"CATCH YOU FUCKERS AT A BAD TIME?"

Posts Tagged ‘Talia Shire’

Rocky V

Monday, November 23rd, 2015

tn_rockyvI think ROCKY V is the least enjoyable of the ROCKY pictures, but I admire its intentions. This is actually my first time watching it, and maybe it plays better when you watch them all close together. I know it was poorly received when it came out, and I’m sure some people were confused that it wasn’t more of the mountain-conquering commie-smasher Rocky had turned into when we last saw him five years earlier. But like I said, the ROCKY series evolves with the times. Allow me to submit to you an acknowledgment that appears on the end credits:

“We wish to express our gratitude to the Soviet government for granting us the use of their Aeroflot jet.”

With Reagan and the Cold War in the rear-view mirror and Survivor on indefinite hiatus, Stallone decided to shed some of the ’80s-style excess of the last two sequels. The world had changed again. People didn’t even care about Rambo anymore. Stallone’s last movie had been TANGO & CASH, which did okay, but was a troubled production and got poor reviews. He was obviously itching to try something different, because he followed ROCKY V with OSCAR and STOP! OR MY MOM WILL SHOOT. But first he felt it was time to put the tiger jacket in the closet and bring back the underdog. This was his first attempt, before ROCKY BALBOA, to go back to Rocky’s roots as well as to deal with his advancing age. (read the rest of this shit…)

Rocky IV

Thursday, November 19th, 2015

tn_rockyiv“Yo, can you turn your robot down?”

Which is stranger: that a legit, best-picture winning sports drama like ROCKY would eventually have a part IV that was this ridiculous, or that such a part IV could still stand apart from the series as a classic of a totally different kind? IV goes all in on the Reagan-and-MTV glitz of part III, crafting a preposterous Cold War face-off with so many song montages in the second half it almost qualifies as a rock musical. In fact, the whole sound of the movie is different because I-III composer Bill Conti and his inspirational brass section are replaced with a cool synth score by Vince DiCola (TRANSFORMERS: THE MOVIE) that was “one of the first to exploit the Fairlight CMI and Synclavier II computers’ sequencing capabilities” according to DiCola’s websight. I guess that’s fitting for the ROCKY where the first new scene is about Rocky giving Paulie a robot for his birthday. The robot will occasionally pop up to force Apollo or Rocky’s driver to barely suppress a “these crazy white people” look, or to be used as a boombox. So if you were hoping III was a fluke, and that this one will be gritty again, I got bad news.

It’s tradition to replay part of the fight from the end of the previous movie. This one not only reminds us of the fight with Clubber Lang, but also the private, no witnesses rematch between Apollo and Rocky. Of course it was ambiguous like the Toretto-O’Connor rematch, or King Kong vs. Godzilla or Freddy vs. Jason, it froze just as they were swinging at each other. But now for the sequel they’re replaying it, so we must be about to finally find out who– ah, never mind. Freeze frame again. I’m not sure why they had to replay that.

(read the rest of this shit…)

Rocky III

Wednesday, November 18th, 2015

tn_rockyiiiSome important and possibly relevant events happened in the world during the three years between ROCKY II and ROCKY III. Disco records were blown up at baseball games, Pac-Man and Donkey Kong were released, some motherfucker shot J.R. and the U.S. boycotted the Olympics in Moscow. Minutes after Ronald Reagan (THE KILLERS) was sworn into office the Iran hostages were totally coincidentally released, and the next day the first DeLorean DMC-12 was built. Later MTV went on the air. All the sudden it was 1982.

Movies had been changing too. ROCKY was the biggest movie of ’76, but of course ’77 brought us STAR WARS, and since then we’d also had THE EMPIRE STRIKES BACK and RAIDERS OF THE LOST ARK. It would be quite some time before another drama was the #1 movie of a year (not until RAIN MAN in 1989 I believe).

