I only paid attention to THE SOLDIER (1982) because I noticed it had a score by Tangerine Dream. (Turns out to be a good one, too, though hard to find as an album.) I should’ve checked it out anyway just because it’s written and directed by James Glickenhaus between THE EXTERMINATOR and THE PROTECTOR. It’s a little more normal and less sleazy than those – it’s a covert ops movie in the mold of THE KILLER ELITE or SWORD OF GIDEON or one of those – but I think I liked it even better.
Ken Wahl (THE DIRTY DOZEN: THE NEXT MISSION, THE GLADIATOR) plays the titular The Soldier. That’s his code name! Seems like there could be some misunderstandings there. He leads an elite counterterrorism unit that operates completely off the books and answers only to the head of the CIA (Ron Harper, BODY COUNT, PEARL HARBOR). And they’re introduced in a pretty funny way. In the first shot, a limo carrying an ambassador is driving through Philadelphia and an old lady – well, a woman wearing an old lady costume – crosses in front of her with a babycart. The driver doesn’t even slow down, just nails the woman and keeps going. A woman with a shopping bag, a construction worker and a businessman all see it happen and come running over, to find the lady dead. Inside the babycart is a doll and an uzi. (read the rest of this shit…)
And yeah, it makes sense. Chuck Norris and Jackie were both martial arts stars – in fact, guys who had early roles in Bruce Lee movies – who were now expanding their portfolios in the medium of post-
MANIAC COP is like an ’80s b-movie dream team. William Lustig (MANIAC) directs, Larry Cohen (IT’S ALIVE!) writes, James Glickenhaus (THE EXECUTIONER, 
THE PROTECTOR is Jackie Chan’s second English-language starring vehicle after BATTLE CREEK BRAWL/THE BIG BRAWL. Both are notorious as terrible wastes of Chan’s talent.
