URBAN LEGEND (1998) is, to my mind, one of the most “obviously we’re making this because of the success of SCREAM” horror movies that exists. It’s another young-people-whodunit-slasher, with a similarly constituted cast of pretty young movie and TV stars, but instead of killings inspired by horror movie tropes, these ones are based on popular urban myths. At the time I think I took it as dumb but pretty enjoyable, which is also how I feel about it now, and about many non-classic slasher movies. Like most of them it benefits from age – it’s a time capsule now rather than the latest the genre has to offer, so we have different expectations for it. (read the rest of this shit…)
Posts Tagged ‘Brad Dourif’
Urban Legend
Monday, December 11th, 2023The Exorcist III
Thursday, October 5th, 2023
My experience with THE EXORCIST III is different from the other ones. This one I actually saw in the theater as a teenager. In those days you would just go see the latest chapter in a horror series even if you hadn’t seen the earlier ones. I’m pretty sure I hadn’t seen part II at the time, and I’m not even sure I’d seen the first one. I definitely wasn’t familiar with it enough to realize that the protagonist, Lieutenant Kinderman (George C. Scott, Cartoon All-Stars to the Rescue) was a character from the first one (the homicide detective played by Lee J. Cobb).
I think I saw it a second time on video at some point, but that would’ve been years ago, maybe decades. What I remembered: a creepy part with somebody crawling on a ceiling in the background. Brad Dourif ranting in a cell. Pretty scary. I liked it at the time, but I seem to remember people thinking it was bad. I feel like now it has an overall reputation for being underrated at the very least. (read the rest of this shit…)
Bride of Chucky
Monday, April 24th, 2023
Now, at last, we come to perhaps the key moment in this entire Ronny Yu retrospective. After years in the trenches of the Hong Kong film industry, having gained acclaim worldwide for painterly, operatic martial arts fantasies, and having made his American debut earnestly combining that style with a goofy children’s movie, Yu got a high profile Hollywood gig that seemed to many at the time like it was completely random. How the fuck does the director of THE BRIDE WITH WHITE HAIR end up helming part 4 in an American slasher series, reviving it after seven dormant years, and taking it on an intentionally eyebrow-raising tonal swerve into oddball comedy? Did they just think of him because the word “Bride” was in the title?
As the entry that first turned the CHILD’S PLAY series into more of a comedy, BRIDE OF CHUCKY (1998) is a cult favorite in its own right, and therefore became arguably Yu’s most widely known film in the West, even if many don’t necessarily know or remember that he directed it. But I’m here to argue that even though this isn’t Yu’s most representative film it does have his stamp on it, and very much fits into his filmography. (read the rest of this shit…)
Body Parts
Thursday, August 5th, 2021
“Fuck you and all your bullshit! I WANT THIS FUCKING ARM OFF!”
August 2, 1991
BODY PARTS is an Eric Red horror joint that is much better than I thought I remembered, though it has become more macabre in retrospect due to things that have happened in real life.
Red is the guy who came to fame by writing THE HITCHER. By ’91 he and Kathryn Bigelow had written NEAR DARK, BLUE STEEL and UNDERTOW together (though the latter wasn’t produced until 1996) and on his own he had written and directed the not-well-received COHEN & TATE. While Bigelow was basking in the California sun for POINT BREAK, Red still had some affairs to attend to in the gloomy underside of humanity.
But it doesn’t go as dark as it could, and it has an enjoyably chaotic spirit to it, a world that pretends to be pretty down to earth and then leaps into absurd sci-fi concepts. I like these movies where there’s absolute insanity lurking around in your peripheral vision that you just don’t notice until it comes for you. (read the rest of this shit…)
Jungle Fever
Monday, June 7th, 2021
June 7, 1991
JUNGLE FEVER is five films and five years into the career of Spike Lee. You have the financed-on-credit-cards debut SHE’S GOTTA HAVE IT, the polished studio debut SCHOOL DAZE, the explosion of DO THE RIGHT THING, the follow up MO’ BETTER BLUES, and then this. Like all of his movies it’s interesting and bold and full of greatness but in my opinion, especially in retrospect, it’s his first fumble. That’s fine. He did MALCOLM X next.