The ROCKY series evolves with the times, and the transition to the ’80s is a drastic one. After the traditional Bill Conti fanfare (title scrolling over championship belt) and end-of-the-last-one recap we get a moment of contemplation and then… jugga jugga jugga jugga BRRRMMMMP!…BRRMMP BRRMMP BRRMMP! electric guitars and fireworks. “Eye of the Tiger” by Survivor is as purely, un-self-consciously motivational-speakerish as “Gonna Fly Now,” and even more audaciously grooving and tackily emblematic of its era. The song is so ridiculous it’s kind of a betrayal of the dirty, street level reality of the series so far, but it’s dead perfect for this slick new ROCKY of the aerobics-and-American-flags Reagan years. (read the rest of this shit…)

Rocky II

Tuesday, November 17th, 2015

tn_rockyiiAfter the success of ROCKY, screenwriter Sylvester Stallone became writer-director Sylvester Stallone with the period wrestling movie PARADISE ALLEY. And then after that practice run he was ready to direct the rematch.

ROCKY II starts right before where ROCKY left off, with about 5 minutes of Balboa vs. Creed. In other words “the end of ROCKY.” This type of recap used to be done in many sequels and never is now. You have to remember, there was no home video at that time. It seemed important to remind people what happened because the last movie was 3 years ago and people haven’t necessarily been able to see it since then.

So the first new footage is right where ROCKY left off, right after the fight, and we can compare and contrast it to the first movie’s scene after Rocky beat Spider Rico in the church. Instead of our hero and his opponent laying bloodied in a small back room waiting for the doctor to show up later, they are both rushed to the hospital in ambulances, and are welcomed there by crowds of fans and press. And instead of the two fighters being like friendly co-workers in-this-shit-together, Apollo starts barking in front of the cameras about a rematch and calling Rocky a punk. This confuses Rocky because, as we were reminded by the archival footage, the very first thing Apollo said after winning the fight was “No rematch.” He was very clear about it. They both agreed. (read the rest of this shit…)

Rocky

Monday, November 16th, 2015

tn_rockyI bet ROCKY is one of these movies that’s become so famous, so iconic – it won best picture, it made a stairway famous, it inspired a statue, it has five sequels, now a spin-off, and catchy theme music that everyone knows, that’s used in a million parodies – that some of the young people figure they can already imagine what it is, they don’t bother to see it. In fact, maybe my bet should be with them over the outcome of the big fight at the end.

It opens with a small fight. “The Italian Stallion” Rocky Balboa (Sylvester Stallone) vs. Spider Rico (Pedro Lovell) inside a small church. They beat the pulp out of each other and then they’re laying in back, they get paid about sixty bucks between them, and are told the doctor will be there in about 20 minutes. And they’re not mad about it. That’s their life.

This is part of what makes the character of Rocky so appealing. He lives in a slum in a small apartment with taped up windows, he doesn’t own a car, his three best friends seem to be an asshole named Paulie (Burt Young, THE KILLER ELITE) and his two turtles Cuff and Link, who he bought while hitting on Paulie’s painfully-shy sister Adrian (Talia Shire, RAD), who works at a pet shop. He has to work as a collector for Mr. Gazzo (Joe MANIAC Spinell) but he’s not good at it because he feels sorry for the people. The gym owner Mick (Burgess Meredith, G.I. JOE: THE MOVIE) won’t talk to him and kicked him out of his locker to make room for a fighter he thinks might have a future. Rocky’s life is pretty shitty, but he rarely complains or mopes about it. He talks positively (if self-deprecatingly) and makes up terrible jokes to tell Adrian, to try to get her to say words to him. The people in his life, such as Adrian’s boss Gloria (Jane Marla Robbins, THE WEREWOLF OF WASHINGTON) seem about 25% charmed by him and 75% annoyed. But that doesn’t stop him from talking their ears off, showing them wallet-sized clippings from his matches and telling them they shoulda seen it. (read the rest of this shit…)