“Excuse me everyone – I surrender!”Wow – for some reason I never had any interest in EMPIRE OF THE SUN before. Turns out it’s great and sort of a beginning for alot of things. It’s Spielberg’s first WWII drama. One of Christian Bale’s first movies. The one that gave Ben Stiller the idea for TROPIC THUNDER. etc. (more…)
The remake of 3:10 TO YUMA is a pretty good modern western, but it dilutes the simple power of the original by overcomplicating it. Delmer Daves and friends took this very short story mostly about two men in a hotel room (don’t take that the wrong way please) and expanded it to movie length, but I thought they made it work beautifully. Now they take that expanded version of the simple idea and they go expand on that. Give the hero more of a backstory, involve his son in the action, have the outlaw escape and get captured by other people, etc. The only thing they simplify is the number of guys in Ben Wade (Russell Crowe)’s gang, so you lose that menacing scene of them all lined up at the bar with one defenseless woman pouring them all shots.
(more…)
THE FIGHTER is another movie about the working class struggle of the underdog boxer, this one based on a true story, developed for years by Darren Aranofsky, finally directed by David O. Russell when Mark Wahlberg realized he’d been in boxing training for 3 or 4 years now and it would be good to start filming at some point. Those are both kinda weird directors for a normal boxing movie, but this is pretty normal, it’s not some radical reinvention of the genre. What makes it fresh though is the focus on the whole family. It’s equally about the fighter, Micky Ward (Wahlberg, BOOGIE NIGHTS) and his half- brother Dickie Eklund (Christian Bale, AMERICAN PSYCHO) and their place in the town of Lowell, Massachusetts.
Dickie is a former contender and now Micky’s trainer, but to be honest it doesn’t seem like his heart is that in it anymore. He spends most of his time pursuing his other passion, smoking crack.
(more…)
Johnny Depp as John Dillinger is not a bad idea. He’s a charismatic guy, he projects intelligence and mischief. You believe he could pull off those robberies, charm the press and have the cops pulling out their hair. And Christian Bale makes sense as Purvis, the guy tough enough to take him out but who will spend most of the movie failing and fuming.
Michael Mann delivers a more mainstream, less brooding and macho movie than usual, so most people will like it better than MIAMI VICE (but not me). He still uses that style he’s been fond of lately, lots of handheld shots, all shot digitally, kind of a strange choice for a period piece like this, but not too distracting (or revolutionary, either).
It has some real good gunfights. Not the choreographed sort of way that I usually like but more like MIAMI VICE, chaotic in-the-thick-of it kind of scenes, like you’re an embedded reporter, hearing different gun sounds in all directions. Sometimes one whisks past you or hits a wall near you but luckily you survive. It has some tense scenes, a couple chuckles, the actors are all pretty good. There are lots of little surprise appearances to keep you on your toes (Lili Taylor, Stephen Dorff, Giovanni Ribisi, random Leelee Sobieski cameo). I didn’t even realize that was Bill Crudup playing J. Edgar Hoover. Good job Billy. The movie is fine. (more…)
Here’s my TERMINATOR SALVATION review. Sorry it took me a few days – everybody else on the internet has already reviewed it two or three times each and moved on with their lives. I figured I ought to go the extra mile so my review includes an optional soundtrack:
(note: I'm not really gonna pussyfoot around the spoilers in this one, so beware)
I got so much trouble on my mind. I refuse to lose my hope for McG. I had this fantasy – what if McG made an undeniably great TERMINATOR movie, and everybody who ever talked shit about him had to eat crow? They’d be so unprepared to admit they liked a McG movie that their minds would pop like balloons. It would be like reading in the newspaper that a squirrel had built a working rocket ship – just completely out of left field. They wouldn’t know what to do. “Well, his name makes me uncomfortable, but TERMINATOR SALVATION changed my life.” “You know, I went back and gave CHARLIE’S ANGELS FULL THROTTLE another look, it turns out it was ahead of its time. There was no way to really know back then that it was good, only Vern ever understood it, but now it works.”
