"CATCH YOU FUCKERS AT A BAD TIME?"

Posts Tagged ‘Jenny Agutter’

Little Nemo / Freddie as F.R.O.7 (and the weird animation of summer ’92, part 2)

Tuesday, September 27th, 2022

Although the weird blockbusters like ALIEN 3 and BATMAN RETURNS were a defining feature of summer ’92, it’s hard to overstate how much weird animation popped up in this little window between Disney reinvigorating the animated feature and anybody else figuring out how to get in on the action in a reasonable way. Earlier I reviewed the well-meaning environmental fantasy FERNGULLY: THE LAST RAINFOREST and mentioned Don Bluth’s bizarre Elvis-rooster movie ROCK-A-DOODLE. Now I need to bring up two July releases that I skipped over because I’d previously reviewed them: COOL WORLD (co-starring Brad Pitt of JOHNNY SUEDE fame) and BEBE’S KIDS (written and produced by BOOMERANG’s Reginald Hudlin). Both were rated PG-13, which was very unusual for the time… and I guess would be now too, huh? BEBE’S KIDS is groundbreaking as an animated feature from a Black director and about a Black family. It’s also kind of cool that it’s adapted from a standup routine. And Tone Loc got more to do (voicing a fucked up baby) than he did in FERNGULLY (where he was a lizard).

I really want to direct you to my review of COOL WORLD if you haven’t read it, though, because this is a real headscratcher of a movie from indie/adult animation pioneer Ralph Bakshi, working with Paramount and making all kinds of concessions that might’ve turned it even weirder. Back then I liked it (or wanted to like it) enough that I saw it twice in the theater, then when I watched it five years ago to write that review I decided to retire from watching COOL WORLD. But in any study of the weirdness of summer ’92 it must be acknowledged.

Now let’s move on to two more distinctly befuddling animated features released, unsurprisingly, in August, the month of misfit movies. LITTLE NEMO: ADVENTURES IN SLUMBERLAND (onscreen title: just LITTLE NEMO) is a long-in-the-works Japanese-American co-production. It was a 1989 release in Japan, but we got it on August 21st, 1992. (read the rest of this shit…)

Darkman

Thursday, January 13th, 2022

After his horror breakthrough, his failed comedy, and his knockout horror sequel, Sam Raimi finally made it to the semi-big-time. He’d really wanted to do a movie of Batman or The Shadow, but could never get the rights. Then he came up with the idea for his own dark avenger, one with the ability to change his face. His 40-page treatment The Darkman was greenlit by Universal Studios in 1987.

Raimi brought in NAVY SEALS writer Chuck Pfarrer to flesh out the treatment as a screenplay, which was then rewritten by Raimi and his brother Ivan (under the theory that Ivan, a doctor, could help make the medical sci-fi aspects plausible). The studio brought in the team of Daniel and Joshua Goldin (up-and-comers they also had working on PROBLEM CHILD) to bring the various drafts together before the Raimis went at it again. By the time the movie was made and released at the end of August, 1990, Tim Burton had made his BATMAN movie and all the studios were trying to mimic that success. Surely that was an influence on Raimi’s choice of composer Danny Elfman, and on the minimalist marketing campaign based around a silhouette and the question “Who is Darkman?”

I’m sure at the time I would’ve been interested in this movie anyway, but I was specifically excited when I read that it was the genius behind beloved video favorite EVIL DEAD II taking his first shot at a large scale mainstream movie. Seeing the posters, reading about it in magazines, seeing it on the big screen, I accepted it as a big time summer blockbuster alongside DICK TRACY, BACK TO THE FUTURE III and DIE HARD 2. But Raimi having four times his budget on EVIL DEAD II still meant about a third or a fourth of the budgets of those films. Even Cannon’s DELTA FORCE 2, released the same day as DARKMAN, had a slightly higher budget. I think it’s a testament to Raimi’s exciting directorial style that his many green screen and miniature techniques, which have dated technically more than any of those other movies, still seemed flashy enough to stand toe-to-toe with them. (read the rest of this shit…)

Child’s Play 2

Tuesday, November 22nd, 2016

tn_childsplay2“It doesn’t matter. Wherever I go, Chucky will find me.”

CHILD’S PLAY 2 is an unnecessary but entertaining continuation of the story of young Andy Barclay (Alex Vincent) and that time when his mom accidentally bought him a doll that was possessed by the soul of Chicago serial killer Charles Lee Ray, a.k.a. The Lake Shore Strangler.

We pick up two years later. Andy is being put into foster care while his mom Karen is in a psychiatric hospital for believing in killer dolls. We only see her in a photo, but I’m gonna assume she’s in there doing pullups and getting buff like Sarah Connor when she was locked up for similar reasons. Andy goes to stay with Phil (Gerrit Graham, POLICE ACADEMY 6) and Joanne (Jenny Agutter, AN AMERICAN WEREWOLF IN LONDON) Simpson, though Phil doesn’t seem to like him and has very reasonable concerns about whether they’re qualified to raise a horribly traumatized kid.

Andy grew up in a small apartment in the city, now he’s in this huge house, he gets his own room with a bunch of toys, which he’s excited to see, but obviously he misses his mother. He doesn’t know when he’ll see her again, or how long he’ll be able to stay here. And he’s never had siblings before, but now there’s this teenager named Kyle (Christine Elise, BODY SNATCHERS). He walks into her room and she’s smoking and gives him attitude. She’s been the for three weeks but hasn’t unpacked because she’s never been able to stay anywhere for more than a month, and doesn’t expect that pattern to change. Andy overhears the Simpsons talking about him and feels bad, he gets scared of dolls, he’s not used to having a dad at all, let alone a strict one. But Kyle reassures him that Phil’s not that bad (she’s had much worse). So it’s just a movie about the challenges of being a foster child or a foster parent and stuff like that. That’s pretty much it. (read the rest of this shit…)