Posts Tagged ‘Stuart Gordon’

Robot Jox

Monday, June 28th, 2010

tn_robotjoxStuart Gordon’s ROBOT JOX is the timeless story of some Robot Jox. It’s a post-apocalyptic world where the surviving factions of humanity fight over territories in sanctioned robot-on-robot battles. During the time of this story the Americans and Russians are fighting over Alaska. So this is the story of those robot battles and of the jox that jock the robots.

The robots aren’t alive, they are controlled by jox. Robot jox, if you want to be specific about which type of jox they are. These robot jox train in the martial arts and what not to prime their bodies to do moves that will be duplicated by the robot body around them. They have teams of course to build their robots and work on new weapons and help train them. So it’s like a futuristic cross between UFC, NASCAR, and war. (more…)

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Stuck

Wednesday, September 3rd, 2008

I like where Stuart Gordon is coming from. Always thought of as a horror director because of REANIMATOR and FROM BEYOND, now he’s just this low profile indie director, doing his own thing, making little movies with playwrights and obscure writers, usually with gore and dark undertones but not really horror anymore. Not that he has disowned the genre – he’s still trying to do another REANIMATOR sequel.

And this new one, STUCK, is an interesting idea. It’s inspired by that horrible case you may remember reading about a few years ago where a nurse’s aide was driving under the influence, ran over a homeless guy, and parked the car in her garage with him still stuck in the windshield. She left him there to die (it was originally reported as taking two days, which is how it’s portrayed in the movie, but from what I’ve read it was actually 2 hours).

Stephen Rea – who would’ve seemed like a casting coup if he hadn’t recently played the corrupt cop villain in the Van Damme movie UNTIL DEATH – plays the homeless guy, and for his character it’s basically DIE HARD in a garage. There’s a very sympathetic setup of his character, you see how he gets kicked out of his apartment after being laid off, his application gets lost at the employment services office, a cop kicks him out of the park at night, and he happens to be at the wrong place at the wrong time. Then he spends the rest of the movie trying to get off this windshield, trying to honk the horn or grab the cell phone or get out and rig up support for his broken leg. Then he has to fight off the people trying to dispose of him. And somehow a gun appears. I always wanted to see “DIE HARD in the trunk of a car,” this might be as close as I get.

But most of the movie is from the point of view of Mena Suvari’s character and man, I don’t know. I think she’s supposed to be partly likable. The first thing you see her do is clean shit off of an old man and not complain about it, which shows strength of character. Unlike the woman in the real case she almost drops her victim off at the hospital. But she takes off when somebody might see her because she can’t jeopardize the promotion she’s up for. (more…)

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Dagon

Saturday, January 1st, 2005

Well here we are with another slightly above average horror picture from Stuart Gordon, the guy who did REANIMATOR and a couple other halfway decent movies, but who seems to live next door to Full Moon Video or something. By this I do not mean that he only makes movies about little bastards like ghoulies, demonic toys, subspecieses, dollmen, shrunken heads, puppet masters, and etceteras. All I mean is that he seems to share alot of stylistic choices, collaborators and straight to video horror blood with those guys. But this is one of his movies that seems a little better. A little.

I know this one got a small amount of theatrical play here in seattle and that alone is an amazing accomplishment for Stuart these days. In case you are wondering it is not about dragons. If you look closely there is no R. In fact it is about a village of fish people, which could only mean that it is based on stories by Howard P. Lovecraft.

Now don’t ask me why, but Howard P. Lovecraft was afraid of fish. I know it seems like a pretty wacko thing for some fruit to be scared of but at least the guy made something productive out of his whole problem. He was horrified and disgusted by this idea of people who worship a fish god and slowly turn into fish and squid and screw people and make fishpeople babies. And the filmatists here do a good job of making that idea seem like a resonable premise for a horror movie.

The best thing about the movie is the creatures. You don’t see them too many times but when you do they have some nice designs, creepy in a phoney cgi kind of way. Most of the time there are no effects though, just menacing villagers who act strange enough that you know hey, these are fishpeople man. The movie was shot in spain with a mostly spanish cast and crew. The leads are american though so it’s got this whole touristy, dare I say fish out of water kind of deal going on where the stupid american web-yuppies crash their yacht and end up poking their noses where they don’t belong. In fishland. (more…)

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King of the Ants

Saturday, June 14th, 2003
(originally posted on The Ain’t It Cool News)SIFF: Vern attends the world premiere of Stuart Gordon’s KING OF THE ANTS and goes nuts for it!

Boys -

No really guys, I really did it this time. A 100% genuine scoop. This time it really truly is not a movie you guys have reviewed the shit out of. You’ve never even seen it because this was the world premiere. But I’m positive you’ll be covering this movie alot as soon as people start seeing it. Stuart Gordon has made his best movie in years, in my opinion his best ever. It is definitely one that stands out from the others because there’s no supernatural business or science fiction or HP Lovecraft references. What it is is a very dark (in tone, not in lighting) neo-noir adapted by brit Writer Charlie Higson from his own novel, about a regular dude in his mid ’20s who’s not sure what he wants to do with his life. And then somebody offers him $13,000 to kill an innocent man. So he figures, you know, why not?

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