"KEEP BUSTIN'."

Posts Tagged ‘John Cusack’

Better Off Dead

Tuesday, August 25th, 2020

August 23, 1985

The success of movies like FAST TIMES AT RIDGEMONT HIGH and SIXTEEN CANDLES kicked off a wave of teen films in the ‘80s, but the ones that came out in the Summer of ’85 were not typical of the genre. Most of the season’s movies about high school kids involved some sort of fantastical element (BACK TO THE FUTURE, THE HEAVENLY KID, WEIRD SCIENCE, MY SCIENCE PROJECT – and I guess the younger GOONIES and EXPLORERS count too). The most straight ahead, down to earth teen movies were THE LEGEND OF BILLIE JEAN and REAL GENIUS, neither of which were exactly standard issue.

And BETTER OFF DEAD is an even odder one. It has a pretty normal premise (high school kid gets depressed when his girlfriend dumps him for the captain of the ski team, thinks he can get her back by defeating said captain in a ski race), but it’s filtered through the distinct humor of first time writer/director Savage Steve Holland. Though I don’t personally hold it in nearly the same reverence, I think it has a little bit in common with PEE-WEE’S BIG ADVENTURE, in that it’s a comedy with its own distinct tone and deadpan presentation of absurdity brought to us by a rookie whose ignorance about how to make a normal movie works as a strength. On a more superficial level, it uses little bits of animation (including stop motion), and jokingly applies thriller film techniques to silly things (for example, using horror movie synths and atmosphere whenever the paperboy shows up looking for his $2). Burton and Holland are also the same age, both went to CalArts, and both worked as animators before becoming live action directors (in Holland’s case creating the famous “Whammy” animations for the game show Press Your Luck). (read the rest of this shit…)

Blood Money

Tuesday, January 9th, 2018

Lucky McKee is a director who’s been on the radar of horror fans for about fifteen years, since he broke onto the scene with MAY. His second one THE WOODS was only okay from what I remember, but I liked his Jack Ketchum adaptation RED. He probly doesn’t share my affection for it – he was fired for publicly unexplained reasons and a different director finished it – but his Ketchum assocation continued when he produced the adaptation THE LOST and actually co-wrote THE WOMAN with the author, based on one of his OFFSPRING characters. I think THE WOMAN is McKee’s best and most interesting by far, but in the ensuing six years he’s only done a couple silly things (ALL CHEERLEADERS MUST DIE and a segment of TALES OF HALLOWEEN) and I haven’t heard much about him.

Now all the sudden here comes a generically titled thriller for the VOD/DTV market and if you bother to check the credits then sure enough, there’s Lucky McKee. I assume it was never intended for wide theatrical release, because John Cusack (THE CONTRACT, WAR INC., THE FACTORY, THE NUMBERS STATION, THE FROZEN GROUND, THE BAG MAN, DRIVE HARD, THE PRINCE, RECLAIM, CELL, ARSENAL) plays the villain. It ‘s possible that it was a for-hire gig for McKee, since he’s written most of his previous movies, while this one is credited to Jared Butler and Lars Norberg. Both seem to be debuting as writers, but Butler voices the Johnny Depp characters (Jack Sparrow, Mad Hatter, Tonto) in a bunch of Disney video games! As far as I could tell he didn’t bring any of that knowledge to this story.

It concerns three college age kids who grew up together, now reunited for a camping trip, and they find some bags of money. And of course Cusack is the dangerous guy the loot belongs to, who tries to get it back from them. It’s a premise we’ve seen many times, but that’s because it works. (read the rest of this shit…)

Chi-Raq

Wednesday, December 9th, 2015

tn_chiraqCHI-RAQ (Chicago + Iraq, pronounced shy-rack) is the Spikiest Spike Lee Joint achieved so far. It seems like whatever itch Lee was trying to scratch with those musical numbers in SCHOOL DAZE has been building up for all these years until it exploded onto the screen like that inflating dude in BIG TROUBLE IN LITTLE CHINA. Lee must’ve woke up one morning and said fuck it, I’m gonna make a movie that’s so Spike Lee it turns into Baz Luhrmann.

