You remember Rambo, John J. Vietnam vet, Green Beret, POW camp survivor, Congressional Medal of Honor recipient. In ’81, as a homeless drifter, he waged a one-man guerrilla war against the police department of Hope, Washington, wounding several officers, killing police dogs, blowing up buildings and causing one officer to die from falling out of a helicopter. But they let him out of prison for a secret POW rescue mission. Though he earned a presidential pardon, he decided to live in Thailand, living off odd jobs such as stickfighter, temple-builder, snake-catcher or river guide, with occasional missions to help the Mujahideen in Afghanistan or rescue missionaries in Myanmar. But eventually he came home to his dad’s place in Arizona.
It doesn’t seem like it, but that movie was 11 years ago. Rambo has short hair now, wears cowboy hats and runs his (now deceased) dad’s horse ranch. He lives with a woman named Maria (Adriana Barraza, AMORES PERROS, DRAG ME TO HELL), who I guess the photos on the wall indicate was his parents’ maid, and her granddaughter Gabrielle (Yvette Monreal from the El Rey show Matador), who calls him Uncle John and who he says he thinks of as his daughter. (read the rest of this shit…)

I first paid attention to Max Zhang (aka Zhang Jin) because of the modern classic
It took me nearly a quarter of a century to get around to giving CUTTHROAT ISLAND (1995) a shot. Certified by the Guinness Book as the biggest financial bomb of all time, it got poor reviews, bankrupted Carolco Pictures (
As much as I enjoyed the first two Detective Dee pictures (
Before Regular Age Detective Dee, it only stands to reason, there was Young Detective Dee. Three years after Tsui Hark’s crowd-pleasing supernatural action mystery blockbuster
GHOST WARRIOR is sort of a sci-fi action drama that was made in 1984, but shelved and thawed two years later. It’s about a samurai named Yoshimitsu (Hiroshi Fujioka, Kamen Rider, IN THE LINE OF DUTY III) who’s just minding his own business – okay, I guess he’s fighting some dudes and
ALADDIN. The 1992 Disney animated classic about a “street rat” who’s a “diamond in the rough” and gets three wishes from a hyperactive genie and uses the opportunity to try to marry the princess he just met. See, they come from opposite worlds, but if you think about it, having to sneak out of your gigantic palace in disguise to go to the market while your dad tries to make you marry a prince you don’t know for political reasons is very much the same experience as being an orphan who knows how to make crushing poverty fun with petty theft and parkour. So I don’t see why there would be any awkwardness there. They’ll do great!
TAKING TIGER MOUNTAIN – not to be confused with Tsui Hark’s THE TAKING OF TIGER MOUNTAIN – is a surreal post-apocalyptic experimental black and white art film, shot in 1975, screened in 1983, and never released on video until Vinegar Syndrome’s recent blu-ray. It’s most notable as the first performance by the late great Bill Paxton, who is the lead as well as the production designer.
Like many people, I’m sure, I most associate Paxton with his funny whiny guy roles, especially Hudson in
READY OR NOT is a funny horror movie about one of the less romantic wedding nights. Grace (Samara Weaving, Ash vs. Evil Dead,
I don’t have the attachment many people I know have to the 

















