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Archive for the ‘Crime’ Category

The Shadow Strays

Friday, October 18th, 2024

(This review is pretty detailed and spoilery. The movie is great, so consider just watching it and coming back.)


THE SHADOW STRAYS is the latest ultra-violent crime/martial arts epic from writer/director Timo Tjahjanto. Like THE NIGHT COMES FOR US (2018) and the more comedic THE BIG 4 (2022), it was produced by Netflix Indonesia, so you can probly watch it right now wherever you are. (Important subtitle tip: at least on my Roku you have to click “Other” to find the full subtitle menu if you want to choose English instead of English CC.) Like HEADSHOT (2016), it takes place in a world of elite assassins trained (at least in some cases) from childhood. These ones are known as Shadows, and they’re more of a global mercenary agency, like militarized ninjas.

We begin in a snowy Yakuza fortress in Japan, where seventeen year old Agent 13 (the incredible Aurora Ribero) rises up out of an armor collection to decapitate a sleazy boss. She kills so many guys, almost eliminates the entire clan, but gets distracted by collateral damage and has to be rescued by her mentor Instructor Umbra (Hana Malasan, THE TRAIN OF DEATH). Afterwards, Umbra gets called off to “some shit show in Cambodia,” so 13 is sent alone to an apartment in Jakarta. (read the rest of this shit…)

Knox Goes Away

Saturday, September 28th, 2024

KNOX GOES AWAY is, somehow, the second movie I watched in a week where a professional killer is diagnosed with the fatal neurocognitive disorder Creutzfeldt-Jakob disease. In THE KILLER’S GAME it quickly turns out to be a false alarm, but even setting that one aside there’s a small subgenre of killers trying to do one last job before their dementia stops them. I’ve also seen THE DYING OF THE LIGHT with Nicolas Cage and MEMORY with Liam Neeson, which is a remake of a Belgian film called THE ALZHEIMER CASE (or at least an adaptation of the same novel). I suppose all of these are a cousin to movies about killers with other fatal diseases – in 3 DAYS TO KILL, for example, Kevin Costner has an aggressive form of cancer, in SHADOWBOXER Helen Mirren has the cancer, in KATE Mary Elizabeth Winstead has been poisoned, etc.

This one has a little dark humor but it’s mostly grim and serious. Michael Keaton (AMERICAN ASSASSIN) directs and stars as John Knox, who has hidden his memory problems from people including his partner Muncie (Ray McKinnon, FOOTLOOSE). When a specialist (Paul Perri, MANHUNTER) tells him the news he starts saying he’s “going away” and “cashing out,” as he arranges to launder his assets and give them to his ex-wife Ruby (Marcia Gay Harden, SPACE COWBOYS), estranged son Miles (James Marsden, ACCIDENTAL LOVE) and favorite sex worker Annie (Joanna Kulig, COLD WAR). (read the rest of this shit…)

The Killer’s Game

Monday, September 23rd, 2024

You bet your ass I’m gonna go see a theatrically released Dave Bautista vehicle directed by action legend J.J. Perry. THE KILLER’S GAME came out during the week I was traveling and it’s already down to limited showings but I got in there in time. I’m glad I did, but I gotta admit I can already feel it dissolving from my memory as I type this. I didn’t know it was based on a book and that it’s been in development since the ’90s (more on that later), but coming now it’s very well-worn material within the familiar Wacky Assassins mode of action filmmaking (think THE BIG HIT, LOVE AND A BULLET, THE TOURNAMENT, SMOKIN’ ACES, BULLET TRAIN, POLAR, ACCIDENT MAN and its sequel or HOTEL ARTEMIS, which even features both of THE KILLER’S GAME’s leads).

Bautista (MASTER Z: THE IP MAN LEGACY) stars as Joe Flood, elite assassin who in the opening scene kills an arms dealer in the balcony of an opera house. All he really has to do is come in wearing a tux and kill a couple guards to get up there. It’s kind of funny that this is the last role before Bautista decided to slim down from his giant wrestler body, because his huge size seems like a disadvantage in this job (along with his attention-grabbing hand and neck tattoos). That’s not a complaint, though! I enjoy improbable muscleman characters – Schwarzenegger playing scientists, etc. (read the rest of this shit…)

The Next Karate Kid / Fresh / Milk Money (the end of the summer ’94 series)

Tuesday, September 3rd, 2024

Well, my friends, it’s after Labor Day. Time to stop wearing white shoes according to Serial Mom, and time to wrap up the summer retrospective according to me. Some interesting movies that were released at the end of the summer include Richard Rush’s COLOR OF NIGHT (yet another legendarily hated movie at the time time, I thought it was kind of interestingly crazy when I watched it years later) and Roger Avary’s KILLING ZOE (which I’ve always sort of liked but never nearly as much as I wanted to), both released on the 19th. The 26th gave us another Tarantino-connected movie that was a huge deal at the time, Oliver Stone’s NATURAL BORN KILLERS.

