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Posts Tagged ‘Michelle Yeoh’

Wonder Seven

Wednesday, April 1st, 2020

You know who’s always good? Michelle Yeoh. Have you noticed that? I guess you have. This one is from 1994, her followup to the classic WING CHUN, and it’s directed by the great Ching Siu-Tung. He had recently been her director for HEROIC TRIO 2 and action director for BUTTERFLY AND SWORD, THE HEROIC TRIO and HOLY WEAPON. The title presumably refers to the special forces team of six men and one woman introduced on dirt bikes chasing a gang of armed robbers through a farm. A guy is dragged through a pile of pig shit. The woman fires an arrow from a musical instrument and it goes all the way through a guy’s leg. One bike drops through a farmhouse ceiling. A guy runs through a pen full of ducks but gets hit in the head by a flying hammer.

All if this is great, obviously, but Michelle Yeoh is not one of these wonder people. The one female is Hilary Tsui (SHAOLIN POPEY), who apparently is playing “Tiny Archer.” The men on the team all kind of blend together to me. Kent Cheng (AH KAM) is the only one who really stands out visually, but unfortunately according to IMDb his character is called “Fatty.” Oh well – in ONCE UPON A TIME IN CHINA he played “Porky Wing,” and in IP MAN 2 and 3 he’s “Fatso” (Ip Man calls him “Bob” in part 4 though).

Yeoh plays Jing, a cool-sunglasses-wearing woman the Wonder Seven run into beginning with two separate incidents: (read the rest of this shit…)

Magnificent Warriors

Friday, March 20th, 2020

After two great turns playing cops in YES, MADAM! and ROYAL WARRIORS, Michelle Yeoh (credited as Michelle Kheng on the DVD I rented) got a chance to do sort of her version of Indiana Jones. In MAGNIFICENT WARRIORS (1987) she plays Fok Ming Ming, a whip-swinging, bi-plane-piloting granddaughter of a legendary revolutionary. During the credits we see her booted feet and leather-gloved hands as she loads a bunch of heavy crates onto a wagon, before it pans up to say that’s right, it’s a LADY. Can you fucking BELIEVE IT? As if we didn’t already know we were here to see a Michelle, uh… Kheng movie.

The most notable thing about the opening, and arguably the movie as a whole: her smile. She’s so happy in most of this. Of course I’m not telling women and/or Michelle Yeoh to smile more often, but I’m used to her seriousness, so it’s novel to see her playing this type of character. Ming Ming doesn’t have to act tough. She just is. Doesn’t stop her from being delightful and having a fun time. I guess that makes her a little more THE PHANTOM than Indy.

She’s been hired as a driver for some gun runner (Chan Ging, SEVEN WARRIORS, THE STORY OF RICKY) trying to sell boxes of rifles to a remote village. To test out the merchandise the buyers shoot him dead, so Ming Ming has to fight them all to get her money. She kicks them, whips them, sets their huts on fire, rides off chased by a sword-wielding mob, and turns around to shoot their bridge out with a gatling gun. And a smile.

(read the rest of this shit…)

THE STUNTWOMAN a.k.a. AH KAM

Wednesday, February 12th, 2020

We owe this review to 1-900-MIXALOT, who was kind enough to recommend THE STUNTWOMAN in the comments for SUPERCOP. I found it at Scarecrow Video under the title AH KAM. I’m sure it’s not easy to come by, but as I write this there’s one copy available for $30 on Amazon, so it’s not unobtanium.

