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Archive for the ‘Drama’ Category

Victory

Saturday, April 6th, 2013

tn_victoryVICTORY is a 1981 John Huston film that combines a LONGEST YARD type game-between-prisoners-and-guards story with a GREAT ESCAPE type story about escape greatness. It all begins when Sylvester Stallone, a Canadian prisoner in a German WWII labor camp (I thought American, but apparently he has a maple leaf on him somewhere), loses control of his soccer ball. It rolls over to Max Von Sydow, a Nazi officer who starts showboating by foot juggling it even though he’s wearing his big Nazi boots, and he kicks it over to Michael Caine, a British prisoner who was a pro footballer/soccerer before the war.

That one casual sporting exchange is historic because it starts up the conversation that leads to the deal: the best players from among the Allied prisoners will play an exhibition game against the German national team. For the Nazis it’s good propaganda at the end of a war that, let’s face it, did not improve their country’s image on the international stage. For the prisoners it’s an opportunity to plan an escape.
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Hitchcock

Friday, March 15th, 2013

tn_hitchcockHow do you make a narrative film about Alfred Hitchcock filming PSYCHO? Adequately.

Anthony Hopkins (BAD COMPANY) plays Alfred “Hitch” Hitchcock, fresh off of NORTH BY NORTHWEST, anxious about his reputation and itching to do something new. He doesn’t want to turn into some by-the-numbers hack so he turns down bullshit like some stupid “Casino Royale” movie they want him to do, whatever the fuck that is. (keep in mind parkour had not been invented yet so it wouldn’t have been that good back then.) He doesn’t want to repeat himself and he’s fascinated by the gory true story of Ed Gein, famed Wisconsin killer, cannibal, grave robber and mama’s boy. When Robert Bloch’s Geinsploitation book Psycho comes out he decides it’s his next movie, but Paramount disagrees. Through his stubbornness, tenacity and a good agent he finds a way to fund it himself and have them distribute it. He makes them his errand boy. (read the rest of this shit…)

30 Miles

Monday, March 4th, 2013

tn_30milesI never heard of this movie before and didn’t really have a reason to watch it except that a weird dude I know through work insisted on loaning it to me. In a situation like that you never know. It could be the one.

It’s a good setup for a no-budget movie. There are only three actors in the whole thing and one of them has a bit part as a tow truck driver. It’s the story of a down-on-his-luck white dude named Ernie (Rusty Gray) whose car breaks down on a desert road one day. After hours of trying to wave someone down he’s finally picked up by a wealthy black man named Anthony (Lawrence Hilton-Jacobs). Anthony’s on his way to Vegas for a wedding (could this be a sidequel to THE HANGOVER?), but he believes in a paying-it-forward type of philosophy so after initially passing Ernie he turns around and tries to help.
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K-19: The Widowmaker

Wednesday, February 20th, 2013

tn_k-19Well, I was stupid to write off K-19 all these years. I don’t know why I did. I didn’t even know what it’s about. I think I knew K-19 wasn’t a mountain, it’s a submarine. I knew it had kind of an audacious name but was directed by this year’s #1 Oscar snub, Kathryn Bigelow. That should’ve been enough, but I never heard anything too good about it and didn’t feel the need to see it.

Maybe it’s the submarine thing. I know this is blasphemy to alot of people, but I never even got into that one submarine movie that everybody loves that’s by the director of DIE HARD and PREDATOR. I’ve tried and it’s fine and everything but I just can’t get myself excited about it like everybody else. Maybe I’m subconsciously rebelling against my old man, who worked on subs. I never went that way. I’m a proud surface dweller. Strictly a land man. Vote no on Atlantis.
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Amour

Monday, February 18th, 2013

tn_amourHollywood is always trying to shove these movies down our throats that are just about a bunch of Hollywood bullshit, like a kid and his talking horse use teleportation to win the Super Bowl, or there’s a serial killer holding a fighting tournament in the sewers to prove his love for a girl, or whatever all these popular movies are now, I would never watch them so I wouldn’t know. But it’s all super heroes and comics books and nothing for the rest of us. What about the grown ups who don’t want to see IRON SPIDER RISES PART 32 or STAR WARS IN THE DARKNESS, we just want to see a nice movie about a French couple in their 80s being miserable in their apartment as the wife becomes increasingly mentally and physically debilitated and the husband has to feed and bathe her and they’re both completely tormented by pain and boredom and we watch in long, static shots as they cry and look off into the distance and agonizingly wait for the sweet comfort of death? No wonder there’s all this piracy and video games, if Hollywood won’t deliver what the people really want. For what we want we gotta go to Michael Haneke.
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Flight

