SHOGUN AND LITTLE KITCHEN is Ronny Yu’s 1992 comedy about the residents of an old apartment building called Peace Avenue, possibly “the poorest place in Hong Kong.” Uncle Bo (Ng Man-tat, LEGACY OF RAGE, A BETTER TOMORROW 2, SHAOLIN SOCCER) is the owner, and he acts grouchy, but he loves them all like family. It’s kind of a shithole – the air conditioner will explode if you turn it on – but it’s good people. There’s a market right outside, people selling soup and sharpening knives and stuff, so there’s all kinds of activity, it’s a whole community. Somebody’s trying to buy the building for $10 million, but Bo won’t sell it because it has sentimental value. It belonged to his late wife. You don’t give your late wife’s building to some rich developer asshole. Or at least you shouldn’t. (read the rest of this shit…)
Posts Tagged ‘Ronny Yu’
Shogun and Little Kitchen
Monday, April 10th, 2023Great Pretenders
Thursday, April 6th, 2023
GREAT PRETENDERS a.k.a. THE GREAT PRETENDERS is from 1991, and it’s Ronny Yu’s con man comedy. It stars the great Tony Leung (a year before HARD BOILED) in a much broader role than what we normally associate him with. The type of comedy where he’s running around waving his arms. His character has a shaved head to wear different wigs, and there’s a whole sequence about him putting the wig on the wrong way and looking ridiculous, plus a montage of trying on a bunch of other wigs. Strangely, when he pretends to have a mohawk later on it uses a very obvious bald cap. I don’t know if that was a matter of his hair growing out or not wanting to glue the mohawk on, but it’s hard to accept people believing it’s his real hair. Not that it matters in a movie like this.
His character is named Snake Wai (alias “Tony Leung”), and he’s a conman running small time scams on the street. It’s the type of movie where you follow him and hopefully are charmed by him even as he’s lying to everybody, but you won’t feel too bad about it either way because most of the time everybody’s actually in on it or secretly playing their own angle. (read the rest of this shit…)
China White
Wednesday, April 5th, 2023
CHINA WHITE (1989) is the movie where Ronny Yu tackles the ’80s Hong Kong gangster genre that we all fell in love with when we found out about John Woo, Ringo Lam and those guys. Like A BETTER TOMORROW or BULLET IN THE HEAD it chronicles the tragic rise and fall melodrama of dashing young anti-heroes who run a criminal empire and care about family and loyalty and what not. Like CITY ON FIRE it deals with somebody undercover getting too close to a crook, but in this case it’s a female informant falling in love with a guy who she doesn’t know is bad (so, a little bit like THE KILLER). But along with these standard genre themes we have the strongest example so far of Yu’s international world view.
That’s because it takes place in Amsterdam, where the Chow brothers, Bobby (Russell Wong, ROMEO MUST DIE, THE MUMMY: TOMB OF THE DRAGON EMPEROR) and Danny (Steven Vincent Leigh, RING OF FIRE, SWORD OF HONOR) have made a home, but must make peace or war with gangs of other nationalities. They’re most threatened by the Italians, led by Scalia (Billy Drago shortly before DELTA FORCE 2). This is a cutthroat internationalism, but Yu sees opportunity for these immigrants, and seems to come out in favor of cross-cultural/interracial relationships. (read the rest of this shit…)
Bless This House
Tuesday, April 4th, 2023
Another Ronny Yu haunted house comedy, but without Chow Yun Fat? I don’t know, guys. In 1988, four years after THE OCCUPANT, Yu returned to his old haunt (that’s a pun) with BLESS THIS HOUSE. Fortunately by this time, when there were seven FRIDAY THE 13THs, four ELM STREETs and the first CHILD’S PLAY in existence, Yu had had a little more experience under his belt and was able to make something a little more accomplished than before, a little more stylish.
This one is about an architect named Bill (Bill Tung, reuniting with Yu after MUMMY DEAREST) who gets a promotion that allows him to move his family into a fancy house owned by the boss. He doesn’t catch on that it’s actually a punishment – the fuckin place is haunted as shit!
