"CATCH YOU FUCKERS AT A BAD TIME?"

Posts Tagged ‘Jeffrey Wright’

Jean-Michel Basquiat triple feature: The Radiant Child / Basquiat / Downtown 81

Thursday, November 14th, 2024

A couple months ago I got on a Jean-Michel Basquiat kick. You probly know who that is, but if not, he was a New York City graffiti artist in the early hip hop era, transferred his skills to paintings for galleries, became rich and famous and friends with Andy Warhol and stuff in a brief, prolific life before (like so many bright lights) dying of a drug overdose at 27.

Set aside the inspirational underdog story, the meteoric rise, the quirky details, the tragic ending. All interesting, but you don’t need any context for his art to be incredible. Labelled a “neo-expressionist,” he just has this lively, messy style, an explosion of scratches and scrapes and colors and doodles and words. If they are child-like, then the child in question must’ve remained young for 100 years, evolving his drawing into highly sophisticated crudeness. There are traces of influences from cartoons to African art, he sometimes references boxers and current events and social issues, but he translates it into these distinctive scribbles and cryptic/poetic phrases, sculpting beauty and humor from garbage and decay and vandalism. I don’t know of anybody quite like him, and lately (even before… you know) I’ve really been feeling it’s important to honor and glorify the true originals and pure artists among us, through my chosen medium of, uh, movie reviews. So here I am, glorifying Jean-Michel Basquiat. (read the rest of this shit…)

The Invasion (second review)

Tuesday, October 29th, 2024

THE INVASION (2007) is the fourth (and final, the way civilization is going) official movie adaptation of Jack Finney’s The Body Snatchers. I actually reviewed it for The Ain’t It Cool News when it came out, which is one way I can prove it exists. It’s documented! Anyway I after I watched the other three I figured I oughta complete the set.

This one stars A-listers Nicole Kidman and Daniel Craig and is the Hollywood debut of acclaimed German director Oliver Hirschbiegel (DAS EXPERIMENT, DOWNFALL), as well as the first movie written by David Kajganich, who later wrote A BIGGER SPLASH, SUSPIRIA and BONES AND ALL for Luca Guadagnino. But it was kind of a fiasco, losing money and getting poor reviews, universally considered the weakest of the four versions. I’m sure we would’ve noticed it was kinda sloppy even if it hadn’t been widely reported that producer Joel Silver thought it wasn’t working and spent $10 million on reshoots written by the Wachowskis and directed by their guy James McTeigue (V FOR VENDETTA, NINJA ASSASSIN). It was delayed over a year and moved from a confident June release to a resigned August one.

And, would you believe it? It doesn’t really work. But it has its moments.
(read the rest of this shit…)

Anatomy of a Fall/American Fiction

Monday, January 22nd, 2024

Awards Season Catchup Double Feature: ANATOMY OF A FALL and AMERICAN FICTION

There’s a specialized little genre of music I love – modern funk bands doing covers of classic hip hop songs. It’s just a best of both worlds kind of situation, combining my two favorite types of music, and bringing things full circle in a way. So much of hip hop comes from curating and collaging the best parts of old funk songs, and now we’ve got new funk bands curating the best hip hop songs and filtering the sound through their instruments. Many of them also have a working knowledge of the sampled works, covering them as well or mixing them with a song that sampled them. That happens on the two albums of Wu-Tang Clan covers by El Michels Affair, as well as Brownout’s Public Enemy tribute Fear of a Brown Planet. I also have this record called Expansions by the German group Bacao Rhythm & Steel Band where they cover Jay-Z’s “Dirt Off Your Shoulder,” but also “Space,” Galt MacDermot’s song famously sampled in “Woo Ha” by Busta Rhymes. And they play them with steel drums! So I immediately recognized their cover of 50 Cent’s “P.I.M.P.” when it started playing at the beginning of the Palme d’or winning French legal drama ANATOMY OF A FALL (Anatomie d’une chute), and I was surprised. I was even more surprised when it turned out to be an important part of the story, played about as much as “Fight the Power” is in DO THE RIGHT THING. Wouldn’t have guessed that in a million years, even with hints. I hope they play it every time it’s up for anything at the Oscars or any of those. (read the rest of this shit…)

Hold the Dark

Monday, May 22nd, 2023

HOLD THE DARK – not to be confused with Julie Taymor’s musical Spider-Man: Turn Off the Dark – is a made-for-Netflix movie from 2018. I guess time flies, because I didn’t realize it had been that many years I’d been meaning to see it. It was on my list because it’s the fourth film from director Jeremy Saulnier (MURDER PARTY, BLUE RUIN, GREEN ROOM), and it’s written by Macon Blair, who appeared in all of those as an actor (and directed the upcoming remake of THE TOXIC AVENGER).

