Wednesday, January 8th, 2020
Sorry, everybody. CATS was my idea. It was already a record-breaking Broadway musical slated for cinematic adaptation from LES MISERABLES director Tom Hooper, but I was the one who suggested they ditch the traditional makeup and do the cats as hideous mocap animal-human hybrids on oversized sets. In my defense I was picturing more of a RISE OF THE PLANET OF THE APES type of design where the faces have cat-like structure to them. I didn’t know it was gonna be human faces on furry Barbie doll bodies, which is a different type of creepy than I imagined.
I feel bad that this whole fiasco has caused all kinds of speculation about Hooper being a bad director. I personally didn’t much care for his best picture winning THE KING’S SPEECH, especially after it dissipated from the public consciousness before I could make THE KING’S PEACH to kick off a prestige version of Asylum mockbusters. But I truly was won over by THE MISERABLES. I’m not a fan of the Broadway aesthetic at all, not even Rappin’ Hamilton, and I saw that movie reluctantly for best picture nominee completist purposes only, so I was shocked when I totally loved it. Some of that is due to good choices on Hooper’s part, such as insisting on recording all the singing live and doing Anne Hathaway’s emotional song in one shot in closeup in a coffin, but also I was unfamiliar with it, I was experiencing that story for the first time, and it’s a good one. Way to go, Victor Hugo. You nailed that one. Les congratz. (read the rest of this shit…)
Tags: Andrew Lloyd Webber, Ian McKellen, Idris Elba, Jason Derulo, Jennifer Hudson, Judi Dench, Laurie Davidson, Rebel Wilson, Taylor Swift, Tom Hooper
Posted in Musical, Reviews | 53 Comments »
Wednesday, December 9th, 2015
CHI-RAQ (Chicago + Iraq, pronounced shy-rack) is the Spikiest Spike Lee Joint achieved so far. It seems like whatever itch Lee was trying to scratch with those musical numbers in SCHOOL DAZE has been building up for all these years until it exploded onto the screen like that inflating dude in BIG TROUBLE IN LITTLE CHINA. Lee must’ve woke up one morning and said fuck it, I’m gonna make a movie that’s so Spike Lee it turns into Baz Luhrmann.
Let me tell you a few things about how heightened and crazy this is. It has musical numbers. It has dance numbers. It has a rap number that breaks into a gun fight precipitated by an argument depicted in onscreen text messages. It has an army of women in chastity belts performing a sexy choreographed group lip-synch to “Oh Girl” by the Chi-Lites (maybe my favorite scene). The two rival gangs wear purple and orange, and are called the Trojans and the
Cyclops Spartans, whose leader is Cyclops (Wesley Snipes wearing a red-sequined eyepatch). There’s an explicit reference to THE WARRIORS so you know Spike knows what this reminds us of. (Also Luther himself, David Patrick Kelly, is in it.) All of this is presided over by a fourth-wall-breaking narrator played by Samuel L. Jackson wearing fly suits, spinning a cane and reciting toasts and dirty jokes like Dolemite. That’s not just me reading into it, because he’s called Dolmedes and he references Shine and the Signifying Monkey.
Oh, by the way: all of the other characters speak in rhyme also. So that’s pretty different from most movies. (read the rest of this shit…)
Tags: ?, Angela Bassett, Aristophones, Chicago, D.B. Sweeney, Dave Chappelle, David Patrick Kelly, gangs, Harry Lennix, hip hop, Isiah Whitlock Jr., Jennifer Hudson, John Cusack, Nick Cannon, Roger Guenveur Smith, Samuel L. Jackson, Spike Lee, Teyona Parris, Wesley Snipes
Posted in Comedy/Laffs, Musical, Reviews | 37 Comments »