This year’s TRUE LEGEND is Yuen Woo-Ping’s first directational work since IRON MONKEY 2 in 1996. During that break he’s done some classic fight choreography, including some of the best ever in American movies (the MATRIXes, the KILL BILLs), but just hasn’t put himself in charge of a whole movie. So this is fun because it’s great wushu mythmaking and the master’s trademark fights working with a new pack of stylistic and technological weapons that didn’t exist 14 years ago. (more…)
Posts Tagged ‘Michelle Yeoh’
True Legend
Saturday, November 6th, 2010
Babylon A.D.
Tuesday, January 6th, 20097% on Rotten Tomatoes… that’s bad, right? I was kind of interested in this idea of Vin Diesel returning in a big sci-fi movie directed by the guy who did LA HAINE (you know, Kassovitz. Amelie’s boyfriend, later in MUNICH). But then there were all these stories about the studio cutting it to shreds, and then the reviews were CANNIBAL HOLOCAUST brutal, and even Kassovitz called it “pure violence and stupidity” before it was even released, pretty much signaling that he was so disappointed in the movie that he was willing to throw away any future chance at directing in Hollywood. I mean those are some pretty bad omens there in my opinion so I couldn’t work up the courage to pay money to see it in a theater. I remember even talking a buddy out of going to see it by describing how bad the buzz was. It was so bad it wasn’t even buzz, it was more of a whistle.
So I’m surprised to be sitting here telling you this, but this movie is actually kind of good. I mean, unlike Vin Diesel’s character, who does a flip on a snowmobile in one scene, the movie doesn’t stick the landing. The conclusion borders on silly, the storytelling becomes pretty muddled (possibly due in part to those studio cuts, I’m not sure) and I was not sure I really understood the point of how it ended up. But as a whole it’s so much better than I had been led to believe. Aside from some corny Riddick-style opening and closing narration Diesel is a cool action movie character inhabiting a fleshed out, believable world of chaos not too far in the future.
The movie opens with a pretty spectacular show-off camera move, zooming from space onto the earth, through the clouds, down to the United States, to the Northeast, to New York, to New York City, to a particular block, down onto the street, onto Vin Diesel who is kneeling on the ground, and into his face, into his eye, in which we see reflected a fiery explosion coming in his direction…
Man, I hope they got that explosion right on the first try, would’ve been a real pain in the ass to go all the way back up into space. (more…)
The Mummy: Tomb of the Dragon Emperor
Friday, December 12th, 2008PROLOGUE: Long ago, a brave warrior (Jet Li) and a graceful dancer turned actress (Michelle Yeoh) did the movie TAI CHI MASTER together. Then both went to Hollywood and did Lethal Weapon and James Bond and shit. But they had not forgotten each other. They were gonna star in CROUCHING TIGER, HIDDEN DRAGON together. But Jet backed out for the incredibly classy reason that he had promised his wife to take the year off from movies and be with her while she was pregnant. Years later, they had another chance to do a movie together in Ronny Yu’s FEARLESS – but Michelle’s scenes got cut out of the theatrical version. So it was this last summer, 15 years later, that the two were finally reunited on the big screen. BUT IT WAS IN THE FUCKING MUMMY 3! How’s that for a Tales From the Crypt type twist ending?
Okay, I should get a couple disclaimers out of the way. First of all, mummies are not one of my favorite monsters. Off the top of my head the only mummy movie I can think of that I like is BUBBA HO-TEP, but that didn’t really need to be a mummy to be good. It just needed to be a slow moving monster so an elderly Elvis could be a fair match for it. If it was about a giant space slug or mutant sloth it could also be good if it had the same characterization of a sad, lonely Elvis Presley. The Universal MUMMY with Boris Karloff is a great monster at the beginning, then he disappears and it’s just Karloff in a fez for the rest of the movie. It’s no DRACULA, I’ll tell you that. And as you can see above I didn’t think the Hammer version was that great either.
