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Posts Tagged ‘Ip Man’

Ip Man 4: The Finale

Monday, December 30th, 2019

IP MAN 4: THE FINALE is from the makers of the IP MAN trilogy, according to the giant standee in the multiplex lobby that made me aware of its Christmas day release. I’m grateful to be able to see movies like this on the big screen.

IP MAN is a series released across 11 years with stories spanning from the 1930s to the 1960s, with the great Donnie Yen (HIGHLANDER: ENDGAME) not only showcasing his great fighting skills (in a style he hadn’t previously practiced), but also giving his greatest acting performance as this distinctly gentle and polite asskicker. That’s why I wish it could go on forever. I’m sure we’ll get other great Donnie Yen movies, but I’ll miss him playing this character.

The final Ip Man adventure begins with the 1964 Long Beach International Karate Championships and takes place primarily in San Francisco’s Chinatown. Back home in Hong Kong, Ip lives in a tiny apartment with his moody teenage son Ip Ching, who has been kicked out of school for fighting (actually defending himself with too much enthusiasm). The principal and others convince Ip he should send his son to study abroad, so he decides to use a plane ticket sent to him by his former student Bruce Lee (Danny Chan, the Bruce-lookalike goalie from SHAOLIN SOCCER who subsequently played Lee in the TV series The Legend of Bruce Lee and then IP MAN 3) to try to get him admitted into a school in San Francisco. (read the rest of this shit…)

Ip Man: The Final Fight

Friday, August 30th, 2013

tn_ipmanfinalfight“A scholar and a warrior!”

Hey, you know what, how ’bout another movie about Ip Man? This is the fifth one I’ve seen in as many years. But this is THE FINAL FIGHT, so it’s the last one, at least until IP MAN: A NEW BEGINNING or WES CRAVEN’S NEW IP MAN.

This is from Herman Yau, the director of the least known but still good Ip Man picture, LEGEND IS BORN: IP MAN, and once again with an appearance by Ip Man’s actual son Ip Chun (a consultant on all of the Ip Man movies except THE GRANDMASTER). But this time the attraction is seeing Anthony Wong (HARD BOILED, HEROIC TRIO, INFERNAL AFFAIRS, EXILED, VENGEANCE, everything else) take over the Ip Man role and play him as an old man. In THE GRANDMASTER it ends up when the good old days are over and everybody’s opening kung fu schools left and right. That’s when this is, over a period of years but focusing on the early 60s, around the time Ip Man was giving Wing Chun lessons on the roof of a building. (read the rest of this shit…)

The Grandmaster

Wednesday, August 21st, 2013

tn_grandmasterNOTE: A couple weeks ago I watched Wong Kar Wai’s long-awaited Ip Man movie THE GRANDMASTER on an import DVD. I loved it so much I decided not to post a review until the U.S. theatrical release so more people would be able to see it and discuss it.

Then I saw an ad on TV calling the movie “Martin Scorsese presents THE GRANDMASTER,” talking about “THE MAN WHO TAUGHT BRUCE LEE,” and showing a bunch of fight scenes with an aggressive hip hop soundtrack. There’s an even more extreme one online now that uses the theme from THE MAN WITH THE IRON FISTS.

These ads gave me a laugh, because as great as the fights are in the movie the emphasis is on characters and metaphors and beautiful imagery, and it’s as much about Zhang Ziyi’s Gong Er (a fictional character, I believe) as a biography of Ip Man. I was excitbtisled to see it on the big screen, but dreading the possibility of an audience angry at the long breaks between punching.

What didn’t occur to me is that maybe the breaks aren’t that long anymore. It turns out the U.S. theatrical cut is a Weinsteinized version that’s 22 minutes shorter. David Ehrlich of film.com explains that the new cut was done with the participation of Wong, and details all the things he noticed that were cut out. I won’t spoil whether or not he likes the new version, you’ll just have to read his article Kung Foolish: How The American Cut of ‘The Grandmaster’ Ruins a Masterpiece to find out for yourself.

I still plan to see it, but based on Ehrlich’s list it sounds like half of the themes and scenes I talk about in this review aren’t even in the movie anymore. So fuck it, here is my review of the 130-minutes-including-credits Suitable-For-The-Entire-World-Except-For-America-Because-How-Could-They-Ever-Understand-It Cut. (read the rest of this shit…)

Ip Man: The Legend is Born

Thursday, February 28th, 2013

tn_legendisbornipmanTHE LEGEND IS BORN: IP MAN isn’t related to the Donny Yen movies IP MAN and IP MAN 2. I mean obviously they’re all based on the same Wing Chun master famous for teaching Bruce Lee, but this isn’t the official prequel to those ones, because it doesn’t have the same director or producers or anything. It’s like if right now somebody who’s not Spielberg made their own prequel to LINCOLN.

Well, I’ll try to be open-minded if they do that, because when I finally got around to this LEGEND IS BORN one I was pleasantly surprised. It’s a very effective martial arts melodrama with alot of the classic themes: brotherhood, loyalty, betrayal, finding a master, challenging tradition, falling in love. As kids Ip Man and his adopted brother Tin Chi go to live and study with the Wing Chun master Chan Wah Shun (Sammo Hung) and become friends with a girl student named Mei Wai. The three grow up to be very close, in fact an incomplete love triangle (Tin Chi loves Mei Wai, Mei Wai loves Ip Man, Ip Man doesn’t notice). (read the rest of this shit…)

Ip Man 2

Wednesday, November 17th, 2010

tn_ipman2Ever since the runaway Hong-Kong-equivalent-of-best-picture-Oscar success of the Donnie-Yen-starring biopic IP MAN in 2008, Ip-Mania has swept the globe. In the U.S. it’s quickly become one of the most popular martial arts imports since ONG BAK, and this year will have its own balloon in the Macy’s Thanksgiving Day Parade (at least I assume so. I sent them several letters demanding that). in Hong Kong it already has a (unrelated?) prequel and this very good sequel from returning director Wilson Yip.

IP MAN was very episodic and ended early in Ip Man’s life, so there was a natural opening to continue the story. But the movie had such a perfect blend of character drama and martial arts action that it’s alot to live up to. And in recent years the sequels to the international action phenomenons have been pretty iffy. I enjoyed ONG BAK 2, but it’s a big mess that lost alot of people, and I ahven’t heard anything good about part 3 yet. DISTRICT B13 ULTIMATUM was watchable but completely underwhelming. So this was far from a sure thing. There’s curses to overcome.
(read the rest of this shit…)

Ip Man

Saturday, March 21st, 2009

Donny Yen plays Ip Man, the grand master martial artist who I guess was the first to openly teach the Wing Chun style of kung fu. If you’ve heard of him it’s probaly because he was Bruce Lee’s Wing Chun master, although that’s only mentioned in the text at the end of the movie.

Like Ronny Yu’s JET LI’S FEARLESS, IP MAN is a prestige martial arts picture, a fictionalized take on a historical figure, a beautifully shot period piece (in this case the ’30s) mixing drama and inspirational nationalism with topnotch martial arts choreography. The look is a little more timeless than FEARLESS though – I didn’t notice any digital shots, and only a couple wire-assisted moves. (read the rest of this shit…)