Like all right thinking citizens of the world I revere Michelle Yeoh as a superstar of martial arts films, and also respect her great gravitas as a dramatic actress. I don’t think there’s anyone else who is iconic on the level of Jet Li and Donnie Yen in kung fu films, but also has Yeoh’s level of success in non-action drama roles (including English language ones like SUNSHINE, CRAZY RICH ASIANS and Star Trek: Discovery). THE STUNTWOMAN is a 1996 Hong Kong film, her followup to WING CHUN, that bridges those two worlds. I definitely consider it a drama, not an action movie, but because she plays the titleistical stuntwoman we see her doing some of the good shit, and she also has one very satisfying opportunity to bust out a little bit of kung fu on some motherfuckers. (read the rest of this shit…)

Tai Chi Master

Tuesday, August 27th, 2019

By now you’ve probly noticed that I like searching for wisdom in martial arts movies the way some people do religious texts. Sorry, they’re just more fun to me than holy scripture. But man, when I find one that speaks to me I feel spiritually invigorated. TAI CHI MASTER (a.k.a. TWIN WARRIORS) (1993) is just such a sermon. It’s one of those stories full of symbolism that

1) seems easily applicable to life

and

2) makes for strong, mythical drama

And since it’s directed and choreographed by the great Yuen Woo-ping (in between IRON MONKEY and WING CHUN) it would already be worth watching just for the beautiful fights full of wild flourishes and ingenious gimmicks. This is a world where people frequently kick logs and barrels at each other and back, where most people have the ability to leap into the air and spin or flip several full rotations, where you fly up and swing on a chandelier and the lamp oil spills and makes the floor slippery so you land on top of the people who have fallen down and slide around on them like they’re snowboards. (read the rest of this shit…)

Master Z: The Ip Man Legacy

Monday, April 15th, 2019

MASTER Z: THE IP MAN LEGACY is the new film directed by Yuen Woo-Ping, a spinoff of IP MAN 3, which he was the choreographer for. It will make sense even if you haven’t seen that or the rest of the IP MAN series, though you should see them anyway, because they’re great. Donnie Yen is a producer of this one, but doesn’t appear other than in brief black and white flashes to establish the backstory.

In the tradition of UNDISPUTED II and III, MASTER Z takes the antagonist from the previous film and makes him the hero. Max Zhang (the main henchman from KILL ZONE 2) returns as Cheung Tin Chi, which I guess must sometimes be translated as Zheung, otherwise I have no idea why this is called MASTER Z. He was a younger teacher who defeated the great Wing Chun Grandmaster Ip Man in a public challenge, became legendary himself, but got too big for his britches and was ultimately defeated in a private challenge. Now he’s left martial arts – including turning down what could be well paying gigs as an enforcer – and runs a small grocery store. (read the rest of this shit…)

Wing Chun

Tuesday, April 9th, 2019

In WING CHUN, the 1994 Yuen Woo-Ping classic, the great Michelle Yeoh plays Yim Wing Chun, a legendary character who was supposedly the first disciple of the Shaolin nun who invented the Wing Chun style of kung fu after seeing a crane fight a snake. The movie’s not about that, but it’s a reworking of a famous story about Wing Chun using her skills to ward off an asshole trying to force her to marry him. I’m not sure, but I think it’s kind of like in western culture if you do a new version of Zorro, Dracula, Hansel and Gretel or whatever you’re probly not gonna directly adapt the version people know, you’re gonna try to take the famous elements and put a different spin or twist or perspective on them. (read the rest of this shit…)

Yes, Madam!

Wednesday, November 14th, 2018

(a.k.a. POLICE ASSASSINS on the DVD I watched)

YES, MADAM! is a 1985 Hong Kong action classic starring the one and only Michelle Yeoh as Senior Inspector Ng, hard working cop who should be on vacation and instead ends up searching for some damn microfilm.

She ends up on the case due to a crazy pile-up of coincidences. Her old instructor Richard Nordon (Michael Harry, AN ANGEL AT MY TABLE) is meeting in his hotel room with a thug named Mr. Dick (Dick Wei, EASTERN CONDORS), who ends up killing him. Immediately after that, two thieves disguised as bellboys happen to break into the room. They happen to steal Nordon’s passport, which happens to contain the microfilm of a forged contract that Mr. Dick was after in the first place. And then Inspector Ng happens to come to the room to meet with her old mentor, just in time to see the fake bellboy fleeing the scene and try to chase him.