As for the MUMMY that started this series, I hated the fuckin thing. I remember it as having no sense of build or rhythm at all, it was all clatter and mayhem and stupidity. In RAIDERS OF THE LOST ARK they have scenes where he’s at school teaching, right? But when Stephen Sommers rips off RAIDERS he’s worried that your attention span is too short for a story to develop so in an early scene in a library the love interest character played by Rachel Weiss for no reason at all clutzily destroys the entire library Jar Jar style. I hated his style enough that I decided not to watch Sommers movies anymore, so I skipped out on part 2. I only watch non-Sommers spin-offs such as THE SCORPION KING (which was much more fun). (more…)
Sunshine
Tuesday, August 7th, 2007With the release of this movie I’d say there’s now officially a subgenre of sci-fi movies about the angst of long distance space travel. Two of my favorite movies ever – 2001 and ALIEN – are in this category. There’s also DARK STAR, a predecessor to ALIEN and an inspiration to this movie (one of the characters is even named Pinback after Dan O’Bannon’s character in that movie). I also liked the remake of SOLARIS, but I still gotta see the original one. Rounding out the category now there’s Danny Boyle’s SUNSHINE.
This one takes place sometime in the future, but probaly not too long in the future. The main difference between then and now: the sun is dying. Pretty shitty. Humanity came up with a plan where they sent a spaceship called The Icarus which would set off a bomb that would reignite the sun. But that ship was a bunch of slackers or something so nobody heard from them again. This is the story of the Icarus II, where they decided to use up Earth’s resources to make the last possible bomb that they could use to try to relight that bitch.
This is not the usual action type of sci-fi. No robots or lasers. The characters are not super heroes, they’re astronauts. They’re a crew of experts. They’re hoping to not only save humanity but to make it back safely, but they know that’s not guaranteed. (If it was their ship would be called The Guy Who Was Like Icarus Except His Wings Didn’t Melt So He Made It Back Safely.)
For most of the movie the drama comes from the tough decisions they have to make. For example they discover the location of the Icarus I and although they all agree that reigniting the sun is more important than saving any possible surviving crew members, a convincing argument is made for why it might be smart to go check out the ship. So they have to follow protocol and a decision has to be made but not everyone agrees. So not only do you have to worry about whether it was the right decision, but about whether the tension between the people who disagree will cause new problems that will lead to other tough decisions. (more…)
Crouching Tiger, Hidden Dragon
Thursday, December 21st, 2000My friends, you may think I have been neglecting you. In the past month or two I have abandoned all my discipline and stopped doing the column weekly. I haven’t been reviewing all that many movies. I’ve been staying pretty much away from the computers of the internet except for Writing the occasional Ain’t It Cool News joke talk back message under the name “Darth Superman.”
The truth is I’m doing you a big fucking favor. I’m cutting down on my Writing. Focussing it. Putting my emphasis on what matters to me most, like honor, respect, and breaking a motherfuckers legs. I’m hoping less Writing = less crap, and therefore, better Writing. So you get to waste less time reading it, plus it’ll be better. That’s the theory, anyway.
But my friends this week I come to you with news on a great movie which happens to not be a Badass movie in my opinion. I know some of my colleagues in Badass Studies will disagree since this is a movie made up of many excellent fighting scenes and since one of the stars happens to be Mr. Chow Yun Fat star of the best action movie of the ’90s. But to me the highly acclaimed picture Crouching Tiger, Hidden Dragon is not so much about fighting as it is about love and woman empowerment and graceful movement. It’s more like a musical or one a them tapdancing movies they made back then with all the singing and umbrellas and what not. And I ain’t making excuses like the other critics, because I’d RATHER say it was a kung fu movie, and I loved it. But facts are facts, and this is a tap dancing movie. I ain’t complainin though cause it’s the best tap dancing movie I seen in years.
My man Fat gets to perform stunts like I never seen him before, because he’s doing all kinds of kung fu and great swordsmanshipping. In case you don’t know not all chinese dudes know kung fu, and I never seen Fat do it before. Always using guns. Maybe a punch now and then but very rarely kicking. Here he’s flyin around like a god damn superman, flippin the swords around like WHISH WHISH WHISH and who the fuck even KNOWS what some a those weapons are called that he’s using. These guys know how to USE the things, we americans can’t even NAME them. That’s how far ahead of us Fat is. (more…)