Well, that ain’t happening. SALVATION doesn’t seem to be winning anybody over and even to the McG/McG-curious it’s somewhat of a disappointment. The sad part is that it really has some slices of that great sci-fi action movie I was holding out hope for. I absolutely love many aspects of it. It quickly draws you into this post-apocalyptic California and the war being waged there. Christian Bale as John Connor has a badass introduction landing his helicopter on a Terminator and shooting into its skull – the camera gives him a classic pan-up-from-the-feet hero shot as someone on a radio somewhere buzzes “Connor is on the ground!” There he is, this guy we’ve been hearing about since 1984, not yet the leader but he’s going into battle followed by 52 brothers, bruised, battered and scarred but hard. (more…)
I got an email from Scott L. requesting a review of THE DARK KNIGHT, because he’s seen all these HYPERBOLIC!!!!!!!! reviews that have been springing up on all the websights and thought I might be a good outsider perspective to temper his expectations. I was happy to oblige because I liked the BATMAN BEGINS movie so I was already planning to see this one at a midnight show with a bunch of kids dressed up as the joker and jacked up on Monster and Mountain Dew High Voltage.
This story is about Batman, the caped vigilante of Gotham City, who is trying to stop some crime. There are many other characters such as Bruce Wayne, etc. I won’t give away who is Batman because I’m gonna try not to have spoilers. Also if you were a little confused because “Batman” is not in the title you are not alone. I kept wondering “is this a Batman movie?” Pretty weird.
Okay, disregard that last paragraph, that was just typing practice. Scott L., I have failed you. Although I haven’t read too many of the other reviews, I’m guessing I loved it at least as much as those weiners. THE DARK KNIGHT is a hell of a movie. It’s not so much a comic book movie as a super hero procedural. They took Batman and the Joker and put them in an epic crime drama – I thought Michael Mann more than I thought Tim Burton. Hell, Batman even talks like Clint Eastwood. It’s only slightly about people in funny costumes punching each other – mostly it’s about a cooperative effort between the well-funded vigilante, the head of the Major Crimes Unit of the police department, the district attorney’s office and the mayor, with the goal of breaking the back of organized crime and giving hope to the citizens of Gotham, showing them that not everything is corrupt and broken. (more…)
THE PRESTIGE and MARIE ANTOINETTE double feature
This week was one of those ones that start coming up toward the end of the year where there’s just too many movies you want to see all coming out on the same day. And me being an obsessive motherfucker I try to tackle them all at once. We got three reliable directors all hitting the same day here. #1 priority for me was Clint’s FLAGS OF OUR FATHERS, but I already saw that at an early screening. So that left Chris Nolan’s THE PRESTIGE and Sofia Coppola’s MARIE ANTOINETTE. So I watched them both in a row, liked both, also fell asleep during both. (You gotta go to sleep the night before one of these double-headers, it turns out.)
To be honest I wasn’t even gonna review MARIE because, let’s face it, I am not a girl. This is not only a girl movie but a long, arty, low on plot girl movie. I think some of you cinemasters are gonna love the shit out of it but alot of my readers would probaly never be able to sit through it. Still, I’ve read so many reviews that clearly didn’t fucking GET this movie that I decided I had to comment.
Ms. Coppola’s take on Marie Antoinette is not your typical stuffy historical drama costume movie. She tries to emphasize that Marie was a teenager (14) when she became French royalty, so this movie is about giggly teen girls hanging out like they’re having a slumber party or something. If you saw the trailer you know that some (but not all) of the movie is set to ’80s synthesizer pop music that white people used to listen to due to the brain damage caused by the popularity of cocaine at the time. Also, since the movie is in English anyway and nobody’s speaking French, she decided to dump the artificiality of everybody faking French accents, so you got Rip Torn and people in there talking how they normally would. But wearing wigs. Other than that though they’re trying to be fairly accurate to the times and like most of these types of pictures they get some beautiful imagery that seems inspired by old paintings. (more…)
When this picture first showed up a ways back I wrote it off, just like any reasonable individual would. I wouldn’t give EQUILIBRIUM the time of day. Or watch it. I figured it was a poor man’s MATRIX. Nothing against the poor, we are good people. I’m just saying a poor man can’t make the real matrix, only a fake one starring Jim Belushi and Coolio. Admittedly, this one stars Christian Bale and Taye Diggs, so it’s not that poor. Still, I really wasn’t too curious to see the movie, the only thing I was curious about was how poor Christian American Psycho Bale wound up trading his unending integrity for a leather coat and a pair of pistols. But the picture has stuck around sort of, kept alive by a small but dedicated cult following. Which I guess is the definition of a cult following, small but dedicated. Man, let’s just move on to the next paragraph.