I previously reviewed that one so thoroughly that I not only covered the movie, but the earlier script and the making of book, so I’m not going to rehash it much here. I do want to note that Oliver Stone was one of the directors most associated with boomer self analysis – rightly or wrongly, his movies were a big part of the way people my age conceived of the Vietnam War, the JFK assassination, and of course The Doors. But here in the summer of GUMP he was more interested in being contemporary, cutting edge, of-the-moment. I found the movie’s hyperactive collage style annoying at the time, but I can respect it more now, and it was obviously influential for other movies I initially and/or still find annoying like DOMINO and CRANK. His choice to recruit Trent Reznor to produce the soundtrack album proves that the movie is more Lollapalooza than Woodstock. It was also an early foray into cinema for the future Academy Award winning composer (though of course we all know he was in Paul Schrader’s LIGHT OF DAY in 1987, plus “Head Like a Hole” was in CLASS OF 1999 and PRAYER OF THE ROLLERBOYS and “Dead Souls” was in THE CROW).

This finale to the Summer of ’94 series will focus on a triptych of movies with this sort of generational torch passing as part of their plot. They are stories about young people and the lessons they learn from older mentors. (read the rest of this shit…)

Twilight of the Warriors: Walled In

Wednesday, August 14th, 2024

TWILIGHT OF THE WARRIORS: WALLED IN is the awkward title they ended up with for a movie that’s been in development for like 20 years (originally to be co-directed by John Woo and Johnnie To!) under the title KOWLOON WALLED CITY and DRAGON CITY and maybe some others. I’ve been waiting for it long enough that I already watched a movie called KOWLOON WALLED CITY on Hi-Yah! because I thought, “Oh shit – that finally came out!?” (That one was pretty fun too, I recommend it.)

This one is an event for many reasons, the main one for me being that it’s the latest from Soi Cheang, director of one of my favorite 21st century action movies, KILL ZONE 2, plus other movies I liked including SHAMO and MOTORWAY. The secondary reason is that he’s working with genius action director Kenji Tanigaki (RUROUNI KENSHIN, SAKRA), and the third is that one of the all time greats, Sammo Hung, plays a major character in it.

It’s the story of a refugee in Hong Kong named Lok (Raymond Lam, SAVING GENERAL YANG), who wins an underground fight trying to earn cash to buy a fake ID so he doesn’t get deported. The Triad boss running the fights, Mr. Big (Hung), is also the guy you go to for fake IDs, and when Lok turns down a job offer from him he gets screwed on that. (read the rest of this shit…)

Mi Vida Loca

Tuesday, July 16th, 2024

July 15, 1994

MI VIDA LOCA (MY CRAZY LIFE) is the third film from writer/director Allison Anders. Two years ago I reviewed her 1992 release, GAS FOOD LODGING. That one was about a young woman growing up in a fictional desert town, this one is a fictional portrait of young cholas in a real neighborhood of Los Angeles.

I’ve heard of Echo Park, didn’t know its history, but as soon as they showed the picturesque little lake with swans and everything I thought “Oh shit! That’s the place from ALLIGATOR II: THE MUTATION.” The opening narration does not mention that actully-kind-of-good 1991 TV sequel about a giant alligator in a predominantly Hispanic neighborhood under threat of gentrification, instead looking back to the silent era of film: “We have a lake that’s been here since the ‘20s, when movie stars had love nests in the hills.” I read that there were studios in the neighborhood then, and the 1914 Charlie Chaplin films TWENTY MINUTES OF LOVE and RECREATION were filmed at the park. That must be crazy to see your neighborhood in a movie from that long ago. Even from 30 years ago is cool, though. (read the rest of this shit…)

MaXXXine

Monday, July 8th, 2024

I hope everybody had a good Big Mia Weekend this year! For me, MAXXXINE was easily the most anticipated non-FURIOSA movie event of the summer.

