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Posts Tagged ‘Kenneth Tsang’

Once a Thief

Thursday, February 18th, 2021

I can’t explain this, and it’s embarrassing to admit, but somehow I had never seen ONCE A THIEF (1991) until now. How the hell did I not watch the movie that John Woo and Chow Yun Fat did between their two greatest home runs? Especially since I even watched the North American TV pilot he made based on it five years later! I knew this was gonna be more light-hearted and comedic than THE KILLER and HARD BOILED and that I probly wouldn’t like it nearly as much, but come on. Obviously it was something I needed to see. As I should fuckin known, it’s a fun time with some great stunts and action and a type of ludicrousness I enjoy in many Hong Kong films, if not usually Woo’s.

The story is about a trio of thieves, Cherie (Cherie Chung, PEKING OPERA BLUES), Joey and Jim (Chow Yun Fat and Leslie Cheung, reuniting after A BETTER TOMORROW 1 and 2). We meet them as they’re staking out an art museum for a heist, with Joey walking around admiring the art in the suave manner of Chow Yun Fat, Cherie pretending to be an idiot walking her dog through some deliverymen so she can mark the crate that holds the painting they’re planning to steal, and Joey strutting to his motorcycle in a leather jacket and scarf, bragging to a random street artist that he’s a famous thief. Soon they’re performing a really cool FAST AND FURIOUS-esque mobile truck heist that involved climbing on and under the truck, cutting a hole through the bottom, and gliding away with a parachute. (read the rest of this shit…)

The Replacement Killers

Monday, September 7th, 2020

I try not to be too set in my ways, which is a good reason to rewatch a movie years later and see if you respond differently than the first time around. So something told me it was time to revisit something from those heady days when the emerging international popularity of Hong Kong action cinema fired peak John Woo and Chow Yun Fat out of a cannon aimed at the heart of Hollywood. I’m not sure what kind of a cannon shot them so that Woo landed in 1993 and Chow not until 1998, but life is a mystery. Anyway, they exploded and in the case of Chow, we were mostly disappointed and then happy that he didn’t stick around that long, because Hollywood clearly didn’t know what they were doing with him.

THE REPLACEMENT KILLERS was significant not only as Chow’s first Hollywood/English language movie, but the directorial debut of Antoine Fuqua, who became a much bigger deal when 2001’s TRAINING DAY won Denzel Washington an Oscar. That kind of gave him the air of an Important Filmmaker for a little bit, but I think now he’s settled in as the type of director who makes OLYMPUS HAS FALLEN and THE EQUALIZER 1 and 2, which is more like the expected trajectory for the director of this one. He came from directing music videos, most famously “Gangsta’s Paradise” by Coolio, but also “The Most Beautiful Girl in the World” by Prince.

Chow plays “John Lee,” who’s pretty much a remix of his character in THE KILLER. He’s an assassin who owes one more hit to L.A. Triad boss Terence Wei (Kenneth Tsang, A BETTER TOMORROW 1 and 2, THE KILLER, SUPERCOP, RUSH HOUR 2). But he’s sent to the home of LAPD Detective Stan Zedkov (Michael Rooker, CLIFFHANGER) and sees the man’s wife and son through the sniper scope and decides he can’t do it. (In a corny touch, Zedkov doesn’t see him but looks right into the scope as if sensing him.) (read the rest of this shit…)