In 2017 there was a straight-to-Netflix movie called WAR MACHINE, a satire about the war in Afghanistan. I was interested because it was from director David Michôd (ANIMAL KINGDOM, THE ROVER, later CHRISTY), but I still haven’t gotten around to it because it went straight to Netflix, it didn’t seem like a real movie, and I forgot it existed.
Now there’s a 2026 straight-to-Netflix movie also called WAR MACHINE, but it’s about Reacher (Alan Ritchson) fighting a robot. This one also went straight to Netflix, also doesn’t seem like a real movie, so I threw it on casually. Times change I guess.
It starts in Kandahar. They finally ended the war in Afghanistan, but it lives on in the traumatic-incident-flashbacks that open all military-based action movies. Ritchson (DARK WEB: CICADA 3301) plays an unnamed Staff Sergeant with a background in engineering who comes to fix an engine for a stranded convoy. He confronts the person responsible for the engine troubles, played by Jai Courtney (DANGEROUS ANIMALS), in that move where two characters come at each other like they’re angry but then it’s a joke and they’re old pals, or in this case actual brothers. I’ve been thinking of that trope as “the Lando,” but here it sort of serves as a “Dillon you sonofabitch,” because this movie exists very clearly in the shadow of PREDATOR. (read the rest of this shit…)

THE HOUSEMAID is a 2025 thriller from director Paul Feig, the guy who did BRIDESMAIDS, THE HEAT and SPY, but remember he also did
Here’s my quick Oscar preview, just because I wanted a place for everyone to share their hopes or predictions and then their thoughts after the show, if they want to.
Last time I saw THE SALUTE OF THE JUGGER it was called THE BLOOD OF HEROES. That only version available in the U.S. was about ten minutes shorter, but still kinda legendary as a slept-on gem by some of us. That version was recently put in its proper place as bonus material for the original 104 minute Australian version on a 4K/blu-ray combo from Umbrella Entertainment.
SONG SUNG BLUE (2025) is a feel good (but also sad) movie about the power of music, based on a 2008 documentary I hadn’t heard of about a Neil Diamond tribute band. There is a family member not mentioned in the movie who says it’s “all lies,” but from what I’ve read the basic outline stays reasonably close to the true events, and that leads to an unusual structure. For a while it hews pretty closely to a familiar underdog musician dramedy formula. Then life, even in its streamlined-for-narrative-purposes form, throws in some curveballs that make the story seem pretty crazy.
Last week when I went to see
There is a movie that was released by American International Pictures in 1987 that’s still only available on VHS, and the name of the movie is KICK OR DIE. If you need any more information than that, please enjoy this review.
BLADES OF THE GUARDIANS is the new movie that’s gonna make me even more confused when I’m trying to remember which OF THE GUARDIANS movie is 

