It is the story of possibly the most only-Spike-Lee-would-ever-name-a-character-this character of all time, Flipper Purify, played by Wesley Snipes, who had been in Lee’s MO’ BETTER BLUES and was coming off of the success of NEW JACK CITY. He’s an upper class architect, living in Harlem with his wife Drew (Lonette McKee, BREWSTER’S MILLIONS, ‘ROUND MIDNIGHT), and things seem to be going well from the hot morning sex that opens the movie (the sounds of which greatly amuse their daughter Ming [Veronica Timbers]). (read the rest of this shit…)
Cult of Chucky
Monday, October 9th, 2017
I kind of want the CHUCKY cinematic saga to go on forever, or at least as long as Don Mancini wants to keep making them. He’s the guy who wrote the original script BLOOD BUDDY, that became CHILD’S PLAY, and then wrote all six sequels to date, and directed SEED OF CHUCKY (2004), CURSE OF CHUCKY (2013) and now CULT OF CHUCKY (aka CHUCKY NUMBER SLEVIN).
CURSE was the first one made for the DTV market, and CULT follows in its footsteps: lower budget, limited locations, filmed in Winnipeg, more serious tone than BRIDE or SEED except for some broad meta references and some nods to continuity. It also brings back the star, Fiona Dourif (yes, Brad’s daughter) as Nica, innocent paraplegic woman now committed to an asylum, blamed for Chucky’s murders and convinced she imagined him to ease her guilt. Of course, the dumbass doctor (Michael Therriault, The Girlfriend Experience) decides he should bring in a vintage Good Guy doll as part of her therapy, and, you know, shit may or may not happen. (read the rest of this shit…)
Child’s Play 3
Wednesday, November 23rd, 2016
“So here’s my advice: Grow up. You’re not a kid anymore. It’s time to forget these fantasies of killer dolls.”Well, I think it’s safe to say we won’t be seeing that asshole doll Chucky ever again. He got his plastic head burnt to a crisp and yes, the Play Pals corporation did refurbish him in part 2, intending to prove the doll wasn’t sabotaged by an employee but instead resurrecting a serial killer to commit a murder spree mostly consisting of their own employees. Plus their factory got totally trashed. I don’t think they’ll make that mistake again! I’m sure when they cleaned out the factory they destroyed that grotesque pile of latex and Chucky flesh that was left of him and we can put that whole catastrophe behind us now.
Oh shit – they didn’t! Eight years after CHILD’S PLAY the same foolish CEO (Peter Haskell, ROBOT WARS) is convinced by the board to bring back the Good Guys dolls. They consider children to be “consumer trainees” and they can’t lose their biggest brand just because of “the fantasies of one disturbed boy.” (I wonder what he thinks happened to his murdered executives, or at his factory? One of his employees got his eyeballs poked out! Do not work for this company!) So they rev up the (noticeably smaller) assembly line again, some hooks pierce the Chucky blob (which I guess has been laying there alive for eight years) and it bleeds into a vat of molten plastic that will be molded into the new Good Guys dolls. And voila! Chucky is mint in package again.
Child’s Play 2
Tuesday, November 22nd, 2016
“It doesn’t matter. Wherever I go, Chucky will find me.”
CHILD’S PLAY 2 is an unnecessary but entertaining continuation of the story of young Andy Barclay (Alex Vincent) and that time when his mom accidentally bought him a doll that was possessed by the soul of Chicago serial killer Charles Lee Ray, a.k.a. The Lake Shore Strangler.
We pick up two years later. Andy is being put into foster care while his mom Karen is in a psychiatric hospital for believing in killer dolls. We only see her in a photo, but I’m gonna assume she’s in there doing pullups and getting buff like Sarah Connor when she was locked up for similar reasons. Andy goes to stay with Phil (Gerrit Graham, POLICE ACADEMY 6) and Joanne (Jenny Agutter, AN AMERICAN WEREWOLF IN LONDON) Simpson, though Phil doesn’t seem to like him and has very reasonable concerns about whether they’re qualified to raise a horribly traumatized kid.
