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Posts Tagged ‘Rebel Wilson’

Jojo Rabbit

Tuesday, February 4th, 2020

Shortly after Taika Waititi’s JOJO RABBIT was nominated for best picture I started to see people cast aspersions. Before that I had mostly heard that it was only okay. And that was kind of what I expected, because I first knew Waititi from WHAT WE DO IN THE SHADOWS, and that’s one of those movies that I saw and thought was pretty funny but when five years passed and people were still talking about it like it was the first time they fell in love I couldn’t relate.

That was a stupid thing to get hung up on. Since then Waititi had become better known for injecting the THOR series with life, color and humor, and more importantly he’d made THE HUNT FOR THE WILDERPEOPLE. I loved that movie, and JOJO is in a similar vein: a funny, clever story with deep emotions bubbling up from beneath its quirky surface. Which admittedly feels weird to say, because it’s about, uh, Nazi Germany.

Johannes (Roman Griffin Davis, his first movie) and his friend Yorki (Archie Yates, UNTITLED HOME ALONE REBOOT) are enthusiastic participants at a sort of MOONRISE-KINGDOM-looking Hitler Youth summer camp. They’re big nerds taking great pride in learning all the normal boy scout camping shit, and they look like they could be in a live action Peanuts movie, but they’ve also been convinced it’s their patriotic duty to spout all the nonsense they’ve been taught about Nazis being the good guys and Jews being monsters. (read the rest of this shit…)

Cats

Wednesday, January 8th, 2020

Sorry, everybody. CATS was my idea. It was already a record-breaking Broadway musical slated for cinematic adaptation from LES MISERABLES director Tom Hooper, but I was the one who suggested they ditch the traditional makeup and do the cats as hideous mocap animal-human hybrids on oversized sets. In my defense I was picturing more of a RISE OF THE PLANET OF THE APES type of design where the faces have cat-like structure to them. I didn’t know it was gonna be human faces on furry Barbie doll bodies, which is a different type of creepy than I imagined.

I feel bad that this whole fiasco has caused all kinds of speculation about Hooper being a bad director. I personally didn’t much care for his best picture winning THE KING’S SPEECH, especially after it dissipated from the public consciousness before I could make THE KING’S PEACH to kick off a prestige version of Asylum mockbusters. But I truly was won over by THE MISERABLES. I’m not a fan of the Broadway aesthetic at all, not even Rappin’ Hamilton, and I saw that movie reluctantly for best picture nominee completist purposes only, so I was shocked when I totally loved it. Some of that is due to good choices on Hooper’s part, such as insisting on recording all the singing live and doing Anne Hathaway’s emotional song in one shot in closeup in a coffin, but also I was unfamiliar with it, I was experiencing that story for the first time, and it’s a good one. Way to go, Victor Hugo. You nailed that one. Les congratz. (read the rest of this shit…)