Archive for the ‘Reviews’ Category
Wednesday, December 11th, 2019
DOWNRANGE is a simple, solid 2017 film by Ryûhei Kitamura (AZUMI, GODZILLA: FINAL WARS, BRADLEY COOPER IN BRADLEY COOPER’S THE MIDNIGHT MEAT TRAIN, NO ONE LIVES) that’s exclusively on the streaming service Shudder in the U.S., though it’s on disc in some other countries. Written by Kitamura and Joey O’Bryan (MOTORWAY, TRIPLE THREAT), it’s about six road-tripping college students who get a flat tire on a highway out in the middle of nowhere and soon realize they’re being targeted by a cruel, patient sniper.
It’s a little odd how abruptly it starts with the blowout – no chance to see them in their normal state of driving. And I was confused by their relationships – some of them don’t know each other, and I thought they were talking about being involved in some kind of race or contest, but I guess I must’ve misunderstood? No matter. You get enough seeds of who they are and what they’re up to in their lives that I genuinely didn’t know which characters were included just to suddenly get shot and kick this thing off. They all seem like they’ll be around for a while. (read the rest of this shit…)
Tags: Anthony Kirlew, Joey O'Bryan, Kelly Connaire, Rod Hernandez, Ryuhei Kitamura, Shudder, snipers, Stephanie Pearson
Posted in Horror, Reviews, Thriller | 7 Comments »
Tuesday, December 10th, 2019
Well, this is the world now: Martin Scorsese has an excellent new gangster epic starring Robert De Niro, Joe Pesci and Al Pacino (plus Harvey Keitel!) and it pretty much went direct to video. Not “We can’t justify the budget for a theatrical DARKMAN 2” DTV, just “It’s easier to get money from Netflix than from a real movie studio” DTV. I wish I had gotten my shit together to see it in its week at Cinerama, like many of my friends did – I’m glad I managed to see ROMA and DOLEMITE IS MY NAME in theaters. But for THE IRISHMAN: I HEARD YOU PAINT HOUSES (actual onscreen title) I turned the lights off, put the phone far away and got the ol’ attention span out of storage for the full cinematic living room experience.
It’s written by Steve Zaillian (SCHINDLER’S LIST, MISSION: IMPOSSIBLE, GANGS OF NEW YORK, AMERICAN GANGSTER, MONEYBALL, THE GIRL WITH THE DRAGON TATTOO) but it definitely has some of that GOODFELLAS spirit: tons of narration (sometimes with gimmicks, like it’s in his head then switches to fourth-wall breaking), jumping around through time, quick comical/horrifying cutaways to things he mentions, some slo-mo, nearly wall-to-wall music, but also some guitar noodling (the score is by Robbie Robertson). And there’s a long steadicam shot at the beginning but instead of going into a hot club it’s going into an assisted living joint. So this is old man GOODFELLAS. (read the rest of this shit…)
Tags: Action Bronson, Al Pacino, Anna Paquin, Harvey Keitel, Jimmy Hoffa, Joe Pesci, mafia, Martin Scorsese, Netflix, Robbie Robertson, Robert De Niro, Steve Zaillian
Posted in Crime, Reviews | 92 Comments »
Monday, December 9th, 2019
A BEAUTIFUL DAY IN THE NEIGHBORHOOD has been promoted as a Fred Rogers biopic, and it it is true that Tom Hanks (THE LADYKILLERS) tackles the challenge of portraying the famously gentle Neighborhood of Make-Believe resident. But it’s not his life story, or even the smarter kind of biopic that focuses on one period as a microcosm of his life. Instead it makes him a supporting character in the story of a journalist coming to terms with his estranged father while working on a magazine profile of Rogers. I guess it’s kind of like SAVING MR. BANKS, where Hanks played Walt Disney as co-lead with a highly fictionalized P.L. Travers, but it’s probly more comparable to if MILES AHEAD was mostly about Ewan McGregor’s character dealing with family issues and Miles Davis occasionally gives him good advice that he rejects until the end of the movie.
So it doesn’t matter much that this is coming on the heels of a popular documentary (WON’T YOU BE MY NEIGHBOR?) that it could never equal – it’s not the same thing at all. They do manage to work in a few re-enactments of famous moments (a couple seconds of his congressional testimony) and remixes of scenes from the documentary (a crowded cafe – and therefore the theater you’re sitting in – goes silent when he asks our protagonist to stop and think about “the people who loved you into being”). But if I remember right the documentary had a part where writer Tom Junod said that writing a profile on Rogers for Esquire changed his attitude toward life, and this is mostly extrapolated from that idea, with Rogers as guest star guru to writer Lloyd Vogel (Matthew Rhys, TITUS). (read the rest of this shit…)
Tags: based on a magazine article, Carmen Cusack, Chris Cooper, Christine Lahti, Jessica Hecht, Maddie Corman, Marielle Heller, Maryann Plunkett, Matthew Rhys, Micah-Fitzerman Blue, Noah Harpster, Susan Kelechi Watson, Tom Hanks, Wendy Makkena
Posted in Drama, Reviews | 21 Comments »
Thursday, December 5th, 2019
BLOOD PARADISE is a 2018 independent horror film that was released in July by Artsploitation on disc and digital – they must’ve sent it to me because I was on their list from reviewing RONDO. Like that one it’s a low budget movie from some hard working unknowns, but it gets huge mileage out of a great cast, some good cinematography and nice scenery. It’s simple, but it’s slick and has a distinct oddness and humor, and it’s over in 84 minutes without feeling rushed. Not bad.
