"KEEP BUSTIN'."

Posts Tagged ‘Art Camacho’

As Good As Dead

Tuesday, May 9th, 2023

AS GOOD AS DEAD is a 2022 straight-to-VOD Michael Jai White vehicle that I caught up with when it came to DVD back in March, but I was deep into Ronny Yu studies so I held off on telling you guys about it. Sorry about that.

Back in 2009 when White made the stone cold classic BLOOD & BONE we wondered why he wasn’t getting theatrical releases, but what was considered low budget then seems like sheer extravagance compared to many of the independent action movies today. I’d love to see White making a couple mid-sized action vehicles a year like Jason Statham used to do, but instead he’s gotta cut in a couple scenes of Mickey Rourke or Tom Berenger just to shoot something small out in the desert. Despite this injustice, AS GOOD AS DEAD is a great time because it’s written by the person who best knows how to showcase Michael Jai White – the same man who wrote and directed NEVER BACK DOWN: NO SURRENDER – Michael Jai White. So it’s a solid traditional action structure where he gets to glory in his own badassness, have some good fights, some inventive moves, and get a few laughs. Honestly it has most of what I hope for in a movie like this except for a strong visual style or atmosphere.

White plays Bryant, a gruff American loner who moved just over the Mexican border to escape some mysterious past. He lives alone in a trailer on a humble patch of land, works as a surveyor, comes home and practices fighting on a wooden post with tires attached. When he does that he notices a young man named Oscar (Luca Oriel, Shameless) watching from a hill and shadowing his moves. Later, while having lunch in town, he notices the same kid hiding behind a car to avoid some gangsters in a lowrider, and feels sympathy for him. (read the rest of this shit…)

Guardian Angel

Wednesday, December 1st, 2021

GUARDIAN ANGEL is a 1994 Cynthia Rothrock joint from PM Entertainment, directed by Richard W. Munchkin (RING OF FIRE) and written by Joe Hart (REPO JAKE, STEEL FRONTIER). It’s not one of the better crafted Rothrock pictures, but it’s a worthwhile grade of ridiculousness.

Rothrock stars as Christine McKay, who’s working as a cop when we first meet her. And she’s at a great place in her life. Staking out a public park undercover as “lady standing next to ice cream truck,” she shows off her engagement ring to her partner and confesses that she never thought she’d marry a cop. Then the shit goes down: two groups totaling around 25 people show up at the park to discuss a counterfeiting transaction.

McKay makes the very questionable choice to run by herself toward these gangs firing her gun in the air. The sound causes them to start fighting and shooting at each other. She personally beats the shit out of several of them before backup arrives. (read the rest of this shit…)

Seized

Friday, October 16th, 2020

SEIZED is the long-awaited new one from DTV superteam Scott Adkins and Isaac Florentine. Though lately Adkins has formed a strong actor/director partnership with Jesse V. Johnson, it was Florentine who first gave him a showcase in SPECIAL FORCES and then made him an icon with UNDISPUTED II and III, plus NINJA and NINJA II: SHADOW OF A TEAR. This is their first reteam in at least four years – I have my suspicions about 2016’s excellent BOYKA: UNDISPUTED (credited to another director), but officially Florentine’s last time directing Adkins was 2015’s CLOSE RANGE.

This one is closer to the latter – another story about a guy single-handedly taking on cartels to protect his family. This time it’s more like a Hollywood thriller, more emphasis on the high concept and complex action sequences than martial arts. He’s kind of a JOHN WICK, settled down as a widower raising his teenage son Taylor (Matthew Garbacz) and running a cyber security firm from a beautiful home in Mexico, when his secret past as an infamous CIA and/or MI5 commando called “Nero” comes roaring back. (read the rest of this shit…)

Ballistic

Tuesday, February 25th, 2020

BALLISTIC (no relation to ECKS VS. SEVER) is a 1995 DTV joint that I bought after seeing it on Michael Jai White’s filmography, right before his breakout role in TYSON, and after the Don “The Dragon” Wilson movie RING OF FIRE 3: LION STRIKE. He’s thirteenth-billed on its IMDb page so I figured he’d just be standing with his arms folded behind the bad guy in one scene, but I was intrigued enough by the rest of the cast to order a copy on VHS.

The star is Marjean Holden (SILENT NIGHT, DEADLY NIGHT 4: INITIATION, Sheeva in MORTAL KOMBAT: ANNIHILATION) as Jesse Gavin, who seems to be a prostitute in the opening scene, until it’s revealed that she’s undercover. She’s trying to bust some limousine-riding creep after selling him a bag of coke, and has to break off her heels to chase him down an alley.

During the pursuit she accidentally pulls her firearm on an old timey stereotype of a bag lady (Rosie Taravella, flight attendant on a three-parter of Who’s the Boss?), allowing the bad guy to sneak up on her and knock the gun out of her hand. When she’s done beating him up, the homeless lady is holding the gun, covering her, and helps carry the unconscious suspect in her shopping cart, before declaring “You know what you are, sweetie? You’re ballistic!”

Unfortunately we already saw the title fired onto the screen earlier, we don’t get it there, but the awkwardly titular dialogue is still appreciated. (read the rest of this shit…)

Point Doom

Sunday, October 1st, 2006

Back in 2001, long before he ever challenged me to a wrestling match, CHAOS director David “The Demon” DeFalco wrote an action movie called POINT DOOM. It’s directed by a guy named Art Camacho, who was in HALF PAST DEAD and directed a bunch of Don “The Dragon” Wilson movies. The producer is the same guy from CHAOS, here credited as Steven Jay “Bernie” Bernheim. It was sold as a Blockbuster Video exclusive, which I’m sure everyone involved was very proud of.

This is a terrible movie, but it has its own style of craziness and ineptitude that to me makes it much more interesting (if less competent) than the straight up rehash of CHAOS. It has a distinct ’80s retro L.A. sleaziness and an insulated world view that makes you wonder if these people only know cliches or if they are shut-ins who live in a strip club before. I think Grieco is supposed to be a straight-up hero, not an anti-hero, but it’s hard to imagine who would find this chump sympathetic. And the females in the cast have the gravitas of BAYWATCH stars. Almost everybody in this movie is a talent agent, a biker, or an employee of a strip club. The only exceptions are Ice-T (gangster, but not biker) and Angie Everhart (sister of strip club employee). (read the rest of this shit…)