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Posts Tagged ‘Andre Braugher’

Get On the Bus

Monday, January 16th, 2017

Well, I’m skipping ahead in the Spike Lee chronology I’ve been ever-so-slowly crawling my way through, but I thought a movie about a march on Washington would be a good thing to revisit on the Martin Luther King Day starting the week that, as far as we know, will end with the inauguration of the first American president to be 2 degrees of separation from Steven Seagal (they have a mutual friend, a Russian guy named Vladimir something) and subsequent protest march.

GET ON THE BUS is a road trip movie, but it could almost be a play, because the vast majority of it is about conversations taking place inside a charter bus. Around fifteen African American men, most of them meeting for the first time, are headed from a church parking lot in South Central Los Angeles to the Million Man March in Washington DC. If you’re too young to remember, that was the October 16, 1995 gathering of black men organized by Nation of Islam leader Louis Farrakhan.

(read the rest of this shit…)

Baytown Outlaws

Monday, April 8th, 2013

tn_baytownoutlawsI only gave this a chance because I knew Zoe Bell was in it somewhere and I thought it starred Billy Bob Thornton. Turns out both are pretty small parts. And the opening has alot of signs that this is one of these post-GRINDHOUSE prefab exploitation movies that I can’t stand. It uses that old stylistic device that has pretty much never been used in a cool way, the freeze-frame-turns-into-shitty-Photoshop-tracing-that’s-supposed-to-look-like-a-comic-book-panel. The titlated outlaws are three crazy gunhappy berserker redneck brothers, the unshaven type with greasy hair and fetishistically dirty tank tops, ugly tattoos, biker jewelry, of course a rebel flag on one of them. #1, I don’t understand why these type of characters are so appealing to people who make movies like this, and #2 are we at a point where SMOKIN’ ACES is actually an influential film? Holy shit. I thought I was the only one who liked some parts of that.

But you know what? This BAYTOWN OUTLAWS isn’t bad. It won me over. (read the rest of this shit…)

Salt

Friday, July 30th, 2010

tn_saltHey, have you guys ever noticed how alot of these so-called action movies they do now days make no effort to show any action in their action scenes? I think I might’ve mentioned something about that before, not sure.

Okay, it’s getting old for me to write about, and I’m sure it’s even worse for you to read about. But I feel like if we stop mentioning it it’s like we’re saying it’s okay. Whether it’s Michael Bay’s ridiculous edits or Paul Greengrass’s wobblecams that opened the floodgates, something happened, and old fashioned notions like geography, coherency, and visual storytelling got buried. The language and standards of action cinema that have evolved and developed over generations have been thrown out the window and it’s become acceptable to just have a quick smear of photography that sort of loosely implies the fights and chases that audiences used to pay money to actually see with their own eyes. I think there’s gonna be a backlash against this type of movie pretty soon, and it’s bubbling up in this new wave of DTV action we’ve all been enjoying. But still, you can’t just let it go. You gotta say something. (read the rest of this shit…)

Thick As Thieves

Tuesday, May 26th, 2009

tn_thickasthievesToday I have for you a review of an obscure Alec Baldwin movie, complete with a tangent about Obama’s choice of condiments.

THICK AS THIEVES is a little-known crime movie from 1998 that I learned about because of BLACK DYNAMITE. That’s the Michael Jai White blaxploitation homage that comes out in September (I’m hoping to see it a little early because it’s playing the film festival here). In my excitement for that one I looked up the director, Scott Sanders. Turns out he wrote for A DIFFERENT WORLD and ROC, and then he directed THICK AS THIEVES.

Alec Baldwin plays Mackin, a thief hired to steal food stamps from a printing plant. After the job some dirty cops pull him over and try to take his money. He handles it, but knows he had to have been set up by the guy who hired him, Pointy Williams (Michael Jai White) so he tries to get back at that asshole. Meanwhile “the Italians” aren’t gonna be happy about what Pointy did so his people keep trying to snuff out Mackin before things escalate and they get into deep shit.
It’s adapted from some book by a guy named Patrick Quinn, but definitely is gonna remind you of Elmore Leonard and that type of crime story where the characters have little funny quirks. Also like Leonard the plot is full of coincidence and mistakes, the characters are kind of dumb and talk about goofy things, but can also be seriously dangerous. (read the rest of this shit…)