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Archive for the ‘Science Fiction and Space Shit’ Category

Meg 2: The Trench

Monday, November 13th, 2023

MEG 2: THE TRENCH is the silly followup to the silly first movie I casually enjoyed in 2018. Neither seems interested in reaching the status of “actual good movie,” which would be preferable, but both involve Jason Statham battling giant prehistoric sharks, among other dumb pleasures, so of course there is gonna be some amusement involved. And maybe it’s good to keep this kind of bullshit alive on a big screen budget. To me that’s way more fun than the SyFy Channel version.

In the first movie Statham’s character Jonas Taylor was an elite rescue diver, but this one opens with him infiltrating a boat to try to bust people for dumping radioactive waste (?). He fights some people and says some funny things to them and jumps off the boat (Statham trademark). I’m unclear what he was trying to accomplish, or if he succeeded, and I don’t believe this mission is connected to anything else in the movie. But I’m not complaining. I’m always up for a gratuitous action tangent. (read the rest of this shit…)

Spontaneous

Thursday, September 21st, 2023

Yesterday when I reviewed LOVE AND MONSTERS I mentioned how much I enjoy the work of screenwriter Brian Duffield (JANE GOT A GUN, THE BABYSITTER, UNDERWATER), but I strategically avoided mentioning his directorial debut that came out just two weeks before LOVE AND MONSTERS, because I wanted to save that topic for today. SPONTANEOUS (2020) is another one that combines young romance and coming-of-age with a genre premise, and has some accidental pandemic parallels. It’s more of a teen movie than a sci-fi one, but it’s R-rated for “bloody images throughout.” Adapted from a 2016 book by Aaron Starmer, it follows its witty, acerbic protagonist Mara (Katherine Langford, KNIVES OUT) as she navigates a senior year punctuated by dozens of her classmates randomly exploding.

“What? Like a bomb?” asks her best friend Tess (Hayley Law, Riverdale) after the first one, Katelyn Ogden.

“No. Like… a balloon?” (read the rest of this shit…)

Love and Monsters

Wednesday, September 20th, 2023

LOVE AND MONSTERS is pretty much what the title says – the story of a lovestruck young man in a world of monsters. It takes place in a post-apocalyptic California, after 95% of the world’s population of humans has died off and the survivors live in small colonies hiding from giant bugs and reptiles. The filmmakers are wise enough to know that explaining that too thoroughly is for assholes, so it gets brushed over in a couple minutes of introductory narration from our protagonist, Joel (Dylan O’Brien, AMERICAN ASSASSIN). Something about an asteroid that we shot with missiles but then the missiles rained chemicals down that mutated cold blooded creatures. The after effects are depicted in news footage, Joel’s drawings, plus some clippings, such as the front page newspaper story “WHITE HOUSE IN CRISIS: PRESIDENT KILLED BY GIANT MOTH.”

When the shit pops off in his home town of Fairfield, Joel is at the make out spot, just crawling into the back seat with his adorable girlfriend Aimee (Jessica Henwick, “Bugs” from THE MATRIX RESURRECTIONS). Tragic and also convenient for us to get a wide shot of the chaos. The two have to hurriedly say goodbye before Joel evacuates with his parents (Andrew Buchanan [DRIVE HARD] and Tandi Wright [PEARL]). The pain of teen romance cut short by a move (in this case due to monster attacks rather than starting college or a parent having a career change) is palpable. (read the rest of this shit…)

Shin Ultraman

Wednesday, September 13th, 2023

“Ultraman’s the closest thing the modern world has to a god. No wonder people cling to him.”


SHIN ULTRAMAN (2022) is #2 of 3 in Hideaki Anno’s Shin series, which are not narratively connected, but are his takes on iconic Japanese sci-fi characters. The first one was the excellent SHIN GODZILLA and the third was the recent SHIN KAMEN RIDER. I was really excited to see this in its theatrical showing but it was two nights only and it turned out night two was dubbed. But now it’s on blu-ray (ironically with kinda messed up subtitles on my copy, but apparently they’ve fixed that).

