RETURN OF THE STREET FIGHTER (which, it’s important to note, is “filmed in Actionscope”) has the same director as THE STREET FIGHTER (Shigehiro Ozawa) and came out in the same year (1974). And I’m sure that was possible partly because it’s only 80 minutes long and padded with black and white flashbacks to two of the first movie’s fights, as well as the same childhood flashback, and it has a pretty long section that’s just the people from different karate schools demonstrating different weapons and techniques that will be used against evil-code-of-conduct-following anti-hero Takuma Tsurugi (Sonny Chiba) – punching through stacks of rock plates, or swinging “NUNCHAKU CLUB” or “SAI DAGGERS” or whatever the on screen text calls them in the American release. Somehow it’s still a great fuckin movie. (read the rest of this shit…)
Archive for the ‘Reviews’ Category
Return of the Street Fighter
Wednesday, September 4th, 2019Darlin’
Tuesday, September 3rd, 2019
So there’s this character called “The Woman.” Growling, feral berserker covered in grime, part of basically a modern day lost tribe, wild cannibals living like savages in forests, hills and caves, occasionally invading civilization to hunt meat or steal children. She was created by Jack Ketchum, I think for the book Offspring, though that’s a sequel to Off Season, which I haven’t read, so maybe she’s in that too. In the 2009 film OFFSPRING she was played by Pollyanna McIntosh, who later played Jadis on The Walking Dead and Angel on Hap and Leonard. I didn’t think OFFSPRING worked, but I’m glad McIntosh was so good in it that they made her survive and let Lucky McKee direct a sequel in 2011. He wrote both the movie THE WOMAN and a book version in collaboration with Ketchum.
In that story, a middle class dad spots The Woman while hunting, captures her, chains her up in his shed, tries to so-called civilize her. It’s an outrageous allegory about misogyny and generational abuse, and when I rewatched it last year I thought it was even better and more relevant than it seemed when it came out. It holds up as one of the best horror movies of the 2000s.
Now The Woman is back in DARLIN’, released today on blu-ray and dvd. It’s another interesting standalone story and it’s written and directed by McIntosh herself. There are some funny behind the scenes shots in the extras with her directing in full costume or in civilian clothes but caked in dirt makeup. (read the rest of this shit…)
Yor, the Hunter from the Future
Monday, September 2nd, 2019
No – you’re the hunter from the future.
It’s fair to say that YOR, THE HUNTER (spoiler) FROM THE FUTURE is a cheesy movie. And though its 89 minutes are whittled down from an Italian mini-series of four 50-minute episodes, I don’t need to see the other 111 minutes. But 89 of it is just right. I dug it.
Like CONQUEST for Lucio Fulci, YOR is director Antonio Margheriti (SEVEN DEATHS IN THE CAT’S EYE, CODE NAME: WILD GEESE, CANNIBAL APOCALYPSE) trying to ride the wave of savage shirtless musclemen left in the wake of CONAN THE BARBARIAN. But this story combines the ax-wielding stone age warriors with futuristic sci-fi elements. In that aspect – and in Reb Brown’s blond wig and furry shorts and boots – YOR reminds me of He-Man and the Masters of the Universe, which started the year before. (read the rest of this shit…)
The Nightingale
Thursday, August 29th, 2019
THE NIGHTINGALE, now in limited theatrical release, is Australian director Jennifer Kent’s followup to THE BABADOOK. That 2014 debut of hers was a critical sensation and cult hit that made less than 1/34 the box office of ANNABELLE the same year, but it reached a ton of people, including many who don’t usually bother with the genre. Certainly some of the hype was about it being directed by a woman, and I think that’s relevant in that its scares are based in motherhood. I can point you to plenty of pro-woman horror movies, but few that are about such specifically female fears.
That made Kent one of those directors whose names get reported as being on the short list to direct every WONDER WOMAN or CAPTAIN MARVEL that comes along. She told Indiewire “I did entertain one blockbuster seriously and I thought, yeah, I could give this something really special. But then ultimately I heard about the way the films are made, and I thought it would kill me.” So five years later she still hasn’t been sucked into the ol’ i.p. game, unless you count developing an adaptation of the 19th century lesbian thriller book Alice + Freda Forever. Instead she made this. (read the rest of this shit…)
The Street Fighter
Wednesday, August 28th, 2019
“I may in fact be worse than the villains. But I know the way they think and act.”
Sonny Chiba is… THE STREET FIGHTER, a.k.a. Takuma Tsurugi (or Terry in the English dub). He’s an A+ anti-hero because he’s just straight up a bad person, but he’s so cool he keeps luring us into rooting for him.