Sunday, February 17th, 2013

tn_flightI wish FLIGHT was called BAD PILOT and marketed as an outrageous comedy. It kinda follows the BAD SANTA and BAD TEACHER model by showing this guy (Denzel Washington, RICOCHET) who is in this occupation (commercial airline pilot) and ruffles alot of feathers with his irresponsible drinking and drugs and being an asshole. In fact, he ingests almost a BAD LIEUTENANT worthy amount of intoxicants. And like Bad Santa, who liked to buttfuck plus-sized ladies in the dressing rooms, or Bad Teacher, who seduced Justin Timberlake into a wild dry-sex romp, this guy is fuckin around, but just with a super hot flight attendant (Nadine Velazquez, BLAST) who gets listed first in “in order of appearance” credits because one of her breasts is the first thing we see in the movie.
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Fat Kid Rules the World

Monday, February 4th, 2013

tn_fatkidrulestheworldThe only reason I heard of this indie teen movie is because it was filmed in Seattle. That’s kind of novel to us because most Seattle-based movies are really filmed in Vancouver (BATTLE OF SEATTLE, HOLLOW MAN 2, TRUE JUSTICE) or even, in the case of CHRONICLE, Cape Town, South Africa. Kelsey Grammer wanted to film Frasier in Cape Town, but he moved it to protest the end of apartheid. That’s a joke, Kelsey, I’m just busting your balls. Thanks for reading.

Anyway this is good for Seattle people to spot recognizable locations, and it’s not supposed to be Everytown, USA like WORLD’S GREATEST DAD, so they mention or make visual reference to Seattle clubs (Neumo’s, Comet Tavern) and institutions (Seahawks, Sounders, SIFF, Easy Street Records [R.I.P. Queen Anne location]). But the great thing is that it’s also a real movie, a sweet underdog story with real emotion and surprising nuance. And it’s directed by Matthew Lillard of SCREAM and SCOOBY-DOO fame. I’m impressed.
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Hara-Kiri: Death of a Samurai

Wednesday, January 30th, 2013

tn_harakiriWow, Takashi Miike’s got another great samurai remake under his belt, and this time as far as I’ve heard he didn’t even have to cut out a demon-rape scene to make it classy. Like 13 ASSASSINS it’s got a strong mood and great story built upon the great structure (I’m told) of the original (Masaki Kobayashi’s HARAKIRI [1962]). A word of warning, though: this one is not the action spectacular that 13 A’S is. It’s closer to the classical tradition where it’s a drama about castes, codes, corruption and conflict, and eventually you know they’re gonna pull out the swords, but that’s the cherry on top, not the actual ice cream.

I’d heard that, and it made me hesitant, but it turns out it wasn’t necessary. This is one of the best movies I’ve seen in the last year. I loved it. Not just a LIMITS OF CONTROL “this is trying my patience but is intellectually interesting in some ways” type of appreciation. Even watching it late one night after work I found it genuinely engrossing from beginning to end (although I had to have somebody decode the final scene for me because by that time it was past 3 am and I was losing consciousness). (read the rest of this shit…)

The Weight of Water

Friday, January 18th, 2013

tn_weightofwaterI’ve been thinking about Kathryn Bigelow lately because of ZERO DARK THIRTY, and I realized she has two theatrical releases that I never saw. We’ll call them the “in between STRANGE DAYS and HURT LOCKER” period. So I decided to fill that in.

Alot of times when directors make a movie that’s really different from what they’re known for it’s cool, because it shows that they’re challenging themselves and stretching and experimenting and all that. I’m sure some people feel that way about THE WEIGHT OF WATER, but I gotta admit I’m not that into this movie. It’s well made and shows some of the things Bigelow’s good at. But it’s not about surfing bank robbers or nomadic vampires or the manhunt for Osama bin Laden. In my opinion it’s about two couples on a boat trip having relationship problems while one of them reads old files about a murder that happened in 1873.

It is from the producer of ON DEADLY GROUND though. (read the rest of this shit…)

Zero Dark Thirty

Thursday, January 10th, 2013

tn_zerodarkthirtyOkay, we were all horses pulling the Kathryn Bigelow bandwagon, right? We loved her for POINT BREAK and NEAR DARK, mostly. Also BLUE STEEL and STRANGE DAYS and all that. But did any of us ever predict Respectable Kathryn Bigelow would come about, and if so, did we guess how fuckin good that Bigelow would turn out to be? I sure didn’t.

The respect came for THE HURT LOCKER in 2008. It got the Oscar for best picture and she got best director, the only woman to receive that honor so far. It also had one of those career-exploding performances, the one that launched Jeremy Renner, at the time known mainly for playing Jeffrey Dahmer, into the guy who has two Oscar nominations and co-starred in big ass movies like THE AVENGERS and GHOST PROTOCOL and starred in THE BOURNE LEGACY and hosted Saturday Night Live and all this. I loved THE HURT LOCKER, which I saw as an ingeniously structured suspense thriller and character drama for its time that also worked as a deconstruction of many of our favorite action movie tropes. So I had high expectations for ZERO DARK THIRTY, and somehow it exceeded them.
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