) volunteering at a homeless shelter.

One could reasonably assume that a Stephen-King-based TV movie in the ‘90s would be a Mick Garris joint, but in fact it’s a different notable horror director: Tom McLoughlin of FRIDAY THE 13TH PART VI: JASON LIVES fame. He also did ONE DARK NIGHT and, come to think of it, co-created She-Wolf of London with Garris. This one comes from a King short story first published in Cavalier in 1974, and later included in Night Shift. It was adapted by Lawrence Konner & Mark Rosenthal, whose all-over-the-place filmography at this point included THE LEGEND OF BILLIE JEAN, THE JEWEL OF THE NILE, SUPERMAN IV: THE QUEST FOR PEACE, and DESPERATE HOURS. (read the rest of this shit…)