There’s a dramatic moment in the lobby when Mr. Dick thinks she’s made him and is ready to shoot her. (read the rest of this shit…)

Crouching Tiger, Hidden Dragon: Sword of Destiny

Thursday, September 14th, 2017

Okay, so admittedly it’s weird that 17 years after the acclaimed, Academy Award winning CROUCHING TIGER, HIDDEN DRAGON, The Weinstein Company up and made a sequel without the original director. And filmed it in English. And sold it to Netflix so it was barely released in theaters and may never be available on disc in most countries. It’s not surprising that people seem to have been disappointed, or just confused, or completely unaware of it. But if we think of it in terms of unlikely DTV sequels, CROUCHING TIGER, HIDDEN DRAGON: SWORD OF DESTINY is in the upper echelon.

No, the director is not Ang Lee, but it’s not nobody either – it’s Yuen Woo-Ping, whose choreography was the life’s blood of the first film. I wouldn’t say he tops it here, but he brings more graceful glides, spinning swords and nimble roof top skips and hops. It’s worth noting that today’s technology is used to create more elaborate magical realism, like when the two leads ride in on horses, block a barrage of spears, leap high into the air, land and begin a sword fight, all in one beautiful shot. (read the rest of this shit…)

Crouching Tiger, Hidden Dragon

Wednesday, September 13th, 2017

CROUCHING TIGER, HIDDEN DRAGON is an important movie to me for a couple reasons. One is personal, but the other is kinda about you guys. I had been writing reviews on my Geocities websight for a bit, but I didn’t really think anybody gave a shit, so I had kind of given it up for a few months when I ran into an old friend who mentioned he liked what I wrote about CROUCHING TIGER and wondered when I was gonna write more reviews. So I did, and then I continued for like 17 years, and here we are. Thank you, Jacob M., for saying that to me that day.

I love CROUCHING TIGER. I wasn’t sure how well it would hold up after all these years. It was such an exciting movie of its time, but it’s been imitated, techniques have evolved, new things have been achieved in martial arts, we’ve changed. And though I still like HULK, the other Ang Lee film I was obsessed with in the early 2000s, it doesn’t quite knock my socks all the way off anymore. Just part way off.

CROUCHING TIGER, I’m happy to discover, still does. And it knocks them off in a deeper, more mature way than it used to. My socks were very impressed.

(read the rest of this shit…)

The Mechanic: Resurrection

Tuesday, August 30th, 2016

tn_mechanicrJason Statham returns as Arthur Bishop, his character from the 2011 Simon West film THE MECHANIC. He is not the type of mechanic who might help out his driving characters in THE TRANSPORTER, THE ITALIAN JOB, DEATH RACE and FURIOUS 7. He’s the type that is a euphemism for an assassin-for-hire, as seen in the original THE MECHANIC starring Charles Bronson and Jan Michael Vincent.

Having faked his death at the end of the first one, we find Bishop living an appealing lifestyle in Rio de Janeiro. (Do the people of Rio ever get tired of Hollywood helicopters swooping around that Jesus statue?) He’s now known as Otto Santos and he lives on a nice houseboat where he sits and enjoys his espresso and reconstituted vinyl collection.

But one day a woman comes up to him, knows who he is, says her employer wants him to kill three people. Arthur “Otto ‘The Mechanic’ Santos” Bishop is no chump, though, so he fights her and her henchmen, escapes in spectacular (though blatantly green-screeny) fashion, and gets ready for a fight. There’s almost a running joke about how many stashes he has around. When he self destructs his boat he goes right to a shipping container with guns and passports. When he resurfaces at his old hut on a picturesque beach in Thailand there’s another stash under the floorboards. I bet if you dropped him off at any random spot in the North Pole it would turn out he hid some guns under the ice there years ago. (read the rest of this shit…)