Of course the movie makes a point of Bill not being superstitious before he goes through this experience. He gets into trouble for disagreeing with his firm considering feng shui in their designs. His daughter Jane (Loletta Lee, THE DRAGON FROM RUSSIA, SEX & ZEN II) is more open to it and wonders if she should believe the “madman” from the nearby temple who keeps giving them the friendly advice that they should get the fuck out of there. (read the rest of this shit…)
Legacy of Rage
Thursday, March 30th, 2023
LEGACY OF RAGE (1986) is Ronny Yu’s Hong Kong action movie that’s in a crime/martial arts type vein, written by Clifton Ko (ONCE A THIEF) and Raymond Fung (later art director of Yu’s CHINA WHITE). It’s also the first starring role for then-21-year-old Brandon Lee, following his father’s path from American television (he was in KUNG FU: THE MOVIE) to Hong Kong cinema. Of course, we can also draw a parallel to Yu’s travels between Hong Kong and the U.S., which is part of the reason producers Linda Kuk (HARD BOILED) and John Sham (YES, MADAM!, ROYAL WARRIORS) thought they might work well together.
But Lee’s character Brandon Ma is not specified to be an immigrant, and I think his mouth movements are Cantonese (though both that and the English soundtrack seem to be dubbed by someone else). I was nervous when the opening had some nerd rollerskating through traffic listening to a Walkman, but luckily that’s just some drug courier and not Brandon. He gets a much more macho introduction controlling the machine that lifts and smashes cars at a junkyard.
This Brandon is a good-hearted guy – when his girlfriend May (Regina Kent, A BETTER TOMORROW 2) is angry at him for being late he doesn’t even bother to explain that he was delayed by heroically carrying a toddler to the next bus stop after she was left behind by her mother. That’s just the kinda shit he does, so it wasn’t even worth mentioning.
Brandon and May work together at a hotel restaurant called Casablanca, as a waiter and a dancer, respectively. Is the junkyard demolition thing part time? I’m not sure, it’s not mentioned again. Other than maybe having two jobs, you could call him a slacker – he sleeps on a mattress with no bed frame and has two posters of motorcycles on his walls – but he gives May a ring, which I think indicates engagement. (read the rest of this shit…)
Mummy Dearest
Wednesday, March 29th, 2023
MUMMY DEAREST (Si yan zai) is from 1985, and it’s another one of the Ronny Yu movies that’s never been available in the U.S. I had initially skipped it while writing this series until I found an affordable English-subtitled VCD. The bad news is it’s not about a mummy, the good news is it’s pretty entertaining. It kind of takes the serious horror + broad comedy formula of THE TRAIL and THE OCCUPANT but switches out supernatural chills for a serial killer story, with a maniac similar to the one in THE SAVIOUR.
The killer is played by Alan Tam (ARMOUR OF GOD), which I think may have been a bit of stunt casting. Maybe I’m wrong, I can’t find out enough about his early filmography to be sure he’d never played a psycho before, but he had started as a Cantopop star, known for singing romantic ballads. There’s even a joke about it in the movie when another character uses the titles of Alan Tam songs to hit on his character’s mother. (read the rest of this shit…)
The Occupant
Thursday, March 23rd, 2023
THE TRAIL was far from Ronny Yu’s only attempt at mixing sincere supernatural horror with silly comedy. THE OCCUPANT (1984) is a ghost tale that takes its tragic backstory seriously, but the movie centers on a goofy love triangle, and one of the three leads is a broadly comedic nerd character named Hansom Wong (Bak-Ming Wong, MAD MISSION, LETHAL PANTHER, also a writer, producer and director).
Like Yu himself, Angie (Sally Yeh, PEKING OPERA BLUES, THE KILLER) is a world traveler – she’s from Vancouver, visiting Hong Kong for three weeks to work on her thesis about Chinese superstition. Hansom is a… used car salesman/property manager/random weirdo?… who sees her trying to find an apartment, latches onto her and “helps” her in exaggeratedly-sexual-harassy ways. He invites himself in, makes excuses not to leave, asks if he can take a shower, suggests that he should run around the apartment naked to scare away potential ghosts. I don’t know if that’s a cultural thing or a Hansom Wong thing. (He also claims to be an expert on the supernatural.)
