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Posts Tagged ‘Ossie Davis’

Jungle Fever

Monday, June 7th, 2021

June 7, 1991

JUNGLE FEVER is five films and five years into the career of Spike Lee. You have the financed-on-credit-cards debut SHE’S GOTTA HAVE IT, the polished studio debut SCHOOL DAZE, the explosion of DO THE RIGHT THING, the follow up MO’ BETTER BLUES, and then this. Like all of his movies it’s interesting and bold and full of greatness but in my opinion, especially in retrospect, it’s his first fumble. That’s fine. He did MALCOLM X next.

It is the story of possibly the most only-Spike-Lee-would-ever-name-a-character-this character of all time, Flipper Purify, played by Wesley Snipes, who had been in Lee’s MO’ BETTER BLUES and was coming off of the success of NEW JACK CITY. He’s an upper class architect, living in Harlem with his wife Drew (Lonette McKee, BREWSTER’S MILLIONS, ‘ROUND MIDNIGHT), and things seem to be going well from the hot morning sex that opens the movie (the sounds of which greatly amuse their daughter Ming [Veronica Timbers]). (read the rest of this shit…)

Joe Versus the Volcano

Wednesday, December 9th, 2020

I have been sort of aware of JOE VERSUS THE VOLCANO since its release in 1990, but never decided to actually see it until now. I know it was poorly received at the time, and somewhat infamous for a time, and also that it was staunchly defended by Roger Ebert, and beloved by a select few – I most associate the movie with Bright Wall, Dark Room editor Chad Perman, who talks about it similar to how I talk about BLADE.

It’s pretty different from what I pictured, especially in the beginning. This is an Amblin production that starts out feeling way more Terry Gilliam than Steven Spielberg. That’s not enough to make me one of those people who swears by it, but it seems crazy to me that anybody hated it! 

It’s the story of Joe Banks (Tom Hanks, precariously perched between TURNER & HOOCH and THE BONFIRE OF THE VANITIES in his filmography), a depressed hyopchondriac working miserably as a clerk at a Staten Island rectal probe factory that looks like a dystopian prison. Every day the employees do a slow sort of death march through the gates to the entrance (I liked that they were forced to walk further by an inexplicably zig-zagged path, though I can’t say I grasp the significance of this shape being a reoccurring symbol throughout the movie).

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Dr. Dolittle

Monday, July 16th, 2018

June 26, 1998

DR. DOLITTLE starts the same way DIRTY WORK did: with Norm MacDonald narrating a wacky story about the main character when he was a kid. But instead of being the main character himself and talking about a dog getting violated by another dog, MacDonald turns out to be voicing a dog named Lucky who later gets violated Jeffrey Tambor. The main character is a live action human played by the voice of the dragon in MULAN, Eddie Murphy.

John Dolittle is a medical doctor with a gorgeous wife named Lisa (Kristen Wilson, who played Robin Givens in TYSON) and cute daughters Maya (Kyla Pratt, LOVE & BASKETBALL) and Charisse (Raven-Symone of later-Cosby-Show fame) and he’s kind of a self-absorbed dick who’s in such denial about having been able to talk to animals when he was a kid that he refuses to even learn what type of animal his daughter’s guinea pig is. It says right there in the title that he’s a doctor, but they still give him the standard issue Workaholic Dad Neglects His Family storyline. His office is working on a Big Merger that would make him rich, and his partner Dr. Weller (Oliver Platt, EXECUTIVE DECISION, also in BULWORTH that summer) is always hassling him because they have to impress Mr. Calloway (Peter Boyle, THE FRIENDS OF EDDIE COYLE, had been in SPECIES II in April) into signing The Big Contract after The Big Presentation. (read the rest of this shit…)

Get On the Bus

Monday, January 16th, 2017

Well, I’m skipping ahead in the Spike Lee chronology I’ve been ever-so-slowly crawling my way through, but I thought a movie about a march on Washington would be a good thing to revisit on the Martin Luther King Day starting the week that, as far as we know, will end with the inauguration of the first American president to be 2 degrees of separation from Steven Seagal (they have a mutual friend, a Russian guy named Vladimir something) and subsequent protest march.

GET ON THE BUS is a road trip movie, but it could almost be a play, because the vast majority of it is about conversations taking place inside a charter bus. Around fifteen African American men, most of them meeting for the first time, are headed from a church parking lot in South Central Los Angeles to the Million Man March in Washington DC. If you’re too young to remember, that was the October 16, 1995 gathering of black men organized by Nation of Islam leader Louis Farrakhan.