The best label I can come up with to describe this one is an Alaskan Gothic. It’s quiet and gloomy, with lots of snow, tiny fire-lit cabins, death and superstition. A movie that gives you the feeling of cold, wet socks inside your boots, and wearing a heavy winter coat indoors. It starts with a little boy playing outside in the small Alaskan village of Keelut, and a wolf approaches. And then the kid is gone – apparently not the first child to disappear around here. His mother Medora (Riley Keough, MAD MAX: FURY ROAD) sends a letter to a wolf expert named Russell Core (Jeffrey Wright, SHAFT) who once had to kill a wolf and wrote about it in a book she read. She wants him to kill this wolf before her husband Vernon (The Northman himself, Alexander Skarsgard) gets back from the war. (read the rest of this shit…)

The Batman

Friday, March 11th, 2022

(there will be spoils)

Yes it’s true, comic book super heroes hold too much of a monopoly on movies and television right now. I agree, we get it, but also I enjoy the genre. And of all the ongoing super hero franchises the one I get most excited about is Batman.

Tim Burton’s 1989 BATMAN was a foundational movie for me, and I believe it kicked off the first real era of comic book movies, since SUPERMAN: THE MOVIE didn’t have many riding its coattails. I don’t think it could’ve happened with another character. There was something about the zeitgeist at that time, that the world was ready to see Batman on screen, and the marketing ingeniously took advantage of that. More importantly, the specific psychological and visual qualities of the “dark” Super Friend and his evil clown nemesis attracted Burton and gave him a weirdly perfect canvas on which to fuse his particular talents with blockbuster filmmaking, and create something that felt simultaneously of our past and completely new.

Because that was the first one, a distinct, stylized look was an expected element of comic book movies throughout the ‘90s, paving the way for the likes of DICK TRACY, THE CROW, TANK GIRL… I’d even throw in gaudier digital age ones like SPAWN and THE MASK for at least having their own looks. And Burton’s followup, BATMAN RETURNS, is still one of the most beautiful looking comic book movies to date. It only makes sense, being adaptations of an illustrated medium, but it’s a tradition somewhat neglected in the era of shared universes and realistic CG. I think THE BATMAN is one of the ones that brings it back. It looks stunning, and completely unlike other movies of the same genre, or even about the same character. (read the rest of this shit…)

The Young Indiana Jones Chronicles

Thursday, February 4th, 2016

tn_youngindylucasminusstarwarsThe Young Indiana Jones Chronicles was an ABC TV show that ran from 1992-1993. I never saw an episode. I still haven’t, because the version that’s on video is called The Adventures of Young Indiana Jones and it’s re-edited. According to legend (as well as Wikipedia) the Chronicles were hour long episodes about Indiana Jones as a young man having adventures and/or chronicles in different exotic locations. The stories would jump around in time, so sometimes it would be Sean Patrick Flanery (BOONDOCK SAINTS) as teen/early-twenties Indy, sometimes it would be Corey Carrier (school band cymbal player in THE WITCHES OF EASTWICK) as 8-10 year old Indy. And the episodes would be bookended by George Hall (BIG DADDY) as 93-year-old Indy (with eye patch) remembering the stories.

Wait a minute – that would mean in the then-present day? I always think of him in the WWII era, but it turns out he stuck around a while. Think about that. Indiana Jones was around for Woodstock, for disco, for “We Are the World,” for “Baby Got Back.” If he had grand kids there might’ve been an Indiana Jones and the Elusive Cabbage Patch Doll adventure one Christmas. None of this is covered in the show though.