Robin Richards (Andréa Winter) is a rich and world famous author of what I gather to be the type of novels that sell alot of hard cover copies at airports. But the latest in her once popular Blood Paradise series is a flop, so her agent convinces her to go on a retreat. Why not stop all this laying around in the sun at her picturesque Italian villa when she could rent a small cottage on a farm in Sweden and get started on the next book?
The accommodations turn out to be less than luxurious, and she’s not the kind of person who enjoys seeing farm animals slaughtered outside her window. As if that’s not bad enough, it quickly becomes clear that she’s surrounded by potential creepos. Whether they are just weird or worthy of fearing remains to be seen. (read the rest of this shit…)
Tags: Andrea Winter, Christer Cavallius, Patrick von Barkenberg, Sweden
Posted in Comedy/Laffs, Horror, Reviews | 5 Comments »
Wednesday, December 4th, 2019
This is a rare one for me: I saw PARASITE having no clue what it was about at all. Completely fresh. I saw the trailer 1 (one) time and didn’t understand what was going on. But I liked the three movies I’ve seen by director Bong Joon-ho (SNOWPIERCER) enough to just take the hype at its word and go see it. And since two of those movies (THE HOST and OKJA) are strange creature movies I honestly didn’t even know if the title was a metaphor or if there was also going to be an actual parasitic monster at some point.
Anyway it’s not a huge surprise twist movie or anything, but I enjoyed the lack of expectations. So I guess only read this if you’ve seen it or don’t care about that. (contains spoilers, mostly vague.)
It’s the story of the Kim family – father Ki-taek (Song Kang-ho, THE GOOD, THE BAD, THE WEIRD), mother Chung-sook (Jang Hye-jin), son Ki-woo (Choi Woo-shik, TRAIN TO BUSAN) and daughter Ki-jeong (Park So-dam, THE SILENCED) – who seem to take economic struggle in stride. They live together in a cluttered basement infested by stink bugs, with a window facing an alley where they often see a drunk guy peeing. In the opening scene they discover that their neighbor added a password to her wi-fi, but they can connect to a nearby cafe if they crawl into the top corner of the apartment on the raised platform with the toilet. Which is important because they need WhatsApp to communicate with the young manager of Pizza Generation (Jung Yi-seo) who pays them to fold boxes. (read the rest of this shit…)
Tags: Bong Joon-ho, Choi Woo-shik, Korean cinema, Song Kang-ho
Posted in Comedy/Laffs, Drama, Reviews | 62 Comments »
Tuesday, December 3rd, 2019
If you enjoy the HAS FALLEN saga, now in its third chapter, you don’t need to read me disrespecting it in this review. I have no quarrel with you. But as much as I appreciate the existence of any ongoing theatrically released rated-R action series in this day and age, I have never achieved a worthwhile level of enjoyment from these fucking things.
What I remember from the first one, OLYMPUS HAS FALLEN, is that the action was messy enough to inspire me to invent the action comprehensibility rating (ACR) system, but there was one part where Melissa Leo defiantly recited the Pledge of Allegiance to terrorists about to execute her, and I liked that. What I remember about the second one, LONDON HAS FALLEN, is that the action scene that people claim was good made no impression on me and I was disgusted by its moronic jingoism and casual murder of civilians (which some tried to convince me was supposed to be sarcastic, but I couldn’t see it).
The first two were location-based premises (the White House is attacked, London is attacked), this one makes the fair assumption that if we’re still watching these we’re okay just following legendarily amazing Secret Service agent Mike Banning (Gerard Butler, DRACULA 2000) whether he goes to a new city that gets attacked or not. “ANGEL” refers to him, a “guardian angel” who has “fallen” by being blamed for an attempted assassination of the president and having to go on one of those old fashioned fugitive runs to prove his innocence. (read the rest of this shit…)
Tags: Gerard Butler, Jada Pinkett Smith, Lance Reddick, Morgan Freeman, Nick Nolte, Piper Perabo, Ric Roman Waugh, Robert Mark Kamen, Tim Blake Nelson
Posted in Action, Reviews | 49 Comments »
Monday, December 2nd, 2019
I was a Rian Johnson skeptic for years. I can’t deny it. I recognized BRICK as original and well directed, but couldn’t swallow its stylized world of teen noir (“in my day a dude walking around with a duck cane was in for a serious ass beating, he would not be running a drug empire,” I wrote), skipped the second one because I thought it was gonna be bootleg Wes Anderson, liked LOOPER but recoiled at people talking like it was the Second Coming (“I feel a little out of step here. I mean I like it, but I don’t want to fuck it”), and this may be out of line but I have always thought his credits should read “Written and directed by Rian [sic] Johnson.”
