Steven Soderbergh’s take on an action/spy thriller – built around “The Face of Women’s MMA” Gina Carano after he saw her on Strikeforce while flipping channels around – lives up to my high expectations. It’s written by Lem Dobbs and it’s like the kid sister of THE LIMEY, mixing the style of that Soderbergh classic with kind of a more upbeat ex-Marine-badass-operative-betrayed-and-on-the-run type of story. It has THE LIMEY’s sense of quiet, deliberate pace and dread and also its dry you-just-fucked-with-the-wrong-person type of humor. Of course, professional fighter Carano has different strengths as a performer than Terence Stamp does, so her movie has less emotion and more punching, kicking, choking, armbars, heads broken through furniture, foot chases, etc. Gina’s not gonna mourn the loss of the daughter she never knew, and Terence isn’t gonna climb up onto a roof. In my opinion. And it’s great to have both of them. (more…)
Posts Tagged ‘Channing Tatum’
Haywire
Sunday, January 22nd, 2012
Step Up
Monday, September 19th, 2011
The opening credits of STEP UP had me laughing and remembering everything I hated about BREAKIN’ and knowing I made the right decision to rent this shit. A Petey Pablo song plays over a series of shots contrasting two worlds: ballet tippy toes in a well-lit dance studio; Timberlands and high-heeled boots dancing on dark concrete. Then it’s the legs of the ballet dancers hopping around; some dudes in a messy warehouse with chain link fences, loose tires and ladders jumping over each other’s shoulders and pumping their fists in unison. And it continues to alternate, comparing and contrasting the moves of the delicate ballet dancers and the people in their oversized hoodies, sideways hats and gold chains. (more…)
Fighting
Monday, August 24th, 2009
FIGHTING is a new movie about fighting. The “fighting” in the title is not a metaphor for struggling against crushing poverty, self doubt or family troubles, it’s only a metaphor for fighting. Actually, now that I think about it I guess it is a double meaning, I was trying to be a smart ass here but actually it’s true. But mainly it just means fighting.
You could definitely compare the movie to HARD TIMES. It also made me think of LIONHEART because it’s this circle of rich assholes setting up underground fights in different weird locations. But honestly it’s more Spike Lee or Martin Scorsese than Jean-Claude Van Damme. This is not the slick Hollywood movie I expected, it’s a gritty New York movie, layered with texture and naturalism. It makes you feel like you’re in New York, surrounded by people, hearing sounds coming from all directions. It’s all shot in interesting, dirty and cramped locations. The dialogue sounds partly improvised, mumbled and overlapping, sentences that trail off. (more…)
GI Joe: The Rise of Cobra
Monday, August 10th, 2009
Not since THE HURT LOCKER have I seen a movie that so convincingly captures the mental toll that the pressures of a war zone take on our soldiers. I’m not talking about GI JOE, I’m just saying I haven’t seen another movie like that since THE HURT LOCKER.
I don’t know what you’ve heard, I don’t know what kind of rumors are flying around, but this here is not what anybody should call a “good summer popcorn movie.” GI JOE can’t be mentioned in the same breath as JAWS or even JURASSIC PARK or even INDIANA JONES AND THE KINGDOM OF THE CRYSTAL SKULL, so don’t ever read this sentence out loud. But there is something unique about this movie and I would recommend it to some of you. If you’re the type of individual with room in your heart for a ridiculous movie that comes out in August that you go see in a half (or all) empty theater for a laugh, then I believe this movie will deliver for you spectacularly. For example I paid money to see STEALTH a few years ago and it was kind of funny. If STEALTH was a single this is a grand slam. I was laughing pretty much from the extravagant new Hasbro logo at the beginning to the weirdly intelligence-insulting final scene, without many lulls in between. For some of you it will be unwatchable crap, but for me it’s hilariously terrible and/or terribly hilarious. (more…)
Battle in Seattle
Monday, May 26th, 2008BATTLE IN THE SEATTLE
Vern’s thoughts on the movie, the historical event, and Thursday’s
opening of the 2008 Seattle International Film Festival
NOTE: This is another one of those ones I sent in to Ain’t It Cool and they never ran it. But I was kind of thinking of making it a geocities exclusive anyway because I knew as soon as some asshole talkbacker pointed out it was long I would ram my head through a wall.
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IMPORTANT NOTICE – RFL/NFW: This will be a Real Fucking Long review that will also talk about my own observations of the actual historical events the movie is based on. You’ve been warned so NFW (No Fucking Whining).
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At a glance BATTLE IN SEATTLE might seem like a perfect opening film for this year’s Seattle International Film Festival. For one thing, it has the word “Seattle” in the title. For another it takes place in Seattle. Those are only two of the reasons.
But I was thinking it was a mistake because this is a movie about the WTO protests in Seattle in 1999, screening within walking distance of where it happened, but most of the movie is filmed far away in Vancouver. And some of us might have a problem with that. Could be risky.
I got a big laugh when I flipped through the Seattle Weekly’s coverage of SIFF. The Weekly was bought out by Village Voice Media a year or two ago, so alot of their reviews now are just recycled from the weeklies in other cities. Here is a movie about protesting globalism in Seattle, and instead of a local perspective they re-use an old review from a previous film festival written by Texas-based Robert Wilonsky. Don’t call Alanis Morissette yet, I’m still looking into this, but I have reason to believe it may be ironic. (more…)