Point is, I’ve seen a whole lot of weirdos on the internet calling the director Kurt Wimmer a genius who reinvented action and why can’t Kurt Wimmer direct X-Men 3 and Mission Impossible 3 and Brown Bunny 2 and etc. Actually it was probaly just one guy but it seemed like more than one at the time. So all the sudden it turned out I was curious just what the hell this EQUILIBRIUM was all about. Incidentally, I don’t know if you know this but curiosity is the number one suspect in the murder of the cat. Just a little aside there.
Well I can sort of understand why these guys are in love with EQUILIBRIUM. Sort of. It’s involving enough, it’s got a couple original spins on alot of shit you’ve seen before. But mainly it’s got Christian Bale. This guy is Batman by the way, you would recognize him. But he doesn’t wear a cape in this one though, this was before. (more…)
I got two thrilling stories for you today boys. First up is my review of this new Batman picture. Second is an unrelated, earth shattering movie scoop that you have not seen on access hollywood, E.T. – The Entertainment Tonight, the Michael Jackson trial re-enactments, or any of those shows. Possibly it was in some newspaper column in a city called Rochester, but I have not confirmed that yet. Anyway enough preamble let’s get down.
STORY #1 starring Batman
You know how RAMBO 2 tried to help our nation get over Vietnam? Well this one is trying to help us get over Joel Schumacher. The idea of BATMAN BEGINS is to pretend none of that other shit ever happened and start over. And they do a good job taking a 98.9% different approach.
One thing they figured out, if you want a good comic strip type movie you gotta hire a great maniac to play the super hero. Take for example Eric Bana, who gave one of the best performances of whichever decade that was in CHOPPER. Absolutely brilliant as a lovable psychotic murderer who cuts his own ears off, so they cast him as (The [Incredible]) Hulk. Same thing with Christian Bale here, many of us are most familiar with him as a sadistic yuppie with perfect abs running around naked with a chain saw, biting women on the ass, etc. So he’s perfect for Batman.
This one’s pretty different from AMERICAN PSYCHO. His character (name’s Bruce Wayne I believe) is another rich guy but he wants to make the world a better place and that kind of crap. Not shoot women with nail guns. But at first we don’t know that, we first meet him as an american con in a hellish Chinese prison. He’s a bad motherfucker we know because 1. he’s probaly gonna turn out to be Batman I bet and 2. he purposely goes to Chinese prison to practice on criminals. Good stuff. (spoiler note: unfortunately we do not get to see some sort of badass escape from Chinese prison, a forgivable offense but also the first sign that this is not a perfect movie sent down from the Heavens like the internet would have you believe. Let’s have realistic hopes here, fellas.) (more…)
I got mixed feelings about this piece because it works on one level but then in my opinion it oughta work on another level too. This is the movie version of the controversial book about Pat Bateman, the yuppie who is obsessed with designer clothes and mutilating women.
In the movie, Pat says right upfront that he has no insides, but I don’t think he really believes it. I think some part of him believes that because he has this secret life stabbing homeless dudes and chainsawing women, he is a little bit different from all the soulless, materialistic businessmen he keeps getting confused with. He has something that makes him stand out. And not to give anything away, because I’m not sure I really understood the ending otherwise I would give it away, but I think it has kind of an ironic Twilight Zone type ending that all this may have been a delusion so he doesn’t even have THAT to make him unique. The sap.
Well unfortunately I think the movie is kind of the same way. The surface is all real good, but it is operating under the delusion that it has something underneath too. And I mean it really makes a run at it. But in the end, like Pat, you realize that maybe there really is no insides at all.
I mean let’s be honest folks, making fun of yuppies in the ’80s is like sharpshooting the side of a really big barn. Not that the movie doesn’t do a good job of shooting the barn. I laughed at alot of this stuff. I liked all the shots of the fancy food that is too small for the plates. I liked how every restaraunt has it’s own oversized novelty menu. And I like how when all the yuppies discuss the fonts on their new business cards, dramatic music plays and the intensity of Pat’s eyes tells us that he has been driven to murder.
Christian Bale, the dude that plays Pat, is PERFECT. I can’t imagine anyone else more perfectly summing up the essence of this character, from his snobby ass conversational tone to his toned abs. His pretty hair do, muscular body and smooth, tanned complexion look so authentic that this movie can be hilarious just by showing him run around naked holding a chainsaw. (more…)
   |
 |
The Life and Art of Vern is proudly powered by WordPress Entries (RSS) Comments (RSS) email VERN: outlawvern@hotmail.com Complete archive of the Geocities era version still available at http://classic.outlawvern.com |
