Abel Ferrara’s BODY SNATCHERS (1993) was my first body snatcher invasion movie. I saw it when it was new on video, and I knew it had been poorly received, so I figured my ignorance of the original and the original remake must’ve helped me to enjoy it more than everybody else. But watching it now with a deep appreciation for the other ones, yeah, it’s still good anyway. So maybe I liked it better because I’m a unique individual with my own feelings and not a plant programmed only for survival. Or because I was ahead of my time – it seems to have a pretty good reputation now.
The title sequence is admittedly chintzy compared to the one in Kaufman’s version. Something about the long sequence of the title flying through a crude starscape and letter-by-letter turning from red to black, set to the score by Joe Delia (MS. 45, FEAR CITY, THE SUBSTITUTE 2: SCHOOL’S OUT), was putting me in mind of a Stuart Gordon/Brian Yuzna type movie, but that might’ve been my subconscious remembering that this was actually from a screenplay by Stuart Gordon & Dennis Paoli, rewritten by Ferrara’s guy Nicholas St. John. Gordon was supposed to direct but couldn’t get a commitment from the studio to actually make it until leaving to do FORTRESS. He told Fangoria that his version was originally designed as a sequel to the Kaufman version and went into more detail about how the pod people are plants. “It’s not like they have a brain in their head. The creature’s consciousness is throughout its whole body, so that if you destroy the head, it doesn’t kill or stop it.” That would’ve been fun! But what Ferrara did is good too. (read the rest of this shit…)
In 1982 Paul Schrader followed 
You know what they say about people who work in movies as some job other than director: they really want to direct. It happens to actors, it happens to writers, it happens to Mel Gibson’s hairdresser who directed 