Then STAR WARS: THE LAST JEDI came along – a movie I didn’t think he was qualified to direct, but it turned out to be so much better than I expected, and so reinvigorating to a trilogy I thought was going in an emptier, more obvious direction. All the sudden I wanted to hear everything the guy had to say, listened to interviews, started spelling “Ryan Coogler” as “Rian Coogler,” and even considered maybe seeing THE BROTHERS BLOOM some day.
So I was much more open-minded for his new laughdunit mysteryblast KNIVES OUT, which sure enough is a fun time for all without anything that felt too corny, forced or self conscious for me. Only in the last shot did I think “oh, this is kind of Wes Andersony.” And by then it wasn’t gonna bother me much. (read the rest of this shit…)
Tags: Ana de Armas, Chris Evans, Christopher Plummer, Daniel Craig, Don Johnson, Frank Oz, Jamie Lee Curtis, Katherine Langford, LaKeith Stanfield, M. Emmett Walsh, Michael Shannon, Noah Segan, Rian Johnson, Toni Collette
Posted in Comedy/Laffs, Mystery, Reviews | 44 Comments »
Wednesday, November 27th, 2019
Into the Dark is a series of low budget holiday-themed horror movies that Blumhouse produced for Hulu. IMDb and Wikipedia classify them as an anthology TV series like Masters of Horror, but Hulu presents them as individual movies, and they’re feature length. (For some reason I assumed they’d be shorts.) I decided to try out last year’s FLESH & BLOOD, one of the two Thanksgiving movies in the series so far.
Kimberly Tooms (Diana Silvers before BOOKSMART and GLASS) has just turned 17 in early November of 2018. Some time after Thanksgiving the year before her mother (Meredeth Salenger, EDGE OF HONOR) was murdered, and the case has not been solved. Since then she’s developed agoraphobia. She has a bit of a support group online, but Dr. Saunders (Tembi Locke, STEEL), the therapist who comes to the house to work with her, doesn’t think she’s making enough progress. When she follows her dad (Dermot Mulroney, COPYCAT – also about agoraphobia)’s encouragement to try to get an Amazon package off the porch she fails. The world turns blurry, dizzying, loud. She can’t function. (read the rest of this shit…)
Tags: agoraphobia, Blumhouse, Dermot Mulroney, Diana Silvers, Into the Dark, Meredith Salenger, Patrick Lussier, Tembi Locke, Thanksgiving
Posted in Horror, Reviews | 1 Comment »
Tuesday, November 26th, 2019
IN THE SHADOW OF THE MOON is the latest from director Jim Mickle, whose work I really dig – my favorites are the Joe Lansdale crime story COLD IN JULY and the horror remake WE ARE WHAT WE ARE, but also check out MULBERRY ST., STAKE LAND and Hap & Leonard. This is a little different for him – it seems much more expensive than all his other movies, it has some science fiction involved, and it’s credited to other writers (Gregory Weidman & Geoffrey Tock of the tv shows Limitless and Zoo). It’s a Netflix production that played Fantastic Fest in September, then went straight to streaming.
It opens five years from now in the aftermath of what looks like a massive terrorist attack. We just get a glimpse of the damage before it skips back to 1988 (the year DIE HARD came out) and intercuts between a few different Philadelphians – a bus driver, a fry cook, a concert pianist – all of whom get sudden nosebleeds, then bleed from the ears and eyes, then fall dead.
(read the rest of this shit…)
Tags: Bokeem Woodbine, Cleopatra Coleman, Netflix, Rachel Keller
Posted in Crime, Reviews, Science Fiction and Space Shit | 17 Comments »
Monday, November 25th, 2019
I sorta knew of Veronica Ngô Thanh Vân, a.k.a. Veronica Ngo, from CROUCHING TIGER, HIDDEN DRAGON: SWORD OF DESTINY (she played Mantis) and STAR WARS: THE LAST JEDI (she played Paige Tico, Rose’s sister who dies heroically at the beginning). But now that I’ve seen her star in FURIE… holy shit. I’ll have to see more.
This is a really good action vehicle because it introduces her as a cool, morally ambiguous anti-hero, then reveals her vulnerability, then throws her into a classical action scenario (kidnapped daughter, like COMMANDO or TAKEN) that leads to a whole lot of asskicking and stunt work but also inspires a layered, emotional acting performance. I’m completely ignorant of Vietnamese cinema and have no idea if this is representative at all, but it’s like some of the action and some of the melodrama of a Thai martial arts movie, but much more organically fused into one thing. (read the rest of this shit…)
Tags: Kefi Abrikh, kidnapped daughter, Le Van Kiet, organ trafficking, Veronic Ngo, Vietnamese film, Vovinam
Posted in Action, Martial Arts, Reviews | 12 Comments »
