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Posts Tagged ‘Stuart Gordon’

Castle Freak

Thursday, October 4th, 2018

The way Stuart Gordon tells it, CASTLE FREAK was made because he saw Charles Band’s poster for it before it was even really a premise.

“What’s that about?”

“A castle and a freak.”

I wouldn’t be surprised if that’s how the majority of Full Moon Pictures come about, but they usually don’t have the brilliant director of RE-ANIMATOR and FROM BEYOND as the guy translating the poster into an actual movie, so they don’t turn out this well.

Gordon’s idea of CASTLE FREAK takes inspiration from H.P. Lovecraft. I’m sure you could also say that about what he eats for breakfast every morning. But he credits the short story “The Outsider,” about a man escaping from the castle where he’s lived alone for as long as he can remember. The screenplay is by Gordon’s longtime collaborator Dennis Paoli (RE-ANIMATOR, FROM BEYOND, THE PIT AND THE PENDULUM, DAGON), and its hook is simple: American asshole John Reilly (Jeffrey Combs, THE FRIGHTENERS) inherits a 12th century castle from a Duchess and brings his unhappy wife (Barbara Crampton, FRATERNITY VACATION) and blind daughter (Jessica Dollarhide, 1 episode of Major Dad, 2 episodes of In Living Color, 2 episodes of Dr. Quinn, Medicine Woman) to check it out with him. Little do they know that his dead relative also left behind the feral, mutilated man she’d been torturing in the dungeon for most of his life. Probly should’ve mentioned that. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Dolls

Tuesday, October 24th, 2017

After Stuart Gordon’s opening one-two punch of RE-ANIMATOR and FROM BEYOND, he did his first non-H.P.-Lovecraft picture, DOLLS. Produced by Charles Band two years before PUPPET MASTER, it sort of invents the template for his killer doll movies. The script is by Ed Naha, the first editor of Fangoria, who’s another important figure in the history of miniature cinema, having written TROLL, DOLLMAN and (with Gordon) HONEY, I SHRUNK THE KIDS. He also wrote the regular-sized CHUD II and OMEGA DOOM.

The story here is your basic trapped-in-a-spooky-mansion-during-a-storm yarn. A little girl named Judy (Carrie Lorraine, POLTERGEIST II and one episode of ALF), her dad David (Ian Patrick Williams, RE-ANIMATOR, ROBOT JOX, KING OF THE ANTS) and uptight step-mom Rosemary (Carolyn Purdy Gordon, RE-ANIMATOR, FROM BEYOND, ROBOT JOX, THE PIT AND THE PENDULUM, FORTRESS, STUCK) are driving somewhere in the woods or some shit, their car gets stuck in the mud, so they go knock on the door of the nearest gothic mansion. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

The Pit and the Pendulum (1991)

Wednesday, December 7th, 2016

tn_pitandthependulum“Confessions are only admitted under torture, otherwise you might confess just to avoid torture and it wouldn’t be a true confession.”

Stuart Gordon’s THE PIT AND THE PENDULUM opens with Grand Inquisitor Torquemada (Lance Henriksen, STONE COLD) and his Spanish Inquisition goons pulling a dead body out of a coffin, convicting him of heresy and giving him 20 lashes, which busts him apart until he’s a pile of bones. The man’s family watch, outraged, while a bunch of other rich people smile to themselves and lick their lips. Torquemada crushes the dead man’s skull into powder and uses it to fill an hourglass. That’s all before the credits start.

So, this movie is not fuckin around. And you guys know how I feel about a movie that’s not fuckin around. (Usually positive.)

Even still, it kinda snuck up on me. It’s a Full Moon production, and they’re doing a period piece (Spain, 1492) in the one castle they have access to, lots of fake looking wigs, some actors delivering their lines in a modern tone, some not. And then there’s a shitty looking font on the credits and they still couldn’t bother to change the title (it calls it THE INQUISITOR). And as it gets into the plot about a woman falsely accused by the Spanish Inquisition it seems like it’s gonna be mostly sitting through gruesome torture scenes: public whipping, burning at the stake, some citizens enjoying it, others being forced to watch, people tied to racks, screaming, getting slashed and/or sexually humiliated. But that’s just the fuel to a story that really comes together, a nice amalgam of Edgar Allan Poe ideas, adventure and most of all an extreme caricature of the type of hypocrites who stand in judgment of others to hide their own faults. Gordon worked in theater for years before RE-ANIMATOR made him a Master of Horror, and I imagine this is alot like one of his plays. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Fortress

Monday, April 20th, 2015

tn_fortressFORTRESS is one of those rare b-movie (or B+ movie?) gems that you come across every once in a while that has everything: good cast, great gimmicks, unexpected emotion and substance, cyborgs. It’s a 1993 sci-fi action movie, but clearly without a summer blockbuster budget, so it feels somewhere between Paul Verhoeven and ROBOT JOX. And that makes sense, because it’s the same director. Man, why did I never see this before? Didn’t I know it was a Christopher Lambert movie directed by Stuart Gordon? Don’t I believe in the auteur theory?

Lambert plays Brennick, an ex-soldier (“the most decorated captain of the Black Berets, yet you quit in disgrace…”) busted with his pregnant wife Karen (Loryn Locklin) trying to sneak out of the country because it’s illegal to give birth twice. They both end up at the Fortress, a giant underground, privately owned prison. The convicts become property of the Men-Tel Corporation and used for prison labor. Their job: to keep building further into the ground, making more room for more convicts to build even further. That’s my favorite concept in the movie because it so deviously illustrates the problem of the prison industrial complex. Zed-10, the computer program that runs the place (voice of the director’s wife Carolyn Purdy-Gordon), keeps saying the Men-Tel slogan “Crime does not pay.” But of course for them it does. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

From Beyond

Thursday, October 31st, 2013

tn_frombeyondDamn, talk about a movie that surpasses my memory of it being pretty good. Stuart Gordon’s FROM BEYOND is a minor horror classic with the elegant simplicity and tone of RE-ANIMATOR and the body transmogrifying ambition of John Carpenter’s THE THING. It’s all about an incident when another dimension bonks heads with ours, and you can guess which one of us gets a bloody nose.