Let me tell you a few things about how heightened and crazy this is. It has musical numbers. It has dance numbers. It has a rap number that breaks into a gun fight precipitated by an argument depicted in onscreen text messages. It has an army of women in chastity belts performing a sexy choreographed group lip-synch to “Oh Girl” by the Chi-Lites (maybe my favorite scene). The two rival gangs wear purple and orange, and are called the Trojans and the Cyclops Spartans, whose leader is Cyclops (Wesley Snipes wearing a red-sequined eyepatch). There’s an explicit reference to THE WARRIORS so you know Spike knows what this reminds us of. (Also Luther himself, David Patrick Kelly, is in it.) All of this is presided over by a fourth-wall-breaking narrator played by Samuel L. Jackson wearing fly suits, spinning a cane and reciting toasts and dirty jokes like Dolemite. That’s not just me reading into it, because he’s called Dolmedes and he references Shine and the Signifying Monkey.

Oh, by the way: all of the other characters speak in rhyme also. So that’s pretty different from most movies. (read the rest of this shit…)

Drive Hard

Thursday, January 22nd, 2015

tn_drivehardDRIVE HARD joins DEATH RACE and GETAWAY in the new action subgenre of “former car racing superstar is forced to drive for bad people.” In this one the driver in question is Peter Roberts (Tom Jane, STANDER), a flaky doofus who left racing to get married and raise a daughter in Australia, but now is running out of money and having trouble paying the mortgage, let alone achieving his dream of opening a racing school. Instead he has a driver’s ed school.

Then one day mysterious troublemaker Simon Keller (John Cusack from THE PAPERBOY), a grown man who seems to already know how to drive, takes a lesson from him. After an uncomfortably horrible drive and awkward coffee break in which the stranger admits to being a fan and knowing all about his career, he convinces Peter to drive him to the bank. So he can get some cash to pay for the lesson, he says. But then he comes out holding a brief case and exchanging gunfire with security guards.
(read the rest of this shit…)

Grand Piano

Wednesday, May 21st, 2014

tn_grandpianoGRAND PIANO is a tight little thriller, the kind of thing I would have to call snappy, crackling, popping or perhaps krispy if I had the vocabulary. It’s a cool premise, well-executed, and then it gets the fuck out in around 80 minutes not including credits. And get this: it’s THE PIANO on speed! Picture that. Great idea, right?

Oh, I’m sorry, no, I meant it’s SPEED on a piano! Elijah Wood (FLIPPER) plays a disgraced world’s-greatest-concert-pianist, reluctantly pushed by his movie star wife (Kerry Bishé, ARGO, RED STATE) into a high profile, high pressure performance in tribute to his eccentric, recently deceased mentor. He’s already ready to shit out all his insides on stage and then in the middle of the performance he finds threatening notes on his sheet music and a crazy sniper starts threatening him over a headset. (The credits tipped me off that it was [SPOILER?] John Cusack, but the voice is immediately recognizable anyway. Actually, I don’t know if I’ve seen him play an evil mastermind before, and he’s a natural. Usually you’re supposed to love him for his asshole qualities, in this one he’s just being more honest.) (read the rest of this shit…)

Lee Daniels’ The Butler

Tuesday, January 21st, 2014

tn_thebutler“I always loved servin’.”

LEE DANIELS’ THE BUTLER by Lee Daniels is the new one from crazy fuckin Lee Daniels, and I know what you’re thinking: thank God a Warner Brothers claim with the MPAA forced them to include “LEE DANIELS'” in the title at 75% the size of THE BUTLER, because otherwise I would’ve assumed that this modern movie with Forest Whitaker and Oprah Winfrey on the cover is the lost silent short from 1916 THE BUTLER. I mean, who wouldn’t? It would be an easy mistake to make.

Also I know what Lee Daniels is thinking: that’s pretty cool that some crazy corporate bullshit that makes no sense caused me to get my name in the title like WES CRAVEN’S NEW NIGHTMARE or JOHN CARPENTER’S VAMPIRES.
(read the rest of this shit…)

The Paperboy

Tuesday, December 4th, 2012

“If anyone’s gonna pee on him, it’s gonna be me!”

