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Posts Tagged ‘Luke Evans’

Anna

Tuesday, November 5th, 2019

LEON (THE PROFESSIONAL) sums up Luc Besson pretty good, doesn’t it? He’s creepy about young women. Also, he’s really good at putting them in cool, stylish action roles. His latest in that vein, ANNA, came out this summer with little fanfare (or box office), at least partly because Besson had recently been accused of rape. Maybe it deserved to fail. But for whatever it’s worth it’s a solid movie full of what he does well.

It actually has alot in common with ATOMIC BLONDE. A beautiful bisexual spy (well, assassin in this case) double and triple crosses her way through end-of-the-Cold-War European intrigue with a twisty plot and a couple of long, impressive fight sequences. Charlize and her action and David Leitch’s intoxicating colors and music are more my speed, but ANNA has the advantage of being real complicated without being hard to follow. It’s a satisfying tale. (read the rest of this shit…)

Ma

Wednesday, October 30th, 2019

MA is a pretty simple little Blumhouse thriller that doesn’t go much deeper than what you see in the trailer, but I had fun with it. Academy Award winner Octavia Spencer (HALLOWEEN II) plays the titelistical matriarch, a.k.a. Sue Ann, a single veterinarian’s assistant in a small town in Ohio who is randomly approached one day by some high school kids who want her to buy them alcohol. Not only does she hook them up that one time, she becomes their regular buyer. And then she decides to let them use her basement as their party space. She’s like a cool, irresponsible aunt. She jokes around inappropriately sometimes, but tells them she’d rather they be here than out driving drunk or something. (Plan A was to party in a van.)

There are a couple obvious ways to play this. One would be to draw out the reveal of whether or not Ma is a psycho. I like that they immediately show her looking up the kids’ Facebook pages like a stalker. There are two other major escalations in craziness that happened so abruptly I got a big laugh and wished I’d seen this with an audience. The suspense is in how far she’s gonna take this. And there’s tension about things like “why is she so insistent that they not see the upstairs” and “will Maggie (Diana Silvers, BOOKSMART) be able to make her friends and her boyfriend Andy (Corey Fogelmanis, Girl Meets World) see that this lady is trouble?” (read the rest of this shit…)

Beauty and the Beast (Disney remake)

Monday, April 24th, 2017

Disney’s new live-action rendition of Disney’s BEAUTY AND THE BEAST is a tale as old as time, a collection of songs as old as 1991, plus new ones created in 1993 for the Broadway musical. Unlike Jon Favreau’s excellent computer-animation-that-seems-like-live-action remake THE JUNGLE BOOK, which melded beloved elements of the 1967 animated classic with more serious drama from Rudyard Kipling’s book, this is a very faithful, at times scene-for-scene re-enactment of the 1991 best picture nominated hit. But that’s the idea: it’s the movie version of the stage version of the animated version of the traditional fairy tale. Director Bill Condon (CANDYMAN 2: FAREWELL TO THE FLESH) and adapters Stephen Chbosky (RENT) and Evan Spiliotopoulos (HERCULES with The Rock) seem to look at it much more as a restaging than a reinterpretation. (read the rest of this shit…)

The Hobbit Presents The Battle of the Five Armies: a 3D Imax Obligation

Tuesday, February 10th, 2015

tn_hobbit3I saw BATTLE OF THE FIVE ARMIES about 5 weeks after it came out and finished this review a couple weeks later, so you can see I had higher movie-going-and-discussing priorities than the thrilling conclusion to the prequel to the LORD OF THE RINGS trilogy. But honestly I did go to it of my own accord. After somewhat enjoying part 2 as a dumb spectacle with some good sequences I was kind of in the mood for that again and wanted to be sure to catch it before it left 3D.

(technical notes: I avoided high frame rate so it wouldn’t look like somebody’s home wedding video. I ended up with digital 3D “Imax,” which is on the giant screen but noticeably lower resolution than standard digital projection. So it’s got pluses and minuses)

If you’re like me you have almost no memory of what happened in the other two installments or what the names of any of the characters are, but you do remember the setup for part 3: Smowg, the greedy capitalistic dragon of Desolation Mountain, was awoken from his treasure-slumber and raging toward the man-village, puking deadly flame breath every which way, getting ready to roast some fuckin humans and Godzilla some buildings. Just step on some guys and bite off their heads and all that kind of dragon shit. This is the big screen dragon attack we’ve been waiting for ever since Guillermo Del Toro signed onto THE HOBBIT six years ago, and especially since the cliffhanger ending of part 2 one year ago.