Andy grew up in a small apartment in the city, now he’s in this huge house, he gets his own room with a bunch of toys, which he’s excited to see, but obviously he misses his mother. He doesn’t know when he’ll see her again, or how long he’ll be able to stay here. And he’s never had siblings before, but now there’s this teenager named Kyle (Christine Elise, BODY SNATCHERS). He walks into her room and she’s smoking and gives him attitude. She’s been the for three weeks but hasn’t unpacked because she’s never been able to stay anywhere for more than a month, and doesn’t expect that pattern to change. Andy overhears the Simpsons talking about him and feels bad, he gets scared of dolls, he’s not used to having a dad at all, let alone a strict one. But Kyle reassures him that Phil’s not that bad (she’s had much worse). So it’s just a movie about the challenges of being a foster child or a foster parent and stuff like that. That’s pretty much it. (read the rest of this shit…)
Child’s Play
Monday, November 21st, 2016
We all know Chucky, the vulgar, red-haired, Jack-Nicholson-sounding killer doll. He’s almost as famous as Freddy or Jason, characters that you don’t have to watch horror movies to be aware of. But when I first saw CHILD’S PLAY in 1988 I honestly didn’t know it was gonna be a killer doll movie. The poster/newspaper ad only showed Chucky’s evil eyes hovering in the sky over little Andy’s babysitter plummeting from the window of their Chicago apartment. A TV ad showed a quick glimpse of him attacking, but I remember thinking of what I was looking at as some kind of crazy witch lady. Maybe a killer dwarf?
An exciting moment in my recent trip to Vegas was seeing a portrait of Chucky and his bride Tiffany posted in the tiny lobby of an Elvis chapel along with Rob and Sheri Moon Zombie, Jon Bon Jovi and somebody he married, Richard Belzer just by himself. There were plenty of horror movies in 1988, but I doubt they’d hang pictures of the killers from BLACK ROSES or HIDE AND GO SHRIEK or even MANIAC COP in there (although that would’ve been a thrill too). Chucky has lasted.
Like anyone I enjoy the pop culture phenomenon of Chucky, most of his sequels and the absurd places this series has gone, but CHILD’S PLAY is something different. It puts a serial killer into the doll in the opening, then puts the doll in the arms of a child and makes us dread what will happen – what is happening when we’re not looking – until near the end. We look accusingly at the doll sitting there limply. We know you’re in there, you asshole. Why won’t you show yourself? For most of the movie his conniving happens in whispers we can’t hear, in low-to-the-floor POV shots, his little hands reaching out, or in quick glimpses, a little thing running by in our peripheral vision. When we finally do get a good look at him in his living-doll form it feels like we caught a bigfoot, or walked in on that dude in the bear costume in THE SHINING. Something we’re not supposed to be seeing. (read the rest of this shit…)
Spontaneous Combustion
Thursday, September 15th, 2016
This afternoon I’m going to see LIFEFORCE in 70mm. I’ll let you know how that goes at a later date. But while I do that please enjoy this review of a later Tobe Hooper movie with fewer naked space vampires in it. Or at least enjoy it to the extent that you could enjoy any review of this particular movie.
SPONTANEOUS COMBUSTION is a 1990 Tobe Hooper movie that I remembered being basically unwatchable back in the VHS era. But I was stupid back then. Who knows? Sometimes you gotta re-evaluate your opinions.
And man, I was totally wrong, because I actually did watch this one. Technically speaking it was watchable. Otherwise my impression was pretty accurate.
One thing I had no memory of: the first 20 minutes take place in the 1950s. A young couple, Brian (Brian Bremer, SILENT NIGHT, DEADLY NIGHT 5) and Peggy Bell (Stacy Edwards, THE BLING RING [Sofia Coppola version]), who could almost be the parents from BACK TO THE FUTURE, have volunteered for an experiment where they will try to survive a nuclear blast protected by a bunker and a radiation immunization. (TIP: Do not fucking take that gig, I don’t care if you’re trying to fund EL MARIACHI!) After surviving the test they’re lionized as American heroes in a news reel, declared radiation free and “the world’s first nuclear family.” (read the rest of this shit…)
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