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Posts Tagged ‘John Carl Buechler’

The Sleeping Car

Thursday, November 4th, 2021

THE SLEEPING CAR (1990) is not exactly a slasher movie, but because it says “Forget Freddy. Forget Jason. Here Comes The Mister!” on the cover it officially qualifies for Slasher Search. Congratulations, THE SLEEPING CAR!

When I saw that title I thought, “huh?” but then I saw the train on the cover and I thought oh, I get it, not a passed out automobile, but the place on a train where you sleep. Okay. I’ll go with it. Actually, this looks kinda good.

But it does not open promisingly. Some guy is making out with some woman in a train car. She strips down to her historical panties and giant boobs and they giggle and make out while the score by Ray Colcord (My Two Dads, AMITYVILLE DOLLHOUSE) erupts into erotic saxophone. The engineer (John Carl Buechler, director of FRIDAY THE 13TH: THE NEW BLOOD) comes in and yells at the guy to stop fornicating and do his job. He chooses instead to continue with the fornicating, and then the engineer jumps off the train right before it crashes head on with another train and then he yells into the sky like newly minted Darth Vader when he finds out Padme is dead. (read the rest of this shit…)

Friday the 13th Part VII: The New Blood

Thursday, October 14th, 2021

“There’s a legend ‘round here. A killer buried, but not dead. A curse on Crystal Lake. A death curse. Jason Voorhees’ curse.”


On paper FRIDAY THE 13TH PART VII: THE NEW BLOOD seems very promising. It has a wild premise: what if instead of just having to contend with a bunch of young people having sex in a cabin, Jason has to contend with a bunch of young people having sex in a cabin and also the next door neighbor who has CARRIE-like telekinetic powers? HUH? THEN WHAT?

And it’s directed by John Carl Buechler (TROLL, CELLAR DWELLER), who’s an FX makeup legend (FROM BEYOND, DOLLS, GARBAGE PAIL KIDS THE MOVIE, NIGHTMARE ON ELM STREET 4, HALLOWEEN 4). But it doubles down on all the sins that started in part IV and got worse in V and VI. We’ve returned to part IV’s “two stories about two cabins next door to each other” format, with even more assholes in this sex cabin than ever before. And according to the late Buechler in many interviews before he died, the movie got completely screwed by the MPAA, who by this point saw this series as their arch-nemesis. They were forced to lose most of their gore, throwing off the rhythm of every important beat in the movie. It definitely seems that way – lots of killing, but either the camera doesn’t point at it or it cuts after a couple frames. And tragically the original footage was not preserved in such a way that there can ever be a restoration. Thanks alot, Movie Prude Asswipes of America. (read the rest of this shit…)

To Hell and Back: The Kane Hodder Story

Wednesday, October 3rd, 2018

TO HELL AND BACK: THE KANE HODDER STORY is an above average horror movie doc, partially in filmatistic execution but especially in subject matter. I mean it has its share of generic talking head interviews and convention footage, and a questionable interview choice or two – the brief clips of “hip hop duo Twiztid” praising the man of the hour create a sinking feeling that we horror fans might be on the wrong side of history. And there’s lots of repetition that seems to me like it could’ve been trimmed to strengthen this 104 minute story into a fierce 80. But the movie’s emphasis on the vulnerabilities of a legendary movie slasher, contrasted with his menacing qualities both on and off screen, make for a fascinating story at times.

Hodder is, of course, the guy who portrayed Jason Voorhees in FRIDAY THE 13THs 7, 8, 9 and X. We hear about how being stunt coordinator on Renny Harlin’s PRISON accidentally led to wearing monster makeup (and putting bugs in his mouth) and impressed makeup genius/part 7 director John Carl Buechler enough to get him the role of his life. And they get into what he added to the character, how his suggestions and fearlessness spruced up the movies, what his family thinks about it, how much fans like to be choked by him, how devastating it was to be replaced for FREDDY VS. JASON, even some tidbits about doing stunts on AVENGING FORCE (actually a pivotal moment in his life, you’ll find out, and not because the movie is so cool). (read the rest of this shit…)

Dolls

Tuesday, October 24th, 2017

After Stuart Gordon’s opening one-two punch of RE-ANIMATOR and FROM BEYOND, he did his first non-H.P.-Lovecraft picture, DOLLS. Produced by Charles Band two years before PUPPET MASTER, it sort of invents the template for his killer doll movies. The script is by Ed Naha, the first editor of Fangoria, who’s another important figure in the history of miniature cinema, having written TROLL, DOLLMAN and (with Gordon) HONEY, I SHRUNK THE KIDS. He also wrote the regular-sized CHUD II and OMEGA DOOM.

The story here is your basic trapped-in-a-spooky-mansion-during-a-storm yarn. A little girl named Judy (Carrie Lorraine, POLTERGEIST II and one episode of ALF), her dad David (Ian Patrick Williams, RE-ANIMATOR, ROBOT JOX, KING OF THE ANTS) and uptight step-mom Rosemary (Carolyn Purdy Gordon, RE-ANIMATOR, FROM BEYOND, ROBOT JOX, THE PIT AND THE PENDULUM, FORTRESS, STUCK) are driving somewhere in the woods or some shit, their car gets stuck in the mud, so they go knock on the door of the nearest gothic mansion. (read the rest of this shit…)

Halloween 6: The Curse of Michael Myers

Thursday, October 27th, 2016

tn_halloween6I’ve enjoyed rewatching this Jamie Lloyd trilogy of HALLOWEEN sequels. I never liked them, hadn’t watched them enough to remember them very well, but they look better on Blu-Ray and this is the most I’ve ever enjoyed parts RETURN and REVENGE.

CURSE, though, is a tough one. This is just not a good movie. But worth discussing anyway.

It starts unlike any HALLOWEEN movie. A young woman is about to give birth. There’s a medical staff pushing her on a bed down long hallways, beneath pipes, into some kind of boiler room type area, and eventually what doesn’t even look like a hospital. Now they’re in some place lit by candles and wall torches like the arena in BLOODSPORT, and she does not seem to be having her health care choices respected. This is actually supposed to be Michael’s niece Jamie Lloyd, but she’s now played by decent lookalike J.C. Brandy (WHAT LIES BENEATH). (read the rest of this shit…)