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Posts Tagged ‘Al Pacino’

Once Upon a Time… in Hollywood

Wednesday, July 31st, 2019

THIS IS A FREE RANGE SPOILER REVIEW. THE SPOILERS ARE NOT KEPT IN CAGES. THEY JUST RUN ALL OVER THE PLACE, INCLUDING THE FIRST COUPLE SENTENCES. SEE THE MOVIE FIRST.

ONCE UPON A TIME… IN HOLLYWOOD is an odd and beautiful movie from… Quentin Tarantino. It’s undeniably one that only he could or would make – it’s even in his now-trademark ‘wish-fulfilling rewrite of a historical atrocity’ mode – but it’s different. It’s not as mean and angry as the last three, or as carefully plotted as any of them. It’s sort of a hang out movie, a day-in-the-life of two friends, and a gentle tale of surviving a mid-life crisis, wrapped in a love letter to Los Angeles of the late ’60s, and to the then-fading leading men of the ’50s, with a chaser of gruesome violence. The fun kind, though. The cathartic kind.

Throughout his career, Tarantino has shown his affinity for cool shit like spaghetti westerns, blaxploitation movies, kung fu and crime novels. Here’s where he says “Fuck it, I also like old cowboy shows and procedurals and stuff.” When the guy who makes film exhibition and criticism a major element of his WWII epic does one that’s actually about the Hollywood film industry, obviously he’s gonna go buck wild. The amount of detail he puts into the fictional career of TV star Rick Dalton (Leonardo DiCaprio, two episodes of The New Lassie) – to the point of needing a narrator to talk us through each entry from his Rome period – reaches the level of sci-fi world building. And of course Tarantino, being Tarantino, gives us a soundtrack that drips the sixties without one whiff of Creedence, Dylan, the Doors or Hendrix. Admittedly “Mrs. Robinson” is in there somewhere, but he leans more Deep Purple, Vanilla Fudge and Paul Revere & the Raiders. One of the few I knew was the Neil Diamond song. (read the rest of this shit…)

Dick Tracy

Tuesday, May 30th, 2017

Oh hey, look guys, it’s summertime! And you know what that means: 1) time to sit back and unwind 2) that hardcore dance has gotten a little bit out of control, and 3) there will be a bunch of big special effects type movies coming out. As soon as the sunny days start I get excited for all the greatness and/or crap that’s coming out every Friday, I get nostalgic for the joy I’ve had in movie theaters throughout my life, or even that certain feeling I get from sitting down and waiting for some big expensive heavily advertised movie that will turn out to not be artistically worthy of its Slurpee tie-in. I still cherish the experience.

And in between watching the new movies I usually do some kind of summer movie retrospective. I’m sort of running out of good anniversaries to do, though, so this year I decided to try a different approach. This will be a series of films that have come out in the past couple decades of summers but didn’t exactly catch on culturally. Some of them will be financial flops or disappointments, others made decent money but were undeniably rejected by audiences. We’ll look at some misunderstood gems, some horrible pieces of garbage, and various stages in between.

I’m calling them SUMMER FLINGS – things the world flirted with briefly on the screen, then left in the past. Or movies that were flung out there and nobody caught them. Today’s movie is arguably remembered more than most of the others we’ll be looking at, but it definitely didn’t catch the world on fire the way Disney hoped it would, so I didn’t want to skip it.

P.S. I’m shy about bringing this up, but I’d have a hard time doing a series like this without my benefactors on Patreon, whose generous donations help offset some of the extra days I take off to really dig in and research and what not. So thank you to them and if you enjoy these reviews and can afford it please consider donating (or using any of the other methods of support mentioned on the right side of your monitor/bottom of your phone). Thanks!

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June 15, 1990

When the ’90s began, Tim Burton’s BATMAN seemed like the gold standard for summer movie excitement. In 1989 it had been a phenomenon at the box office, in record stores and at bootleg t-shirt stands, and every studio wanted to find their own Batman. (read the rest of this shit…)

The Son of No One

Sunday, March 11th, 2012

tn_sonofnooneTHE SON OF NO ONE is the new one from Dito Montiel, who got onto my radar thanks to the unexpectedly interesting FIGHTING. This one also stars Channing Tatum, this time as a rookie NYC cop. Katie Holmes plays his wife. Al Pacino plays his cop dad’s partner. Ray Liotta plays his boss. Tracy Morgan plays his mentally disturbed childhood best friend. Juliette Binoche plays a reporter for a leftie weekly who seems poised to ruin his life by exposing a secret from his past. How the hell did I never hear about this movie until the day before it came out DTV?

Oh yeah, for the obvious reason. It’s not very good. But I’ll put it in the respectable try column if I ever start using a column-based system for categorizing movies, and if I remember this movie at that point, which seems doubtful, but you never know. (read the rest of this shit…)

The Godfather Part II

Thursday, May 11th, 2006

aka GODFATHER: RESURRECTION

When last we saw The Godfather part II (Al Pacino, DICK TRACY), he was in a room, closing a door. Nobody knows what happened inside that room, probaly some gangster shit. But THE GODFATHER PART II picks up years later with Michael Corleone now living in Las Vegas. Remember, he sent poor Robert Duvall there to stake out some territory, well apparently that went well. It seems there is some mafia roots in modern day Las Vegas. Huh, go figure.

Now, part 2 is even more epic than part 1. This one actually has time travel in it. It skips back and forth between The New Adventures of Michael Corleone and The Young Vito Corleone Chronicles. Hell it goes all the way back to the motherland. Remember that villa where Michael hid out in part one, then he married a girl with no nipples and watched her get blown up? Turns out that’s Vito’s childhood hood, and that place Michael lived is where the OG Godfather lived, and killed Vito’s mom. (read the rest of this shit…)

Scarface

Friday, April 22nd, 2005

Shit man, there’s no other movie like SCARFACE, is there? Even the original SCARFACE, I bet, is nothing like SCARFACE. We got several high quality American gangster epics, but they’re always about gangsters of the Italian American persuasion and usually in New York, New Jersey or Las Vegas or somewhere. This one feels so unique because it’s about Cuban-Americans and it takes place in Miami. It has a real strong sense of place. Its wicked heart pumps the tainted blood of that godforsaken Floridian peninsula, even though they got chased out of there and had to film most of the movie on neutral territory in L.A.

This is the perfect exaggerated painting of the 1980s and the cocaine wars. The good old days. And it even makes you root for this psychotic egomaniac shithead, Tony Montana (Al Pacino [Scarface]). ‘Cause first you see him as an immigrant getting hassled by the man, working as a dishwasher and tough talking his way into bigger work, dropping off some money for some cocaine. His higher ups (small time hoods themselves) don’t believe in him. But when the dealers pull a cross on Tony and his friends and it turns into an insane bloodbath (literally, come to think of it, because alot of the mayhem takes place in the shower), all involved must admit that he handles it with, uh, flair. He leaves with the money and the yayo (a term now popular because of the movie), tells the middlemen to fuck off and brings it all straight to the area boss, who is very impressed. This is typical of his quick rise up the totem pole. Initiative, elbow grease, bootstraps, etc. (read the rest of this shit…)