Though this one is written by Anno, it’s directed by his SHIN GODZILLA co-director Shinji Higuchi. While Anno had done live action movies before (such as CUTIE HONEY), he’s primarily known as the anime visionary behind Neon Genesis Evangelion. Higuchi is maybe a more natural choice for something like this – he did storyboards for some anime, but he came up in the world of kaiju movies, starting as an assistant modeler on THE RETURN OF GODZILLA, and then as effects director of the excellent GAMERA: GUARDIAN OF THE UNIVERSE, GAMERA 2: ATTACK OF LEGION and GAMERA 3: REVENGE OF IRIS, where he was a real pioneer in the field of combining traditional rubber suit monsters and animatronics with early digital FX. (read the rest of this shit…)

Hercules (1983)

Monday, August 28th, 2023

August 26, 1983

Arnold Schwarzenegger’s first movie experience was playing Hercules in the comedy HERCULES IN THE NEW YORK (1970). Here, thirteen years later, his PUMPING IRON opponent Lou Ferrigno played the character in a serious (but still laughable) Greek-mythology-meets-’80s-sci-fi-fantasy epic – his second movie role. Like Arnold in his debut, Ferrigno’s voice is dubbed (by Marc Smith, who played a mafia boss in CURSE OF THE PINK PANTHER and later became a prolific anime dubber). He had turned down other movie offers, but had also been obsessed with Steve Reeves’ Hercules movies growing up, and jumped at the chance to follow in his hero’s footsteps.

It’s definitely a movie made in a post-STAR WARS world, with mythological creatures depicted as robots and a poster painted by Drew Struzan. It’s also clearly inspired by the existence of Arnold’s CONAN THE BARBARIAN, even introducing adult Hercules on the Wheel of Pain, though without dissolving from a younger version. They were able to steal the image, but not what was cool about it.

Most of all it strikes me as a poor man’s CLASH OF THE TITANS, with its gods sitting around on the moon talking about how to control human affairs. But let me tell you, its stop motion sequences do not deserve to be mentioned in the same sentence as. Ray Harryhausen’s. Important information I neglected to mention: this is produced by Cannon Films and directed by “Lewis Coates,” a.k.a. Luigi Cozzi (STARCRASH, CONTAMINATION). (read the rest of this shit…)

Metalstorm: The Destruction of Jared-Syn

Friday, August 25th, 2023

August 19, 1983

METALSTORM: THE DESTRUCTION OF JARED-SYN is yet another sci-fi/fantasy/adventure released in the summer of RETURN OF THE JEDI that seems like it wouldn’t have existed without STAR WARS. In fact, a 1983 Cinefantastique article quotes screenwriter Alan J. Adler (PARASITE, THE CONCRETE JUNGLE) saying that he “packed my bags and left town for Los Angeles” when he saw STAR WARS. To be fair, this particular movie seems much more inspired by THE ROAD WARRIOR, but we’ll get to that in a minute.

Before seeing them, I always mixed this up with SPACEHUNTER: ADVENTURES IN THE FORBIDDEN ZONE, without realizing they were released a few months apart, and both in 3D. Now that I’ve seen them I know that they actually are kind of similar – both have a tough bounty hunter guy driving around a wasteland planet in large all-terrain vehicle, fighting mutants and warlords and shit while searching for someone. Dogen (Jeffrey Byron, HOT RODS TO HELL) is a “Finder,” and instead of trying to rescue some abducted tourists he’s trying to kill a wizard guy named Jared-Syn (Michael Preston, Pappagallo from ROAD WARRIOR), who’s trying to do a, like… evil crystal thing. Because the treaty with the Nomads was violated, I believe is what Dogen says. You know how it is. Gotta stop that, obviously. (read the rest of this shit…)

Prisoners of the Lost Universe

Monday, August 21st, 2023

August 15, 1983

There are a few more to go but I have a strong feeling PRISONERS OF THE LOST UNIVERSE is gonna be the crappiest fantasy/sci-fi type movie in this historic summer of Jedi returns. I’m sure the terrible, washed out transfer on the DVD I rented doesn’t help – it’s a “Grindhouse Double Shock Show” paired with the 1979 Italian film STAR ODYSSEY – but everything about the production seems low rent. It’s all very ugly and low energy, filmed mostly just out in a rocky area somewhere, with acting and dialogue that made my wife ask if I was watching a porno. Then she decided it looked like the “Safety Dance” video, which is a very good comparison, although honestly with lower production value. I would bet that there was less time between conception and release than it took to animate the spider in KRULL.

