"KEEP BUSTIN'."

Posts Tagged ‘Jonathan Fuller’

Castle Freak

Thursday, October 4th, 2018

The way Stuart Gordon tells it, CASTLE FREAK was made because he saw Charles Band’s poster for it before it was even really a premise.

“What’s that about?”

“A castle and a freak.”

I wouldn’t be surprised if that’s how the majority of Full Moon Pictures come about, but they usually don’t have the brilliant director of RE-ANIMATOR and FROM BEYOND as the guy translating the poster into an actual movie, so they don’t turn out this well.

Gordon’s idea of CASTLE FREAK takes inspiration from H.P. Lovecraft. I’m sure you could also say that about what he eats for breakfast every morning. But he credits the short story “The Outsider,” about a man escaping from the castle where he’s lived alone for as long as he can remember. The screenplay is by Gordon’s longtime collaborator Dennis Paoli (RE-ANIMATOR, FROM BEYOND, THE PIT AND THE PENDULUM, DAGON), and its hook is simple: American asshole John Reilly (Jeffrey Combs, THE FRIGHTENERS) inherits a 12th century castle from a Duchess and brings his unhappy wife (Barbara Crampton, FRATERNITY VACATION) and blind daughter (Jessica Dollarhide, 1 episode of Major Dad, 2 episodes of In Living Color, 2 episodes of Dr. Quinn, Medicine Woman) to check it out with him. Little do they know that his dead relative also left behind the feral, mutilated man she’d been torturing in the dungeon for most of his life. Probly should’ve mentioned that. (read the rest of this shit…)

The Pit and the Pendulum (1991)

Wednesday, December 7th, 2016

tn_pitandthependulum“Confessions are only admitted under torture, otherwise you might confess just to avoid torture and it wouldn’t be a true confession.”

Stuart Gordon’s THE PIT AND THE PENDULUM opens with Grand Inquisitor Torquemada (Lance Henriksen, STONE COLD) and his Spanish Inquisition goons pulling a dead body out of a coffin, convicting him of heresy and giving him 20 lashes, which busts him apart until he’s a pile of bones. The man’s family watch, outraged, while a bunch of other rich people smile to themselves and lick their lips. Torquemada crushes the dead man’s skull into powder and uses it to fill an hourglass. That’s all before the credits start.

So, this movie is not fuckin around. And you guys know how I feel about a movie that’s not fuckin around. (Usually positive.)

Even still, it kinda snuck up on me. It’s a Full Moon production, and they’re doing a period piece (Spain, 1492) in the one castle they have access to, lots of fake looking wigs, some actors delivering their lines in a modern tone, some not. And then there’s a shitty looking font on the credits and they still couldn’t bother to change the title (it calls it THE INQUISITOR). And as it gets into the plot about a woman falsely accused by the Spanish Inquisition it seems like it’s gonna be mostly sitting through gruesome torture scenes: public whipping, burning at the stake, some citizens enjoying it, others being forced to watch, people tied to racks, screaming, getting slashed and/or sexually humiliated. But that’s just the fuel to a story that really comes together, a nice amalgam of Edgar Allan Poe ideas, adventure and most of all an extreme caricature of the type of hypocrites who stand in judgment of others to hide their own faults. Gordon worked in theater for years before RE-ANIMATOR made him a Master of Horror, and I imagine this is alot like one of his plays. (read the rest of this shit…)