"CATCH YOU FUCKERS AT A BAD TIME?"

Posts Tagged ‘Tape Raider’

Raven Hawk

Thursday, December 15th, 2022

TAPE RAIDER ALBERT PYUN TRIBUTE PART 3: RAVEN HAWK

RAVEN HAWK is yet another Albert Pyun movie only released on VHS in the States. The only one of this review trilogy to not include any cyborgs. According to IMDb, it was #3 of five Pyun releases in 1996 (the others being ADRENALIN: FEAR THE RUSH, NEMESIS 3: TIME LAPSE, OMEGA DOOM and NEMESIS 4: DEATH ANGEL), but was filmed in 1993. It was meant for theatrical, but ended up premiering on HBO. Written by Kevin Elders (writer of IRON EAGLE, director of SIMON SEZ, therefore a legend), it’s a very basic but pretty appealing revenge movie. It follows in the tradition of the THUNDER WARRIOR trilogy (itself inspired by the success of the BILLY JACK series) in trying to mine the thrill of a Native American hero standing up to racist white bullies and land stealers. But what makes it stand out is that the hero is played by bodybuilding champion Rachel McLish, who was in PUMPING IRON II: THE WOMEN and then stole the show in ACES: IRON EAGLE III.

In the prologue, Senator Stansfield (John de Lancie, Days of Our Lives, Star Trek: The Next Generation) – who’s on the phone talking in an evil voice while a naked lady lounges by the fire nearby – pressures his stooge Thorne (William Atherton, DIE HARD) to finish “negotiations” with the tribal council to approve a land deal to build a nuclear power plant. (In a dark touch, he says if they don’t do it now the Department of Transportation will build a freeway there. Either way, the Natives are fucked.) (read the rest of this shit…)

Heatseeker

Wednesday, December 14th, 2022

THE TAPE RAIDER TRIBUTE TO ALBERT PYUN PART 2: HEATSEEKER

Yes friends, here’s another Albert Pyun film that has only been released on VHS in the U.S., HEATSEEKER. It came to us in 1995, #2 of 3 between SPITFIRE and NEMESIS 2: NEBULA. Pyun has a story credit, with the screenplay written by Christopher Borkgren (whose only other credit is SPITFIRE).

Set in the futuristic New America of 2019 A.D. (“After Dollman?”) it’s the story of kickboxing champion Chance O’Brien (Keith Cooke, CHINA O’BRIEN I & II) trying to keep doing his thing in a changing world. Combat sports are beginning to be dominated by new models of cyborgs, including those created by the sinister Sianon Corporation, who try to bait “the greatest human fighter in the world” into entering their imaginatively titled event “The Tournament.” (read the rest of this shit…)

Ballistic

Tuesday, February 25th, 2020

BALLISTIC (no relation to ECKS VS. SEVER) is a 1995 DTV joint that I bought after seeing it on Michael Jai White’s filmography, right before his breakout role in TYSON, and after the Don “The Dragon” Wilson movie RING OF FIRE 3: LION STRIKE. He’s thirteenth-billed on its IMDb page so I figured he’d just be standing with his arms folded behind the bad guy in one scene, but I was intrigued enough by the rest of the cast to order a copy on VHS.

The star is Marjean Holden (SILENT NIGHT, DEADLY NIGHT 4: INITIATION, Sheeva in MORTAL KOMBAT: ANNIHILATION) as Jesse Gavin, who seems to be a prostitute in the opening scene, until it’s revealed that she’s undercover. She’s trying to bust some limousine-riding creep after selling him a bag of coke, and has to break off her heels to chase him down an alley.

During the pursuit she accidentally pulls her firearm on an old timey stereotype of a bag lady (Rosie Taravella, flight attendant on a three-parter of Who’s the Boss?), allowing the bad guy to sneak up on her and knock the gun out of her hand. When she’s done beating him up, the homeless lady is holding the gun, covering her, and helps carry the unconscious suspect in her shopping cart, before declaring “You know what you are, sweetie? You’re ballistic!”

Unfortunately we already saw the title fired onto the screen earlier, we don’t get it there, but the awkwardly titular dialogue is still appreciated. (read the rest of this shit…)

True Vengeance

Wednesday, February 19th, 2020

TRUE VENGEANCE is a 1997 Daniel Bernhardt movie that I bought specifically because it was written by Kurt Johnstad. I think I was looking him up because he wrote ATOMIC BLONDE, and I remembered that he was the guy who wrote 300, 300: RISE OF AN EMPIRE and ACT OF VALOR. I saw all of those in the theater and liked all of them, and it turns out his only other movie is this earlier DTV one that never even came out on DVD in the U.S. It’s directed by David Worth (KICKBOXER, LADY DRAGON 1 and 2), and I think you can understand why that combination of people made it something I needed to see.

Benhardt plays Griffin, who was a Navy SEAL and then a hired killer of some kind but after the death of his wife he quit the life to take care of his daughter Emily (Tessa Sugay, “Club Girl (uncredited),” TOKYO DRIFT, “Dancer (uncredited)” THE SOCIAL NETWORK). After a brief, incoherent sniper prologue we meet him cutely joking around with his daughter pretending he doesn’t know it’s her birthday. So yes, she is going to be kidnapped.

