"KEEP BUSTIN'."

Posts Tagged ‘Dale Dickey’

Pooka!/Pooka Lives!

Tuesday, December 19th, 2023

It’s here – that special time of year when I drink eggnog, watch the Star Wars Holiday Special, and try to find some new Christmas horror or crime movies that hit the spot. This year I watched one that’s a distant cousin of the killer doll movie.

In fact, the kind of doll that’s a Christmas present. POOKA! (2018) fulfills the important holiday horror movie duty of having lots of seasonal content. It centers around this Christmas season fad toy. Multiple scenes take place at a Christmas tree lot. The protagonist practices a monologue from A Christmas Carol for an acting audition, and the story includes a supernaturally-looking-back-at-your-life aspect vaguely similar to that or IT’S A WONDERFUL LIFE. There’s a (weirdly birthday-like) Christmas party. And lots of red and green lights. So it does the trick. (read the rest of this shit…)

Domino (18 years later revisit)

Thursday, September 28th, 2023

When I saw DOMINO on opening day in 2005, I really thought it was the worst shit ever. In fact, at some point I earnestly added a “the worst shit ever” tag to my review of it. Tony Scott’s most chaotic ever visual style and editing just scraped against me and took me out of the story (to the extent that there was one), and I fixated on that and raged against it in my review. This had happened to me only a couple of times before: first with CON AIR, then ARMAGEDDON, and later it would happen with TRANSFORMERS and DOOMSDAY. But DOMINO is the most stylistically aggressive of any of those, and arguably the most pretentious.

In my review I said Scott was trying to seem young and edgy, compared it to getting his ear pierced. In my mind at that time he was the guy who directed TOP GUN, and TOP GUN was a movie for jocks, military lovers and top 40 listeners. When that one came out I didn’t notice that its style was revolutionary, I just knew everybody loved it including my entire sixth grade class, which meant it was the height of mainstream popular culture about a year or two before I would start kneejerk rebelling against such things. So to have the TOP GUN guy, almost 20 years later, trying to do what screenwriter Richard Kelly calls on the commentary track “punk rock,” was just a joke to me. (read the rest of this shit…)

Message from the King

Friday, September 4th, 2020

MESSAGE FROM THE KING is Chadwick Boseman’s 2016 (pre-BLACK PANTHER) action(ish) vehicle, released straight to Netflix. I always meant to watch it – I’m sorry it took me a tragedy to get to it. It’s pretty good.

It follows the classic noir tradition of the outsider who comes into town because a loved one went missing or died, starts asking around, spying on people, finds out what happened, and goes after the people responsible. I tend to like that story format – in fact, I kind of played off of it in my book Niketown, now that I think about it.

The specific version of this type of story that MESSAGE FROM THE KING reminds me of most is THE LIMEY. That’s both a compliment (I love THE LIMEY and movies like it) and bad news (unsurprisingly it’s not as good as THE LIMEY), but I couldn’t avoid the comparison. Instead of British he’s South African, instead of a daughter it’s his sister, and instead of her being involved with an older music producer it’s an older movie producer. But it’s a similar thing of a guy from another culture going around to rich people parties, barging into front businesses, angering macho thugs who don’t know who he is and underestimate him, playing dumb but exploding into a few sudden bursts of brutal violence. (read the rest of this shit…)