Jeffrey Combs stars in this one too, this time as Crawford, the more reasonable assistant to his groundbreaking professor at Miskatonic, Dr. Edward Pretorius (Ted Sorel, NETWORK, BASKET CASE 2), whose invention “The Resonator” uses a bunch of analog computers and Tesla-tech hooked to a row of tuning forks to create a vibration that stimulates our pineal glands, causing us to see beings that have been around us, unseen, all along. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Re-Animator

Tuesday, October 29th, 2013

tn_re-animatorRE-ANIMATOR is one of those good old ’80s college buddy movies, you know? You got the tall, blandly handsome star student Dan (Bruce Abbott), he’s fucking the dean’s daughter Megan (Barbara Crampton), there’s an uptight professor, Dr. Hill (David Gale – the one from SAVAGE WEEKEND, who I still don’t think is the same one THE LIFE OF DAVID GALE is about), who disapproves of the relationship. Then a new student comes to Miskatonic U., the socially inept but brilliant Herbert West (Jeffrey Combs), who maybe got kicked out of his school in Switzerland, or maybe had to flee. A troublemaker! Double secret probation!

Dan seems like a jock, Herbert like a nerd. Dan is a normal person, Herbert a creepy weirdo. And they become roommates! It would be fun if it was about Dan trying to loosen him up, bringing him to parties and stuff, or to pledge at a fraternity, but maybe that’s in the sequels.

(read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Robot Jox

Monday, June 28th, 2010

tn_robotjoxStuart Gordon’s ROBOT JOX is the timeless story of some Robot Jox. It’s a post-apocalyptic world where the surviving factions of humanity fight over territories in sanctioned robot-on-robot battles. During the time of this story the Americans and Russians are fighting over Alaska. So this is the story of those robot battles and of the jox that jock the robots.

The robots aren’t alive, they are controlled by jox. Robot jox, if you want to be specific about which type of jox they are. These robot jox train in the martial arts and what not to prime their bodies to do moves that will be duplicated by the robot body around them. They have teams of course to build their robots and work on new weapons and help train them. So it’s like a futuristic cross between UFC, NASCAR, and war. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Stuck

Wednesday, September 3rd, 2008

I like where Stuart Gordon is coming from. Always thought of as a horror director because of REANIMATOR and FROM BEYOND, now he’s just this low profile indie director, doing his own thing, making little movies with playwrights and obscure writers, usually with gore and dark undertones but not really horror anymore. Not that he has disowned the genre – he’s still trying to do another REANIMATOR sequel.

And this new one, STUCK, is an interesting idea. It’s inspired by that horrible case you may remember reading about a few years ago where a nurse’s aide was driving under the influence, ran over a homeless guy, and parked the car in her garage with him still stuck in the windshield. She left him there to die (it was originally reported as taking two days, which is how it’s portrayed in the movie, but from what I’ve read it was actually 2 hours). (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

SIFF: Vern attends the world premiere of Stuart Gordon’s KING OF THE ANTS and goes nuts for it!

Saturday, June 14th, 2003

Hey folks, Harry here… Stuart Gordon is one of those directors that I just keep waiting on to break a film into orbit. When you look at what he’s done on no money, and just how incredibly entertaining his movies consistently are. From RE-ANIMATOR to SPACE TRUCKERS to THE WONDERFUL ICE CREAM SUIT to DAGON… Here’s a guy making low-budget indies that I demand to own on DVD – even if it means seeking them out in other regions. On top of that, he’s just a great guy. Humble, friendly and eager to tell you about all of his stories and dreams. So it is with great glee that I read Vern’s review of KING OF THE ANTS… This is a brutal crime film that Stuart has had his eye on for a while now, and from Vern’s review… It’ll be one of those movies we seek out all year long, and I’m instantly going to contact Stuart about doing a screening here in Austin with the Drafthouse! Here’s VERN –

Boys –

No really guys, I really did it this time. A 100% genuine scoop. This time it really truly is not a movie you guys have reviewed the shit out of. You’ve never even seen it because this was the world premiere. But I’m positive you’ll be covering this movie alot as soon as people start seeing it. Stuart Gordon has made his best movie in years, in my opinion his best ever. It is definitely one that stands out from the others because there’s no supernatural business or science fiction or HP Lovecraft references. What it is is a very dark (in tone, not in lighting) neo-noir adapted by brit Writer Charlie Higson from his own novel, about a regular dude in his mid ’20s who’s not sure what he wants to do with his life. And then somebody offers him $13,000 to kill an innocent man. So he figures, you know, why not? (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Dagon

Wednesday, July 24th, 2002

Well here we are with another slightly above average horror picture from Stuart Gordon, the guy who did REANIMATOR and a couple other halfway decent movies, but who seems to live next door to Full Moon Video or something. By this I do not mean that he only makes movies about little bastards like ghoulies, demonic toys, subspecieses, dollmen, shrunken heads, puppet masters, and etceteras. All I mean is that he seems to share alot of stylistic choices, collaborators and straight to video horror blood with those guys. But this is one of his movies that seems a little better. A little.

I know this one got a small amount of theatrical play here in seattle and that alone is an amazing accomplishment for Stuart these days. In case you are wondering it is not about dragons. If you look closely there is no R. In fact it is about a village of fish people, which could only mean that it is based on stories by Howard P. Lovecraft. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.