The first season (1992) was 6 episodes, the second season they made 22, but only aired 18 before cancelling it. Then from 1994-1996 they followed it up with four TV movies for the Family Channel. Finally, in 1999 they paired up the hour long episodes, plus a couple new ones, and re-edited them into movies, which came out on VHS and later DVD. One major change was to remove all the segments with 93 year-old Indy, so you never get to see Indiana Jones in contemporary situations, like the one where he tells the story of his teenage love of cars after seeing a monster truck at the gas station.

(Do you think they said if Indy went to movies when he was in his 90s? Do you think he saw UNDER SIEGE?) (read the rest of this shit…)

The Hunger Games: Catching Fire

Monday, November 25th, 2013

tn_catchingfire(I’m trying to mark the biggest spoilers as usual, but be careful with this one if you don’t want anything given away)

You remember back when THE HUNGER GAMES came out I avoided it. I know this makes me a weirdo, but it wasn’t until Francis Lawrence signed on to direct the sequels that I got interested. The conventional wisdom was that part 1’s Gary Ross (PLEASANTVILLE, SEABISCUIT) was a classy director and this was a step down to replace him with the guy who did CONSTANTINE and I AM LEGEND. But I’m a fan of Mr. Lawrence, I see some genius behind the admittedly large flaws of those movies. As pretty good as THE HUNGER GAMES is I’m way more impressed by Lawrence’s depiction of post-human-New-York-City and Will Smith’s performance as the lonely omega-scientist. Yeah, we all know that there are some problems when the vampires turn out to be leaping computer animated beasts, but shit, they’re better than the animated dogs in HUNGER GAMES. Scarier and with more personality and meaning. Let’s not pretend either of these is flawless, but I know which one I like better.

Now Lawrence’s first HUNGER GAMES chapter has hit, and virtually ever review I’ve seen says what I predicted, that he made a better movie than the first one. See you guys, I know shit.

(read the rest of this shit…)

Eye See You

Wednesday, February 13th, 2013

tn_eyeseeyouaka D-TOX

Here’s a movie that brings a new angle to my Badass Auteur Theory. If this starred Ben Affleck or Ewan McGregor or somebody it would just be a mediocre stalker thriller from the director of I KNOW WHAT YOU DID LAST SUMMER. But since it stars Sylvester Stallone we can only see it in the context of his body of work. It forces us to look at it as a Sylvester Stallone vehicle and compare it to CLIFFHANGER and stuff. So it has the advantage of being an interesting tangent in his filmography.

Stallone plays Jake Malloy, former city cop turned FBI agent. The wikipedia entry makes me think he was supposed to be a Seattle cop, but I didn’t pick up on that from the movie and it wasn’t filmed here. Anyway, he’s on the trail of a serial killer who targets cops. He’s been chasing this guy for 6 months but he’s not in so deep he doesn’t have a personal life. He buys an expensive ring so he can propose to his girl (Dina Meyer), so I think you know what that means. He better own a black suit.

(read the rest of this shit…)

Extremely Loud and Incredibly Close and other best picture nominees

Saturday, February 25th, 2012

tn_extremelyloudI don’t see as many movies as critics who get paid, so I’m allowed to take pride in seeing all the best picture nominees again this year. Most of them I had already seen when the nominations came out, but I had to see this EXTREMELY LOUD AND INCREDIBLY CLOSE to finish off the check list.

This is the one nobody expected to get nominated. It got pretty bad reviews and didn’t make up for that by being a big hit or anything. I think it was Mr. Beaks who pointed out that it might be the first ever best picture nominee that was certified Rotten on Rotten Tomatoes. I honestly wonder if it will be the cause of a rule change next year. There must be some kind of mathematical fluke that caused this to happen, and they better clear that up before YOGI BEAR 2 or something gets a nomination. I don’t know what caused this or who those women were who shrieked with glee when it was named at the nomination announcements. I blame them for this. I think they were up to something. (read the rest of this shit…)

Source Code

Monday, April 4th, 2011

tn_sourcecodeSOURCE CODE is a fun thriller with a clever sci-fi premise: what if for some reason they remade GROUNDHOG’S DAY as a DE JA VU type thriller, and instead of Bill Murray it’s the guy who looks like the guy who used to play Spider-man and instead of having one day to cover the weather he has 8 minutes to figure out who planted a bomb on a train? That would be kinda cool, right? (read the rest of this shit…)