Hide and Go Shriek

“I hate all this scary stuff you guys, come on!”

This one’s from ’88 and the premise is that some kids sneak into the furniture store owned by one of their dads to have a sex party or something. So it’s like CHOPPING MALL minus the robots. As great as robots obviously are I think that could still work, but unfortunately this movie is doing nothin to support the theory.

It starts out really strange, though. There’s a dude wearing a suit and a fedora, putting on makeup, thinks he’s Joel Grey or somebody. He goes out to a weirdly stylized street, picks up a hooker, fucks her up against a brick wall, stabs her.

So you think this is gonna be the killer in the furniture store, but then there’s a guy there, doesn’t look like the same guy. This guy has a sleeveless shirt, looks like maybe a mechanic or something, cooks himself a meal in the grimey basement of the building.

The kids come in, and I’m not gonna bother to try to figure out any of the character or actor names. They’re just a bunch of adults pretending to be obnoxious kids, wearing ridiculous clothes and gigantic hair dos, some of them wearing sunglasses even though it’s indoors and most of the lights are out. Of course many slasher movies have one-dimensional characters that are hard to tell apart, but these are the very worst kind: constant sarcastic voices without jokes, giggling, sticking tongues out, pushing each other and high fiving, and jumping out to scare each other, and then complaining about it. Alot of tantrems, screaming “Cut it out you guys!” and “Come ON!”

There’s a part where a girl yells “You’re a stupid jerkface!” They save the more harsh language for the killer, who gets “Hey, who are you? What are you doing you slimeball asshole!?”

I guess the idea of coming to a furniture store is that there are beds. The funniest line in the movie is a girl sincerely telling her friend “Listen, you are gonna love making love. You’ll never stop!” There doesn’t end up being much making of love, though. One couple does get a minute to sit in bed topless drinking from champagne flutes. Another couple is in bed, the guy says, “God, I hope they’re careful on that elevator.” Kinda distracted.

It’s not until way later that a girl is on top of the elevator and gets her head popped off. The only memorable gore part. I guess it’s okay one one gets her head bashed into a filled sink, shot from underneath a transparent sink.

I guess the actor playing the killer is named Jeff Levine. No relation to Ted. The interesting thing is that he played the coroner in A NIGHTMARE ON ELM STREET but then a paramedic in part 4 of the same series. I’m sure those Freddy murders are hard on investigators, I wonder if he fucked up or ruffled too many feathers and got demoted.

Anyway in this one he’s not a medical professional (as far as we know), he’s a weirdo furrniture store killer who sometimes wears a dress or sometimes S&M gear. When one of the kids runs into him they just have a fakey fist fight, but then the killer runs at him and stabs him in the belly with a mannequin arm. After that the protagonists decide to carry around mannequin arms and legs to defend themselves.

There are some gay themes that might constitute the only sort of interesting thing in the movie. I think they might be anti-gay, but I’m not sure. Maybe trying to be progressive for the time but not pulling it off. I guess it doesn’t matter, they could still play it on Logo after SLEEPAWAY CAMP.

It starts in one of the first scenes, when two of the characters are lifting weights together. One of them tells the other he’s “gonna expend all your energy” and pats him on the back, then says it’s time for a shower. But they’re not at a gym, they’re in a backyard, it looks like. Then all the sudden the guy is eating a banana! I wasn’t sure if this was supposed to mean they were gay, or if it was a joke accusing jocks of being secretly gay, if it was a FREDDY’S REVENGE situation where one of the filmatists is secretly trying to stick some gay stuff in there but nobody else notices, or if it is just completely unintentional homoeroticism. I still have no idea if it’s any of those options.

But at the end we find out what the deal is with the two different killers. Actually, the guy that was cooking in the basement is not a killer, he’s just a guy who lives in the store who gets mistaken for  a killer. He did time and the other guy, the actual killer, was somebody he punked out. Now that they’re both out the other guy is obsessed with him and trying to be his boyfriend. “I told you it’s over. And now you killed people!” he says.

So at the climax the two guys fight, and the innocent one is dying and he tells his boss, the kid’s dad who owns the store, “I tried to be straight. I’m sorry, Mr. Robbins.” Did he mean he tried to go straight, with a legitimate job? Or did he mean he tried not to fuck guys? I assume it means both. Whether it’s meant as a sympathetic portrait or a “gay people are insane” cautionary tale is harder to decode.

Director Skip Schoolnik was the editor of HALLOWEEN II. He also directed and edited for a ton of TV shows including that Buffy and Angel stuff you guys love.


This entry was posted on Monday, October 29th, 2012 at 12:15 pm and is filed under Horror, Reviews. You can follow any responses to this entry through the RSS 2.0 feed. You can skip to the end and leave a response. Pinging is currently not allowed.

16 Responses to “Hide and Go Shriek”

  1. I felt depressed just reading the review, especially the comments about all the bad dialogue. Listening to that kind of shitty ‘writing’ is like having your life drained by a screenplay vampire. Sometimes I wonder many years of my life I’ve spent watching horrible 80s VHS films that had intriguing covers, promising so much and delivering so, so little.

    Like The Exterminator. That cover was awesome. Film: not so much.

  2. Actually this film’s VHS cover is crap too.

  3. so in other words it’s pretty FABULOUS as far as 80’s horror movies go?

  4. “Hide and Go Shriek” is a great title.

    Joel Grey has never been scarier than at the 2:59 mark of this scene of CABARET:

    and in the entirety of CABARET, which is a great movie that also happens to be scarier than most of the Halloween crap y’all seek around this time of year.

  5. Everybody on the east coast okay? Majestyk? Subtlety? Who else do we need to check on?

  6. I just got out of DC 36 hours ago. My law school buddies & Pentagon worker bee colleagues there have the day/week off, and they seem to be fine. The city is handling it properly.

    I texted Majestyk, reminding him that we are HURRICANE IRENE (2011’s big storm) survivors and FRANKENHOOKER fans and thus impervious to Frankenstorms. He didn’t respond yet, so I assume he’s just too busy sheltering the weak in the protective shadow of his awesome mustache. He’s not big on mobile web-talkbacking, so he might be out of the fight for a few days if his landline/cable/power is out.

  7. Y’all need to chill. Majestyk’s a survivor. He’ll find a way through this.

  8. I live! Once again, my neighborhood seems to be in a hurricane no-fly zone, because I never lost power or was inconvenienced in any way except that my internet died for a few hours and I didn’t get Mouth’s text until this morning. So maybe I resorted to cannibalism a little quickly, but who are you to judge me unless you’ve walked in my shoes?

  9. he liiiiiiiiiiives!

  10. You can take the boy out of the sewers but you can’t take the CHUDs out of the boy.

  11. I have never had a CHUD in me. Those pictures were doctored.

  12. Fuckin’ TMZ. I should probably scratch your name off the Jeter Herpes Tree as well.

  13. No, don’t do that. One surefire way to get chicks is to promise to give them Derrick Jeter’s herpes.

  14. I understand that is part of the lawsuit launched against Wilmer Valderrama by his former employees: not only is he a terrible boss, but he also witheld Jeter’s herpes from them.

  15. I don’t see how these posts relate to the discussion of this fine motion picture.

    I’m going to go mow the lawns now…

  16. Vern, I bet 2017 you would have a lot more to say about the problematic portrayal of homosexuality in the film than 2012 Vern. World has changed a lot in 5 years.

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