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School Daze

Monday, June 29th, 2015

tn_schooldazeSCHOOL DAZE is Spike Lee’s sophomore jointational work, and was never one of my favorites from him. But man, looking back at it now I love its youthful exuberance. Here’s 30 year old Spike having access to the studio’s resources for the first time – he goes from a few actors in apartments in black and white to a huge cast on a college campus. He even has a full-on song and dance number. It’s the first example of what I think is one of his weaknesses: his overreach in tackling too many things at once, creating an unfocused and overstuffed narrative. But in this context that’s kinda charming. He’s really goin for it.

Since DO THE RIGHT THING and MALCOLM X were Lee’s most culturally recognized movies, certain white people pigeonholed him as a guy who only makes movies about white people being racist. Of course that’s not even a complete description of the content of those two movies, let alone applicable to most of his filmography. And joint #2, just like joint #1, I’m pretty sure doesn’t show a single white person in it. (read the rest of this shit…)

Do the Right Thing

Monday, June 30th, 2014

tn_dotherightthingThoughts on DO THE RIGHT THING, 25 years later.

This is still my favorite Spike Lee movie. And I’m a big Spike Lee fan. I mean, I can’t say as big as they get, ’cause I still haven’t seen SHE HATE ME and a couple of the documentaries. I’ve seen everything else though, and I like most of them. I mean – MALCOLM X, CROOKLYN, CLOCKERS, GET ON THE BUS… so many good ones. I know some of you guys are gonna say 25TH HOUR. White people like that one. Including me. I even kinda like GIRL 6. BAMBOOZLED is too much for me though. Or at least at the time it was. Haven’t revisited it. Maybe some day.

I say this because I feel that Spike Lee doesn’t get enough credit as a pioneering and original voice in American cinema. You only see him in the news when he says something stupid, getting mad at Clint for not having enough brothers in his WWII movie or something. I think The Ain’t It Cool News has a social responsibility to mention his name every once in a while just to create the talkback that can remind us how many mush brained racist idiots still exist in the modern world. But there’s not enough discussion of his body of work, his unique style, his influence, his ahead-of-his-timeness. So what if he has a big mouth, if he has a vision to match? (read the rest of this shit…)

Cotton Comes to Harlem

Thursday, February 20th, 2014

tn_cottoncomestoharlemCOTTON COMES TO HARLEM is a quirky, colorful love letter to the people and culture of Harlem, tucked away inside a crime story adapted from a Chester Himes novel. MGM packaged the DVD in the “Soul Cinema” series along with COFFY, FOXY BROWN, BLACK CAESAR and TRUCK TURNER, but to me it doesn’t really feel like a blaxploitation movie. If it is it deserves credit for being one of the most textured and gorgeous looking blaxploitation movies. I will intersperse some random screen grabs throughout this review to give you an idea of all the great colors, clothing, sets and locations. (read the rest of this shit…)

Avenging Angel

Thursday, January 23rd, 2014

tn_avengingangelAVENGING ANGEL takes place 4 years after ANGEL. Lieutenant Andrews (now played by Robert F. Lyons) has become Angel (now played by Betsy Russell from DELTA HEAT and SAW III-VII)’s guardian and paid her way to leave the streets of Hollywood for a college somewhere a few hours away, where she’s studying law and excelling at track and field. She goes by Molly again and has a preppie boyfriend named Terry (Richard DeHaven, NIGHT OF THE CREEPS) who doesn’t know about her past as a gun-toting teenage prostitute.
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SIFF: Vern here with AICN’s 1st review of BUBBA HO-TEP!!!

Monday, May 26th, 2003

Hey folks, Harry here… Vern sent in a review for a movie I’ve just plum never heard of? From the sound of it, I’m shocked we haven’t. I mean a Bruce Campbell movie left uncovered by AICN? Hey Zeus Morales! Ya know? And with Don Coscarelli, you’d think Quint might’ve reported in, but that lazy bastard’s been holding out on us! Well, no more. Vern here is breaking what can only be a conspiracy of silence at the very heights of the corporate whores at AICN, and he’s breaking that door down to tell you folks for the first time about BUBBA HO-TEP… A film that studios everywhere are conspiring to keep from you. The bastards! Here ya go… Thank Beezlebub for Vern!

Dear Harry,

Like I promised I’m back with more incredibly insightful and well Written SIFF coverage and last night I went to the midnight show of BUBBA HO TEP. I know you guys have already reviewed the shit out of this movie but personally I never read any of those reviews because I was waiting for me to review it. And I sincerely doubt I was the only one. So here it is folks, your very first look at BUBBA HO TEP. (read the rest of this shit…)