"CATCH YOU FUCKERS AT A BAD TIME?"

Posts Tagged ‘Leslie Cheung’

The Phantom Lover

Monday, April 17th, 2023

THE PHANTOM LOVER is sadly not a documentary about me and how much I love the movie THE PHANTOM, but it’s the next best thing – a 1995 Hong Kong romantic melodrama. It has no martial arts, but it’s director Ronny Yu and cinematographer Peter Pau doing another lush, operatic fantasy about forbidden, doomed lovers, like THE BRIDE WITH WHITE HAIR. And like THE OCCUPANT it has a set of young characters learning about and having their lives influenced by the tragedy when they visit the site years later.

In this case the location is not an apartment building, but a magnificent Beijing theater. In 1936 it’s fire-damaged and cob-webbed enough that the broke-ass fledgling Sprout Troupe think they can afford to rent it for their musical Flaming Blood.

Ten years earlier the theater was known from here to Tianjin, Shanghai as the home of the great Song Danping (played by the groom of the Bride With White Hair, Leslie Cheung), brilliant actor, beautiful singer, dreamy heartthrob, definitive essayer of Romeo (cheesy musical version). Hungry up-and-comer Wei Qing (Huang Lei, CJ7) bribes the caretaker with chocolates to tell the story, and it takes up the first half of the movie. Danping was in love with Du Yunyan (Chien-lien Wu, EAT DRINK MAN WOMAN), daughter of one of the local rich dudes (Wong Bing, THE FOUNDING OF A REPUBLIC), and she would meet him in the theater after hours for romantic interludes. (read the rest of this shit…)

The Bride With White Hair

Wednesday, April 12th, 2023

This is the one. THE BRIDE WITH WHITE HAIR is the movie that put Ronny Yu on the map. Or at least mine. This was 1993, back when people like me were first discovering Hong Kong cinema, and martial artists flying around on wires seemed like the greatest discovery since their primary antagonist, gravity. I remember waiting weeks for a widescreen, subtitled VHS I special ordered from Suncoast Motion Picture company in a mall somewhere. I must’ve watched it several times in the ’90s, but when I revisited it for this series it had been so long that I could only recall the look and feel of it, and basically nothing about the story.

The way I remember it, we all agreed back then that this movie was a masterpiece. But here I am 30 years later, and I don’t think the generation of film fans after mine would necessarily know who Ronny Yu was if I asked, or have heard of this movie. It has recently finally come to remastered blu-ray overseas, so a good transfer was on a streaming service for a while, and now can be bought digitally, but when I started writing this series there was only the old Tai Seng DVD – a pretty rough, non-anamorphic transfer. It made me wish I’d saved that tape. Watching it now, of course, it lacks the freshness and novelty it had in 1993, the thrill of a new world opening up to us. We’ve seen this kind of fantastic martial arts world imagined many more times and in much more detail over the last quarter century.

But I think THE BRIDE WITH WHITE HAIR still packs a punch. It’s a short, sweet, and stylish little tragic love story that speaks about good and evil but refuses to paint even its operatic fantasy world in such easily definable categories. And by looking at it as part of this Uncle Sam Wants Yu series I’m able to see it as a culmination of everything the director had been working on up to that point. (read the rest of this shit…)

Once a Thief

Thursday, February 18th, 2021

I can’t explain this, and it’s embarrassing to admit, but somehow I had never seen ONCE A THIEF (1991) until now. How the hell did I not watch the movie that John Woo and Chow Yun Fat did between their two greatest home runs? Especially since I even watched the North American TV pilot he made based on it five years later! I knew this was gonna be more light-hearted and comedic than THE KILLER and HARD BOILED and that I probly wouldn’t like it nearly as much, but come on. Obviously it was something I needed to see. As I should fuckin known, it’s a fun time with some great stunts and action and a type of ludicrousness I enjoy in many Hong Kong films, if not usually Woo’s.

The story is about a trio of thieves, Cherie (Cherie Chung, PEKING OPERA BLUES), Joey and Jim (Chow Yun Fat and Leslie Cheung, reuniting after A BETTER TOMORROW 1 and 2). We meet them as they’re staking out an art museum for a heist, with Joey walking around admiring the art in the suave manner of Chow Yun Fat, Cherie pretending to be an idiot walking her dog through some deliverymen so she can mark the crate that holds the painting they’re planning to steal, and Joey strutting to his motorcycle in a leather jacket and scarf, bragging to a random street artist that he’s a famous thief. Soon they’re performing a really cool FAST AND FURIOUS-esque mobile truck heist that involved climbing on and under the truck, cutting a hole through the bottom, and gliding away with a parachute. (read the rest of this shit…)

A Better Tomorrow 2

Friday, October 15th, 2010

tn_bettertomorrow2A BETTER TOMORROW II is a crazy fuckin sequel. The story is incredibly convoluted, the plot (or plots) divided between Hong Kong and New York, continuing the story of Ho, Kit and Jackie, but also following a new character called Uncle Lung (Dean Shek) in conflict with the police and with two unrelated crime syndicates. The weirdest (and best) part is that they actually used the gimmick that’s always joked about but almost never actually done: Chow Yun Fat plays Ken, the never-mentioned-before-twin-brother of his deceased part 1 character Mark. I probly don’t have to say any more than that to convince you this movie is stupid. I liked it though. (read the rest of this shit…)

A Better Tomorrow

Thursday, October 14th, 2010

tn_bettertomorrowIf you look for pictures from John Woo’s 1986 breakthrough A BETTER TOMORROW you’ll mostly find Chow Yun Fat lighting a cigar with a burning counterfeit American $100 bill, or wearing a real nice suit holding two guns. That’s from the beginning of the movie when his character Mark is a big shot in a Hong Kong syndicate. That’s not a better tomorrow, that’s a more financially stable yesterday. Most of the movie takes place years later, when Mark has been shot in the leg and has to wear a metal brace, so he’s now just an errand boy instead of a Big Brother. (read the rest of this shit…)