He has an older guy he calls his best friend named Sam (Harrison Young, Ryan as an old man in SAVING PRIVATE RYAN), who I think runs a garage and kind of seems like he could be the landlord like the guy in ROAD HOUSE? He’s involved in a great bit of b-movie flavor when he’s doing a crossword puzzle, asking for a word for “something that haunts.” Griffin suggests ‘ghost,’ but Sam says it has to be four letters, and just then a scary dude named Adachi (Keo Woolford, “Airport Worker,” GODZILLA) steps in looking for Griffin, who dramatically declares that “The Griffin you knew… is dead.” (read the rest of this shit…)

The Brain

Monday, December 24th, 2018

A Very Tape Raider Christmas

THE BRAIN is a 1988 sci-fi horror movie that takes place around Christmas time. That’s not an important part of the plot, but there are Christmas decorations at the beginning, “Jingle Bells” plays (and then ominously slows down) on a car radio, a pot of poinsettias gets shot by police during a chase scene, I noticed a sign in the school for a dance or something with the theme “Cosmic Christmas,” and there’s some snow on the ground. Also the movie itself is kind of a Christmas gift to me because it’s pretty good and its weird vibe and gooey special effects warmed my heart like I imagine a yule log would if I had ever experienced a yule log in person.

First and most important order of business is to assure you that the title and cover art are not misleading. Though it was made during the height of slasher sequels and shows a strong A NIGHTMARE ON ELM STREET influence, it is indeed a movie about, as the hero calls it, “that brain monster thing that’s killing everyone.” And they show it right at the beginning – a big slimy pulsating brain with a tentacle/spine hanging out like a tail, hooked up to some machines in a lab at the Psychological Research Institute (PRI). I think it was wise to establish that we’re dealing with arguably a goofy ’50s drive-in movie throwback before the first big scare sequence and not after. Pull that Band-Aid right off. (read the rest of this shit…)

Hard Rock Nightmare

Wednesday, October 24th, 2018

HARD ROCK NIGHTMARE is an account of the tragic events that befall the up and coming rock ‘n roll band The Bad Boys when they stay at Jimmy’s grandma’s farm for the weekend. They “gotta get ready for the concert” so at first they practice in their garage with one girlfriend watching. But she accidentally bumps the garage door opener just as three other young female rock ‘n roll aficionados are walking down the sidewalk, so they stand and watch and swoon. But also it attracts a police car and they get shut down.

They’re kind of an unlikely band because there are two dudes with slicked back hair, leather jacket and jeans, others are standard long hair dudes, and a guy with a trenchcoat, and one guy is a Mike Mills looking nerd often wearing a Nike sweatshirt. Like they’re a couple different bands accidentally combined. I’m not sure if all their music is like this, but the song we hear is funny because the chorus is “It’s a nightmare!” but the lyrics are all about wanting to start a band and “work really hard.” The first line is “It started when I got my first guitar at the age of ten…” So the band and “a couple of hot babes” from the sidewalk head out to the farm. (read the rest of this shit…)

Blood Tracks

Wednesday, October 17th, 2018

I noticed there are a couple still-only-on-VHS horror movies that are heavy metal themed, and that also seems to be a motif through some of the modern horror I’ve been enjoying like DEVIL’S CANDY and MANDY, so I decided to take a look at them in this special Slasher Search investigation (in association with Tape Raider). This first one is from 1985 and it’s about a hair metal or whatever type of band who make two major mistakes

1) For some reason thinking that a remote mountain area is a cool place to film their new video

2) Choosing the remote mountain area that’s protected by a family of anti-social brutes.

3) You know what, I’m gonna count #1 as two mistakes because why they hell did they think this would look cool in a video? It doesn’t even look cool in a horror movie. (read the rest of this shit…)

Buffalo Heart: The Path of Death

Tuesday, April 3rd, 2018

After being so fascinated by that weird movie I reviewed last week, URBAN JUNGLE a.k.a. HOMEBOYZ II: CRACK CITY, obviously I had to see what else writer-director Daniel Matmor had done. He wrote Tobe Hooper’s NIGHT TERRORS and he has a story credit on a 2007 Kim Coates movie called KING OF SORROW, but his only other directorial work is this cheap rape-revenge movie BUFFALO HEART: THE PATH OF DEATH from 1996.

Buffalo Heart (Buffalo Child, “Pawnee #1,” DANCES WITH WOLVES) is camping out one night singing traditional Native American songs to his daughter (Autumn Blessing) when this group of six belligerent drunk assholes (some of them off duty cops) approach saying racist shit about welfare and war dances and then attack them for no reason. Matmor himself plays Jerimiah, whose face we see in close up as he rapes the little girl (fortunately you can tell that the young actress is not really in the scene). After he accidentally kills her they shoot her dad, bury both in a shallow grave and swear not to ever discuss what happened “even amongst ourselves.” (read the rest of this shit…)