Posts Tagged ‘Michael Biehn’
Thursday, November 30th, 2023
The day after I saw THANKSGIVING I decided to sit down and watch the whole GRINDHOUSE double feature for the first time in many years. I saw it twice during its short theatrical run in 2007, saw the longer separate version of DEATH PROOF on DVD (can’t remember if I ever did the same for PLANET TERROR), at some point I bought a Canadian import blu-ray just to have the full double feature when it wasn’t available here yet. Turns out it was still unopened.
DEATH PROOF definitely stands up as a separate movie, but I thoroughly enjoyed having that full experience again. I know online movie people talk too much about runtimes, sort of a dumb topic usually, but I want to point out that this full double feature is only 15 minutes longer than THE BATMAN, 10 minutes longer than OPPENHEIMER, and 15 minutes shorter than KILLERS OF THE FLOWER MOON. But it offers two very different movies, plus short subjects in the form of fake trailers and bumpers, that play off each other kind of like an anthology. For those times when you’re in more of a splattering blood and smashing cars mood than a creation of the atom bomb one it’s a joyful and enriching way to spend an afternoon or evening. (read the rest of this shit…)
Tags: Bruce Willis, Carlos Gallardo, Freddy Rodriguez, Jeff Fahey, Marley Shelton, Mary Elizabeth Winstead, Michael Biehn, Michael Parks, Monica Staggs, Naveen Andrews, Nicky Katt, Quentin Tarantino, Robert Rodriguez, Rosario Dawson, Rose McGowan, Sydney Tamiia Poitier, Tom Savini, Tracie Thoms, Vanessa Ferlito, Zoe Bell
Posted in Reviews, Action, Horror | 50 Comments »
Thursday, June 24th, 2021
“Your world is pretty terrifying.”
Summer of ’91 origins: THE TERMINATOR
The only review I’ve written of the original THE TERMINATOR was in 2007 – so out of date it was combined into a review of the “trilogy” and framed as a response to THE TRANSFORMERS. There are some good observations and funny lines in that review, but I’m a smarter person now and I think there’s way more to say about the movie. So I thought I should take another crack at it before we get to its sequel in this Summer of ’91 retrospective.
In the fall of 1984, director/co-writer James Cameron exploded into filmgoer-consciousness with a stylish and imaginative little sci-fi chase movie called THE TERMINATOR. Made on about a fifth of the budget of the recent hit GHOSTBUSTERS and released by outsiders Hemdale (VICE SQUAD, TURKEY SHOOT) and Orion Pictures (MAD MAX, THE HAND, ROCK & RULE), it nevertheless immediately announces itself as a force to be reckoned with. The quiet, world-establishing text, the nightmarish glimpses of futuristic combat between man and machine, the absolute all-timer of a theme by Brad Fiedel (JUST BEFORE DAWN) and the slow reveal of the logo (title design by Ernest D. Farino, who later did GODZILLA 1985, CRITTERS, NIGHT OF THE CREEPS, ALIEN NATION, THE ABYSS and NEMESIS) all set the mood for a genre movie of unusual ferocity. Not bad for a guy who had only directed PIRANHA II: THE SPAWNING. (read the rest of this shit…)
Tags: Arnold Schwarzenegger, Bess Motta, Bill Paxton, Brad Fiedel, Brian Thompson, Earl Boen, Gale Anne Hurd, James Cameron, Lance Henriksen, Linda Hamilton, Michael Biehn, Orion Pictures, Paul Winfield, Rick Rossovich, Sneaky Pete Kleinow, Stan Winston
Posted in Action, Reviews, Science Fiction and Space Shit | 27 Comments »
Tuesday, February 26th, 2013
I know they say you can’t judge a book by its cover, but a movie is not a book and a cover is not always the same art as a poster so I sometimes feel okay writing off a movie because of its poster. And these days when a movie has kind of a quasi-retro poster with a sort-of-old-school-ish illustration and attempted ’70s font, I assume it’s just some bullshit by somebody who liked GRINDHOUSE like I did and thinks if they know about old movies they can make a movie like that even if they don’t have the chops. But some of you said I had to watch SUSHI GIRL, so I gave it a shot. I forgive you.
(read the rest of this shit…)
Tags: Andy Mackenzie, Cortney Palm, Danny Trejo, Jeff Fahey, Kern Saxton, Mark Hamill, Michael Biehn, Noah Hathaway, Sonny Chiba, Tony Todd
Posted in Crime, Reviews | 182 Comments »
Tuesday, October 16th, 2012
I don’t know anybody that’s heard of MALEVOLENCE, so it’s weird that it has a prequel. Same writer-director (Stevan Mena), similar pretentious title, totally different feel, way better in pretty much every conceivable category. It looks great, the acting is good, the characters are way more likable, the mood and atmosphere are stronger. The mostly unoriginal content is elevated by strong filmatism and confident pacing that tells you to be more concerned about the characters than the screaming and blood.
(read the rest of this shit…)
Tags: Alexandra Daddario, Brett Rickaby, Michael Biehn, prequels, Slasher Search, slashers, Stevan Mena
Posted in Horror, Reviews | 17 Comments »
Wednesday, August 17th, 2011
No man, I don’t got a problem. I just watch Michael Bay movies recreationally. I don’t gotta watch them when I wake up or nothin. It’s just every once in a while. I only watched PEARL HARBOR ’cause I was doing all the summer of 2001 movies. And TRANSFORMERS 3 because I thought it would be funny. Then people said I should watch this one. It’s not a big deal, man. That’s not that many. You don’t know what you’re talking about.