The director and co-writer is Englishman Terry Marcel, his followup to HAWK THE SLAYER, but the cast is American and it’s filmed in South Africa. That’s why even though it opens in what we’re told is L.A. all the cars have the steering wheels on the right side. (read the rest of this shit…)

Krull

Friday, July 28th, 2023

On July 29, 1983, the same day Luis Bunuel died, and two days after the release of Madonna’s debut album, Columbia Pictures released their entry in the “if you liked RETURN OF THE JEDI…” sweepstakes, KRULL. With the resources of a studio behind it, KRULL was able to be bigger than most of the other also-rans, having double the budget of SPACEHUNTER: ADVENTURES IN THE FORBIDDEN ZONE, for example. It even got a release in 70mm. It boasts a new score by James Horner that sounds kinda like BATTLE BEYOND THE STARS, instead of re-using the actual score from BATTLE BEYOND THE STARS like SPACE RAIDERS did. Notably it has the same cinematographer as THE EMPIRE STRIKES BACK, Peter Suschitzky. Editor Ray Lovejoy is the guy who did 2001: A SPACE ODYSSEY. So it’s quite a crew here.

The director is Peter Yates (BULLITT, THE HOT ROCK, THE FRIENDS OF EDDIE COYLE, MOTHER, JUGS & SPEED, THE DEEP), one of the many British directors George Lucas had considered for RETURN OF THE JEDI. Screenwriter Stanford Sherman was a TV guy (Man from U.N.C.L.E./Batman) but had done ANY WHICH WAY YOU CAN. Unfortunately he did not include a punching orangutan in this one. Could’ve used one, to be honest. (read the rest of this shit…)

Space Raiders

Tuesday, July 18th, 2023

SPACE RAIDERS is another summer of ’83 RETURN-OF-THE-JEDI-coattail-rider, and this time I had honestly never heard of it. It was a small enough release that IMDb and Wikipedia just list the date as July. No specific day, just some point within the seventh month of the calendar year. This is a Roger Corman production, the first released under the Millennium banner – a short-lived company he oversaw as part of the deal for selling New World Pictures. (Their other releases were SCREWBALLS, SUBURBIA [distribution only], DEATHSTALKER, THE WARRIOR AND THE SORCERESS, and LOVE LETTERS.)

I wasn’t surprised that SPACE RAIDERS was no RETURN OF A JEDI, or even that it was no SPACEHUNTER: ADVENTURES IN THE FORBIDDEN ZONE. I was pretty surprised when the credits started up and they were using James Horner’s theme from BATTLE BEYOND THE STARS. They just credit him with the score and recycle it all, from what I could tell. Easiest gig he ever had. I was even more surprised when I saw that the main spaceship in the movie was the same main spaceship from BATTLE BEYOND THE STARS. I probly wouldn’t have noticed with most movie vehicles, but how am I supposed to forget one shaped like a slug with boobs? I assume they reused footage, not just the model, but I don’t know for sure. I also gotta assume all the space ships are recycled from that movie, but I don’t really know that either. For what it’s worth, it’s pretty good miniature work, whichever movie it was done for. (read the rest of this shit…)

Replicant

Monday, July 17th, 2023

REPLICANT is the second of three collaborations between director Ringo Lam (FULL CONTACT) and star Jean-Claude Van Damme. The first was the theatrically released MAXIMUM RISK (1996), then this came out in 2001, then IN HELL in 2003. I’m pretty sure I watched this when it first came out and thought it was boring, but I’m a different person now. A replicant of what I was before. Or just older, I guess. But the difference is that now I’m much more appreciative of JCVD the adventurous character actor, and this is one where that side of him really shines.

MAXIMUM RISK gave him a dual role, but not at once – he was a guy who dies at the beginning, then he plays his twin. In this one he plays both the antagonist and one of the protagonists, and they’re both fun characters for him to play. (read the rest of this shit…)