And he’s definitely in the Bad Motherfucker Hall of Fame. We’re introduced to him disguised as a Buddhist monk to visit Tateki Shikenbaru (Masashi Ishibashi, SHOGUN’S NINJA) on death row. Shikenbaru is apparently a murderer, but he seems like an honorable guy who’s excited when he realizes he gets to have a karate duel in his cell with someone as good as Tsurugi. But Tsurugi hits him with a special delayed-asphyxiation blow that causes him to collapse just before execution. The prison officials decide they legally and/or ethically have to transport him to a hospital, at which point Tsurugi and his sycophantic partner Rakuda (Goichi Yamada, DOUBLE SUICIDE AT NISHIJIN) ambush the ambulance, abduct the prisoner and send him to Hong Kong. (read the rest of this shit…)
Tai Chi Master
Tuesday, August 27th, 2019
By now you’ve probly noticed that I like searching for wisdom in martial arts movies the way some people do religious texts. Sorry, they’re just more fun to me than holy scripture. But man, when I find one that speaks to me I feel spiritually invigorated. TAI CHI MASTER (a.k.a. TWIN WARRIORS) (1993) is just such a sermon. It’s one of those stories full of symbolism that
1) seems easily applicable to life
and
2) makes for strong, mythical drama
And since it’s directed and choreographed by the great Yuen Woo-ping (in between IRON MONKEY and WING CHUN) it would already be worth watching just for the beautiful fights full of wild flourishes and ingenious gimmicks. This is a world where people frequently kick logs and barrels at each other and back, where most people have the ability to leap into the air and spin or flip several full rotations, where you fly up and swing on a chandelier and the lamp oil spills and makes the floor slippery so you land on top of the people who have fallen down and slide around on them like they’re snowboards. (read the rest of this shit…)
Point Blank (2019)
Monday, August 26th, 2019
POINT BLANK (2019) is a recent Netflix release directed by Joe Lynch (WRONG TURN 2, EVERLY). It’s not a remake of the classic Lee Marvin POINT BLANK from 1967, or the non-classic Mickey Rourke/Danny Trejo POINT BLANK from 1998, or even the Brazilian police corruption documentary POINT BLANK from 2015, but in fact the French one from 2010 that was recommended to me many times but that I haven’t seen yet. Of the three of those I’ve seen, this one’s in second place!
It’s got a great, “oh shit, we’re already doing this” opening. There’s an exterior shot of a mansion at night, but before the camera can move inside we hear gunshots and see flashes inside, and then a guy comes flying through one of the windows and makes a run for it. He’s Abe (Frank Grillo, MY SOUL TO TAKE) and he’s frantically trying to get ahold of his getaway driver brother Mateo (Christian Cooke) in between ducking gunshots and receiving threatening texts from some guy named Big D.
And then… I’ll just say he ends up an unconscious John Doe at a hospital, which is where he intersects with our protagonist, Paul (Anthony Mackie, ABRAHAM LINCOLN: VAMPIRE HUNTER), a nurse doing extra shifts because his wife Taryn (Teyonah Parris, CHI-RAQ, IF BEALE STREET COULD TALK) is about to give birth to their first child. And the next thing you know Mateo has taken Taryn hostage to force Paul to sneak Abe out of the hospital. (read the rest of this shit…)
Rondo
Thursday, August 22nd, 2019
RONDO is the second feature from writer/director Drew Barnhardt. Ethically I need to fully disclose and disclaim that he’s a reader of this websight and we’ve corresponded off and on for many years, which is why I plugged but didn’t officially review his 2009 no-budget slasher/thriller MURDER LOVES KILLERS TOO. So take it with whatever amount of salt you feel is necessary, but I truly believe movie #2, which was released on disc by Artsploitation Films earlier in the summer, is distinctive. It has the feel of the style of pulp novels I love, where a (in this case) somewhat blank character falls into some seedy business and part of the thrill is having no idea what direction it’s going or even what structure the story’s gonna take.
The plot concerns Paul (Luke Sorge), a combat veteran living with his protective younger sister Jill (Brenna Otts) after being dishonorably discharged for what we’re told was an “of course, mysterious” shooting incident. Jill tells him he can’t have alcohol or guns in the house, but he’s such a mess she ends up cradling him and pouring whiskey in his mouth like she’s bottle-feeding a baby. She sends him to an addiction doctor someone recommended to her, but doesn’t realize he’s going to talk to a weirdo who will give him a big monologue about the local fetish community and then “prescribe” for him to show up at an apartment in a highrise downtown to fuck some rich creep’s wife in front of him. (read the rest of this shit…)
Never On Tuesday
Wednesday, August 21st, 2019
Recently I saw multiple articles about a scene from an obscure movie that someone had appreciatively posted on Twitter – “that insane Nicolas Cage viral clip,” as Entertainment Weekly put it. Can you believe that Youtube clip he did? The inside story of that Youtube clip he did. What a nut! What a meme! What a Nicolas Cage!
The clip was a very brief and strange uncredited cameo Cage did in the 1989 straight to video sex comedy NEVER ON TUESDAY. It had never made it to DVD because the company that had planned to went out of business first. I’d never seen it even though it’s the first movie from a director I like, Adam Rifkin (PSYCHO COP 2, THE LAST MOVIE STAR).
It’s great that we have the technology to easily share shit like this, but I’m old school so I waited to watch the whole thing. When I checked Amazon it was listed as “currently unavailable” on both VHS and Prime streaming (which I don’t get anyway), but luckily we’re still holding on to Scarecrow Video here in Seattle, so I rented the tape. I’m glad I did!
Shazam!
Tuesday, August 20th, 2019
SHAZAM!, as a super hero premise, is no Batman. Or Aqua Man. Or Plastic Man. Or Meteor Man. He’s just some kid who meets a fuckin wizard in a cave who gives him the ability to turn into your standard adult muscular flying off-brand Superman-type cape guy. For the several years that they were talking about making a SHAZAM! movie, even when The Rock was gonna play the bad guy, I assumed I wouldn’t bother to watch it. But when it finally got made by LIGHTS OUT director David F. Sandberg – The Rock has a producer credit, but isn’t in it – it had a good enough trailer that I gave it a shot on video.
It begins in the past, when a kid (Ethan Pugiotto, MY BIG FAT GREEK WEDDING 2) and his dad (John Glover, MEET THE HOLLOWHEADS, BATMAN & ROBIN) and older brother (Landon Doak) are involved in a car accident, and as it’s happening the kid somehow flashes from the backseat of the car to the cave where the wizard (Djimon Hounsou, ELEPHANT WHITE) explains the mythology of the movie, which involves magic powers he has to pass on to a new hero, and monster statues representing the seven deadly sins. But after some simple testing I guess the wizard determines this kid is a dick and not worthy of the powers in question, so he turns him away. (read the rest of this shit…)
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