In case you haven’t met Maxine Minx, she’s a character from Ti West’s X (2022). That’s a slasher movie set in 1979, when a group of amateur pornographers rent a farmhouse to shoot their first movie and are terrorized by the octogenarian owners (and an alligator). Mia Goth (A CURE FOR WELLNESS) plays both Maxine, the star of the porno shoot, and Pearl, the withered psychopath she runs over at the end. The prequel PEARL (shot back-to-back and released in the same year) is set in 1918, with Goth playing young Pearl growing up and losing her shit in the same farmhouse.

Now MAXXXINE completes the trilogy with Goth playing Maxine in 1985. Since surviving the massacre she’s had a successful porn career in Los Angeles and is now trying to move into “real” movies, like Marilyn Chambers or Traci Lords. But just when she seems to have her big break a sleazy private detective named John Labat (Kevin Bacon, FRIDAY THE 13TH, WILD THINGS) starts to harass her about her past, and also someone starts killing her friends and co-workers. (read the rest of this shit…)

The Bikeriders

Wednesday, June 26th, 2024

THE BIKERIDERS is writer/director Jeff Nichols’ (TAKE SHELTER, MUD, LOVING) version of a biker gang movie. It’s loosely adapted from a 1968 book by Danny Lyon, who spent several years riding with the Outlaws Motorcycle Club of Chicago. Nichols incorporated Lyon as a character (played by Mike Faist of WEST SIDE STORY and CHALLENGERS) who’s spending time with the fictional Vandals motorcycle club, taking photos and recording interviews, and if you step back you can picture a version where he’s the lead. We would learn about this world along with him and then it would sort of become his story as he deals with the macho insecurities raised by trying to fit in with these guys. Eventually he realizes it’s bringing out a dark side of him but in the end he learns about himself or some shit. You know the drill. Like a sleeveless version of Matthew Rhys’ character in A BEAUTIFUL DAY IN THE NEIGHBORHOOD. (read the rest of this shit…)

Getting Even With Dad

Monday, June 17th, 2024

June 17, 1994 was such a big day that in 2010 Brett Morgen released an ESPN 30 For 30 documentary called JUNE 17TH, 1994. It covered Arnold Palmer playing his final round at the U.S. Open, the commencement of the first FIFA World Cup hosted by the United States, a ticker tape parade for the New York Rangers after winning the Stanley Cup, Game 5 of the 1994 NBA Finals, Ken Griffey Jr. tying a Babe Ruth home run record, oh yeah and O.J. Simpson’s infamous slow police chase in the Ford Bronco. One important event of the day that it did not cover was the release of Mike Nichols’ WOLF starring Jack Nicholson and Michelle Pfeiffer. And I will not be covering it either, despite its story of an older generation getting all macho to compete with a younger one stealing their jobs and women, because I already wrote about it in my Summer Flings series.

There is however one topic I will be covering that was far too provocative and/or non-sports-related to include in the documentary, and that’s the movie GETTING EVEN WITH DAD starring Ted Danson as Dad and Macaulay Culkin as the party getting even.

(read the rest of this shit…)

Hit Man (2024)

Tuesday, June 11th, 2024

HIT MAN (2024) is on the more crowdpleasing side of Richard Linklater movies, a sort of comedy, sort of romance, sort of noir, sort of true story that’s good enough to sort of make me forgive the “based on a true story… sort of” disclaimer and related dad joke vibes. For me it doesn’t quite live up to the hype from the Toronto International Film Festival, where it apparently blew the roof off, but it’s definitely worth watching if you already get Netflix, where it ended up.

This is really a star vehicle for Glen Powell, an Austinite who worked with Linklater in FAST FOOD NATION, EVERYBODY WANTS SOME!! and APOLLO 10 1/2 (an animated/rotoscoped movie that’s also on Netflix, and quite good) before blowing up in TOP GUN: MAVERICK and ANYONE BUT YOU. Now the two of them teamed up to co-write and co-produce this showcase for Powell doing more than just his usual cocky hunky guy thing (but also that). He plays Gary Johnson, a New Orleans psychology professor who lives alone with two cats, enjoys bird watching, and tucks his polo shirts into his cargo shorts. He’s a dabbler who moonlights as a tech guy for the police, recording undercover stings busting people who were asking around about putting a hit out on somebody. When Jasper (Austin Amelio, The Walking Dead) is suspended for excessive force, Gary is pushed into playing the hitman, digs deep to create a macho character, and turns out to be very good at it. (read the rest of this shit…)