(read the rest of this shit…)
Tags: Aaron Sorkin, Bokeem Woodbine, David Morse, Ed Harris, Jim Caviezel, John C. McGinley, John Enos III, Jonathan Hensleigh, Marshall Teague, Michael Bay, Michael Biehn, Navy SEALs, Nicolas Cage, Philip Baker Hall, Quentin Tarantino, Raymond Cruz, Sean Connery, Tom Towles, Tony Todd, William Forsythe, Xander Berkeley
Posted in Action, Reviews | 107 Comments »
Saturday, November 14th, 2009
THE ABYSS is probly James Cameron’s most original movie. It’s not primarily based around people getting killed by a monster or a bad guy. It’s more like man vs. scientific challenge, trying to fix things, to not run out of air, to survive the pressure (both literally and figuratively) of being deep underwater. Okay, so Michael Biehn snaps from a bad case of the Underwater Blues, and they gotta fight him, but most of it is more problem solving and scientific analysis like APOLLO 13 or QUATERMASS AND THE PIT. And then it turns into CLOSE ENCOUNTERS OF THE THIRD KIND. And a little 2001. But underwater, so it’s completely different. Water is different from space. You can’t drink space. (read the rest of this shit…)
Tags: Ed Harris, James Cameron, Michael Biehn
Posted in Reviews, Science Fiction and Space Shit | 132 Comments »
Friday, March 6th, 2009
Man, Michael Biehn and the other guys on his team in NAVY SEALS really like to party and be outrageous. Especially Charlie Sheen, have you seen how out of control that guy is? On the way to Dennis Haysbert’s wedding he jumps out of a moving Jeep and over the side of a bridge just for laughs. You know how those SEALs boys are. You don’t even have to TELL them to jump off a bridge, they just do it for no reason. And their nice wedding clothes get all fucked up, but they don’t care because they’re Navy SEALs.
That’s what it’s all about.
I think this movie was inspired by TOP GUN. It’s one part action movie, two parts lifestyle magazine. It wants to show that Navy SEALs are elite warriors and heroes, but mostly it wants to show what a fun time they have just hanging out with their bros when they’re stateside. Just some men, going around together, being men. Hoo rah, best buds for life. Dennis Haysbert is the only one in a serious relationship, he’s about to marry S. Epatha Merkerson, but as she’s coming down the aisle their SEAL pagers beep and they all leave. Sorry Toots, maybe next time. (read the rest of this shit…)
Tags: Isaac Florentine, Marshall Teague, Michael Biehn, Michael Worth, Navy SEALs, Sophia Crawford
Posted in Action, Reviews | 4 Comments »
Tuesday, April 10th, 2007
PLANET TERROR and DEATH PROOF
PREAMBLE
Here in the US these two movies were designed and released as a double feature with trailers for fictional movies in between. They were released under one unifying name that starts with a ‘G’ that is a word used to describe the shitty theaters that used to churn out sleazy horror, sexploitation, kung fu and blaxploitation movies back in the day.
I am not going to be using the g-word in this review, because I am sick and fucking tired of hearing it. It’s a perfectly legitimate title for this concept, but here is the problem. Mr. Tarantino is a huge fan and expert on these types of movies, he is the human IMDb judging from some of those interviews. So I don’t mind seeing him talk about it in every article about KILL BILL VOLUME 1 and then KILL BILL VOLUME 2 and then when they announced this g-word movie, and then while he was filming it and now to promote its release. Tarantino can use the g-word all he wants, he has earned it. So I don’t mind him and the trailers for his movie trying to explain to the kids what the g-word means. (read the rest of this shit…)
Tags: Bruce, Bruce Willis, Jordan Ladd, Josh Brolin, Kurt Russell, Mary Elizabeth Winstead, Michael Biehn, Michael Parks, Robert Rodriguez, Robert Zombie, Rosario Dawson, Rose MacGowan, stuntsploitation, Sydney Tamiia Poitier, Tarantino, Tracie Thoms, Vanessa Ferlito, Zoe Bell
Posted in Action, Bruce, Horror, Reviews, Science Fiction and Space Shit | 2 Comments »
Friday, October 20th, 2000
big spoiler in this old review
Well there might be some individuals out there wondering, wouldn’t it be cool if you took a director like the dude who did Romper Stomper, and had him do a slasher movie. Well those individuals it turns out are wrong. Sorry boys.
Cherry Falls is the story of a killer in a small town who kills only virgins. In a small town called Cherry Falls.
You know what I mean? Virgins. In Cherry Falls. (read the rest of this shit…)
Tags: Brittany Murphy, Jay Mohr, Michael Biehn, slashers
Posted in Horror, Mystery, Reviews | 4 Comments »
I honestly never knew about this Nic Cage-featuring neo-noir until some of you recommended it to me in the comments. So thanks for that. Since I’d never heard of it and the cover looks like the type of photoshop they do on an uncopyrighted double feature DVD you’d buy for 99 cents at Safeway I assumed this was an early Cage performance. I was shocked when I realized it was 1993, same year he did the much more polished 
