"CATCH YOU FUCKERS AT A BAD TIME?"

Posts Tagged ‘Terry Kinney’

Fly Away Home (30th anniversary revisit)

Wednesday, September 30th, 2026

FLY AWAY HOME is one of the great PG-rated movies of 1996, and a true family film as opposed to one for kids. It’s for all ages, because it’s about cute animals, but also a 13-year-old girl trying to find herself after life-shattering loss, but also an eccentric adult trying to get his shit together as a parent while staying true to his ideals, and how they do those things together by both caring about the goslings orphaned by developers intruding on their land.

It begins unusually heavy for any rating, with a musical montage in which a mother and daughter are joking around in the car and then are blindsided by a truck. There’s no diegetic sound, just Mary Chapin Carpenter singing “Fare Thee Well,” the ladies laughing, then the P.O.V. from inside the spinning and rolling car, blacking out, seeing lights shining and emergency workers breaking through the already cracked windshield. When Amy (Academy Award winner Anna Paquin in her third movie) wakes up in the hospital and her dad Thomas (Jeff Daniels following SPEED and DUMB AND DUMBER) is by her side she says, “Why are you here? Where’s Mom?” Devastating.

She moves from New Zealand to his farm in Ontario. He says don’t worry, I’ll get all the junk moved out of your bedroom so it looks just like you remember it. She says I don’t remember it. The house is big and cluttered, full of tools and trinkets, his metal sculptures and award-winning inventions, evidence of an adventurous life she wasn’t ever a part of. When he’s trying to explain why the fuck he has a life-sized replica of the lunar lander he starts saying how he built it around the time she and her mom left, and seems to become self-conscious mid-sentence of the obvious fact that him building a fucking space ship was part of what precipitated that. (But he continues to explain why it’s great.) (read the rest of this shit…)

Body Snatchers

Monday, October 28th, 2024

Abel Ferrara’s BODY SNATCHERS (1993) was my first body snatcher invasion movie. I saw it when it was new on video, and I knew it had been poorly received, so I figured my ignorance of the original and the original remake must’ve helped me to enjoy it more than everybody else. But watching it now with a deep appreciation for the other ones, yeah, it’s still good anyway. So maybe I liked it better because I’m a unique individual with my own feelings and not a plant programmed only for survival. Or because I was ahead of my time – it seems to have a pretty good reputation now.

The title sequence is admittedly chintzy compared to the one in Kaufman’s version. Something about the long sequence of the title flying through a crude starscape and letter-by-letter turning from red to black, set to the score by Joe Delia (MS. 45, FEAR CITY, THE SUBSTITUTE 2: SCHOOL’S OUT), was putting me in mind of a Stuart Gordon/Brian Yuzna type movie, but that might’ve been my subconscious remembering that this was actually from a screenplay by Stuart Gordon & Dennis Paoli, rewritten by Ferrara’s guy Nicholas St. John. Gordon was supposed to direct but couldn’t get a commitment from the studio to actually make it until leaving to do FORTRESS. He told Fangoria that his version was originally designed as a sequel to the Kaufman version and went into more detail about how the pod people are plants. “It’s not like they have a brain in their head. The creature’s consciousness is throughout its whole body, so that if you destroy the head, it doesn’t kill or stop it.” That would’ve been fun! But what Ferrara did is good too. (read the rest of this shit…)