I mean I am shitting myself you guys because THIS IS GONNA BE FUCKIN CRAZY!  The Baggin’ and Toe-taggin’ of the Dragon. The Shakedown in Laketown. The motherfuckin climax of the greatest most epicest trilogy of all time, “THE END OF AN ERA” according to the ads and posters.

That’s the pre-credits sequence. The archery guy from FURIOUS 6 and his kid kill the dragon pretty easily at the very beginning of the movie. The end. (read the rest of this shit…)

The Hobbit 2: The Hobbit Goes To Some Places Where Sometimes More Shit Happens

Tuesday, January 14th, 2014

tn_hobbit2Well, I guess waiting a month to see DESOLATION OF SMAUG shows you how excited I was for it. To be honest I still didn’t have any urgency but figured that since I did intend to see it eventually I wanted to see it while 3D was still available. It seems to me like the movie ended its brief flirtation with the public consciousness at least 2 weeks ago, but I heard a group of grey-haired gentleman in the theater questioning why it was mostly empty and there were no “young people wearing costumes.”

I learned my lesson from part 1 and skipped the High Frame Rate version playing at the Cinerama, usually my preferred theater. On Imax 3D there was some ghosting but it looked like an actual professional movie, an immediate advantage over my experience with part 1. For that reason it’s hard to really compare fairly, but I think I enjoyed this a little more than the first one, despite having the same flaws. (read the rest of this shit…)

No One Lives

Sunday, August 25th, 2013

tn_noonelivesWWEstudiosI’m not gonna try to convince you that NO ONE LIVES is a new horror classic or anything, but I enjoyed it. It’s from the prestigious WWE Studios and it has a level of absurdity and audacity that makes it a worthy successor to their first horror production, SEE NO EVIL. The British advertising even uses an Empire quote calling it a “guilty pleasure.” They’re not trying to fool anybody.

This one has an obvious SAW influence, but it’s not a so-called torture porno. It’s kind of a horror-formula moosh-up, combining the super-genius-psycho-with-ridiculous-death-contraptions with more of a traditional slasher movie formula (people in cabin being picked off one-by-one) as well as a little LAST HOUSE ON THE LEFT (class tensions and abduction courtesy of a family/gang of greaser reprobates).

It’s got one of these prologues that begins mid-terror, a screaming blond named Emma (Adelaide Clemens) chased through some woods, captured by booby traps. Turns out later she’s from a rich family, but judging by these traps the kidnapper is not in it for the money. He just likes hanging girls upside down and stuff. (read the rest of this shit…)

Furious 6

Thursday, May 23rd, 2013

tn_furious6Ladies and gentlemen, the title is FURIOUS 6. They’ve been advertising it as FAST & FURIOUS 6, and every time I see that I think “if the last one was FAST FIVE then why can’t this be FURIOUS SIX?” Well, the actual movie says FURIOUS 6. And this is not the first time that the THE FAST AND THE FURIOUS series has come through for me. We’re family.

Director Justin Lin returns for his fourth and final installment, and I hope they gave him a hell of a gold watch. When he came along there was this one really enjoyable POINT BREAK ripoff and one ridiculous sequel and he had to follow up without the original cast or characters. The series was left for dead. But he did a great job with TOKYO DRIFT, then reunited Vin Diesel and Paul Walker for FAST AND FURIOUS, then brought back almost the entire team and added The Rock for FAST FIVE. With FURIOUS SIX he takes everything he learned from those movies and supercharges the engine and adds spoilers and shit. Having the whole team (minus Don Omar and Tego Calderon, plus Michelle Rodriguez) together isn’t a novelty the second time around, so to make up for that he kicks the action sequences into ridiculous new extremes. Which is saying alot in a FAST AND FURIOUS – have you seen these movies? (read the rest of this shit…)