THE PAPERBOY is the new one from Academy Award nominee for Best Director Lee Daniels. That’s the guy that did PRECIOUS, BASED ON THE NOVEL PUSH BY SAPPHIRE as well as SHADOWBOXER, BASED ON THE IDEA THAT HELEN MIRREN AND CUBA GOODING JR. ARE ASSASSINS AND SHE RAISED HIM BUT ALSO THEY’RE FUCKING AND SHE HAS CANCER. I feel like the critical community embraced PRECIOUS without really picking up on how nutty it was, or doing a background check on Mr. Daniels’s previous work. So they did cartoony “wh-wh-whUHHH?” double-takes when THE PAPERBOY played at Cannes and had a part where Nicole Kidman territorially pisses on Zac Efron from HIGH SCHOOL MUSICAL. Because it’s a Lee Daniels movie.
(read the rest of this shit…)

2012

Saturday, November 28th, 2009

tn_2012A bunch of actual good movies came out this week, and I’ll review a couple of them soon. First I have to catch up with this crap I saw last week…

As you know, and as the TV news in this movie will tell you, the Mayans predicted that the world would end on December 21st, 2012. So in this movie it does. Actually, that must be the fictionalized, eclipse-fearing Mayans of APOCALYPTO that predicted that, because the real Mayans didn’t. They just had a calendar which considered somewhere around that date to be the end of an era. They also predicted things that would happen after 2012, so obviously they didn’t expect the world to end. Let’s not hang all this doom and gloom on them. They invented chocolate. (read the rest of this shit…)

Vern’s Got His Review Of WAR INC As Well!

Monday, April 28th, 2008

Hey, everyone. ”Moriarty” here.

THE FOLLOWING IS A CORRECTED INTRODUCTION, REPLACING THE INCORRECT INFORMATION ORIGINALLY HERE:

WAR INC may have hit theaters in Canada last week, but it’s actually opening in New York and LA on May 23. It played the Tribeca Film Festival a few nights ago as well.

What Vern saw was, evidently, not a screener for the DVD release, but simply a screener for this theatrical release. John Cusack’s on the publicity trail for this one now, too, doing everything from Jimmy Kimmel to Al Jazeera. I’m hoping to take a look at this release from First Look ASAP.

Are you guys as curious about this one as I am?

As an aficionado of DTV I’ve exposed myself to many works from the Millennium Films library, films starring the likes of Van Damme, Seagal, Snipes, Jai White, Timberlake, etc. I’m talking about movies like THE ORDER, UNDISPUTED 1-2, OUT FOR A KILL, UNSTOPPABLE, TODAY YOU DIE, EDISON FORCE, MERCENARY FOR JUSTICE, UNTIL DEATH and the DAY OF THE DEAD “remake.” They’re the kings of crap – kind of like the new Cannon Films except they don’t have as many fluke good ones under their belt as Cannon did. They’ve made it to the big screen every once in a while which is how we got THE BLACK DAHLIA, THE WICKER MAN and some of those shitty Al Pacino movies that have been coming out lately. I’m obviously biased on the Seagal pictures so let’s just say the closest they’ve ever gotten to a great movie is RAMBO. (read the rest of this shit…)

The Ice Harvest

Wednesday, April 5th, 2006

I was excited about this at one point, but I missed it when it was in theaters. I thought it was a diamond heist movie starring Billy Bob Thornton, but it turns out Billy Bob is the co-star and there are no diamonds. The ice in the title is literal, because it’s winter. Christmas Eve, to be exact. There’s not snow though, just frozen rain, which is not something you see in Christmas movies very often, and rings true to me since here we’re lucky to even see that. (I don’t know about Kansas.)

It’s not exactly a heist movie because like RESERVOIR DOGS or something you never see the theft itself. John Cusack (the rich man’s Scott Baio) is a Kansas mob lawyer and Billy Bob Thornton (ON DEADLY GROUND) is his partner in skimming. They have just stolen upwards of $2 million from their boss, but can’t leave town yet due to the ice. The movie is about them trying to hang out and play it cool for a few hours before they can leave. They figure the boss won’t know about the missing money until they’re gone, but this seems to be incorrect since Cusack keeps seeing an enforcer played by Mike Starr (ON DEADLY GROUND) going around town looking for them. (read the rest of this shit…)