(read the rest of this shit…)
The Trail
Wednesday, March 22nd, 2023
One of the main reasons to do a Ronny Yu career retrospective is to see how the hell this great Hong Kong director ended up in another part of the world making (SPOILER FOR THIS REVIEW SERIES) BRIDE OF CHUCKY and FREDDY VS. JASON, so it’s relevant that as early as 1983 (at which point there were only three Jason movies, zero Freddys, and zero Chuckys) he was already doing horror movies. Funny ones, too. THE TRAIL is Ronny Yu’s fourth film, never available in the U.S. as far as I can tell, so at first I thought I wouldn’t be able to see it. But I discovered I could order a Region 3 DVD that Fortune Star released in 2010, and there’s also a blu-ray out there. That’s good news, because I really enjoyed this one.
Horror comedies will end up being a big chunk of Yu’s career, but he’ll mostly set them in the present. This one takes place in 1922, in what seems to be a transitional period between old traditions and the modern world. (I guess that describes most period pieces, in a way.) It’s the story of Ying (Ricky Hui, MR. VAMPIRE) and Captain (Kent Cheng, ONCE UPON A TIME IN CHINA, IP MAN 2 and 3), two conmen impersonating Taoist priests transporting corpses. (read the rest of this shit…)
The Servants / The Saviour
Monday, March 20th, 2023
Ronny Yu is a director whose work I’ve enjoyed since the ‘90s, when I first saw his beautiful wuxia film THE BRIDE WITH WHITE HAIR. Part of what’s interesting about him is that he was so adept at making those lush martial arts fantasies, but he was on a trajectory to come to Hollywood and make something quite different, including two of the more notable and unusual franchise horror films of the late ‘90s and early 2000s.
But he started out in another place entirely – making raw, low budget Hong Kong cop thrillers like his very-hard-to-find first two films, THE SERVANT (1979) and THE SAVIOUR (1980).
Yu was born in Hong Kong in 1950. He suffered from polio as a child, preventing the type of physical play most kids take for granted, and leading him to retreat into his imagination, especially by watching movies. “In the dark I could forget about my problems. I could forget that I couldn’t walk so good,” he later said. He attended a boys school in England, and in the ’70s he wanted to go to UCLA and study filmmaking. His dad wouldn’t pay for that, and told him that to really understand the United States he should live in the heartland. So – figuring commercials were similar to movies – Yu studied marketing and communication at Ohio University in Athens, Ohio, the alma mater of Paul Newman and Richard Dean Anderson. Other filmmaker alumni include Joe Eszterhas and Betty Thomas.
Becoming a director was kind of an accident, and it came, strangely, from being friends with a cop. Philip Chan had been a police officer for around 15 years before working as a consultant (and ultimately co-writer) on JUMPING ASH (1976) gave him the bug to be a movie star. He got a few bit parts, but his dream was to be a leading man in a movie about his experiences as a Superintendent in the Anti-Triad Squad of the Royal Hong Kong Police Force. No one was giving him that role, so he had to create it. (read the rest of this shit…)
Jet Li’s Fearless
Thursday, September 28th, 2006
I don’t know if that title means “Jet Li’s” in the sense of BRAM STOKER’S DRACULA or as a less formal way of saying Jet Li is Fearless. Neither one makes complete sense because Jet Li is not the director (that would be the great Ronny Yu) and his character is not named Detective Jack Fearless, he is playing a guy named Huo Yuanjia who it turns out is a real life martial artist (1869-1910) who united the various factions of Chinese martial arts to form “wushu.” He’s the guy who is supposed to be the teacher of the fictional character Bruce Lee played in BRUCE LEE’S FIST OF FURY and the one Jet played in JET LI’S FIST OF LEGEND. This new movie is a very mythology-ized version of the guy’s life but does have many elements that are based on actual historical events. But they are honest enough not to say “BASED ON A TRUE STORY” in the ads, despite the continual lowering of the standards for what counts as a true story. (The latest chapter: the prequel to the crappy remake of a completely fictional movie that was vaguely inspired by what Ed Gein did to dead bodies now counts as a true story.) (read the rest of this shit…)
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