Holy shit! There’s another good werewolf movie! And it’s from the ’90s. This is not really one of my favorite subgenres, but there’s definitely a couple good ones of this type. Obviously AN AMERICAN WEREWOLF IN LONDON is one of the greatest horror movies of all time and still the most perfect specimen of the scary/funny balance. Then I like THE HOWLING 1&3 and GINGER SNAPS is pretty good with decent sequels by DTV standards (even if they were theatrical in Canada). And DOG SOLDIERS I remember enjoying. The end.
Posts Tagged ‘werewolves’
Bad Moon
Saturday, November 19th, 2011Dylan Dog: Dead of Night
Tuesday, August 2nd, 2011
DYLAN DOG: DEAD OF NIGHT is a semi-clever and watchable but also not all that great or original supernatural detective type deal. It’s like CONSTANTINE but not as well directed and with more jokes.
Brandon Routh plays the title character (well, the “Dylan Dog” part of the title; the “Dead of Night” part is played by various undead creatures). I’m not really clear if “Dog” is his last name or if it’s just a cool nick name. Nobody ever calls him “Dylan Doggy Dogg,” but it might be short for that. Anyway he’s a private eye who is in on the secret information that there are vampires, zombies and other monsters living among us. (more…)
Teen Wolf Too
Friday, September 18th, 2009
Everybody knows there’s a TEEN WOLF TOO starring Jason Bateman. I know I personally have been aware of this fact for many years. But until this week it never really occurred to me to actually watch it. I decided to do just that, and here’s what I found.
TEEN WOLF was about a teen who turned into a wolf, and TEEN WOLF TOO is about a teen who turns into a wolf too. He’s the cousin of the Michael J. Fox character, whose whereabouts are not mentioned. Maybe they wanted to leave the possibilities open for a THREEN WOLF, or maybe they just wanted to avoid pulling a MATRIX RELOADED. The original MATRIX had such a nice open ending where you could imagine what happened next, but then they put a cap on that by showing what’s next in part 2. The TEEN WOLF saga doesn’t make that mistake, it lets Scott Howard continue his journey through your imagination. (more…)
Teen Wolf
Monday, September 14th, 2009
TEEN WOLF is the story of a teen who turns into a wolf. But he looks more like those cavemen from the commercials, or the “dog-faced boy” from the cover of that old video about the different “freaks” (see diagram).
Michael J. Fox (CLASS OF 1989) plays Scott Howard, a weiner who has the hots for some bitch who hates him and who doesn’t notice that his female best friend adores him. To be fair her name is Boof so you can see why he wouldn’t take her that seriously, but still. One day when he gets a
boner it brings out the changes in his body and then when there’s a full moon he turns into a wolf. So his dad reveals to him that he also is a wolf, an Adult Wolf, because it’s just this harmless thing that runs in the family.
That doesn’t comfort Scott. He’s real worried and embarrassed, but then he gets upset during a basketball game and wolfs out, and it makes him really good. Ain’t no rule says a werewolf can’t play basketball.
Being good at sports is the best thing anybody could do, so everybody accepts this wolf thing and thinks he’s cool now. They lift him up like a champion, bring him to the diner, chant his name. People cheer him on wherever he goes, they high five him. Being a teen wolf seems very similar to being Arsenio Hall. Also there’s a part where he spontaneously starts breakdancing in the hallway at school. (more…)
The Howling III: The Marsupials
Saturday, July 11th, 2009
I always liked THE HOWLING but since the sequels are made by different people and have a reputation for poor quality I never thought to watch them. Then I watched NOT QUITE HOLLYWOOD, that documentary about Australian exploitation movies, and saw the clips from THE HOWLING III: THE MARSUPIALS by Australian director Phillipe Mora. It looked like a crazy fever dream full of low-budget-but-really-cool werewolf transformations, some of them looking straight-up cartoonish. Plus they showed how the werewolves have pouches in this one, and gave away the most memorable scene – I’ll get to that later. I figured just from what I saw there was no way this wasn’t worth watching. And I figured right. (more…)
The Howling
Saturday, October 11th, 2008If you ask me, AMERICAN WEREWOLF IN LONDON is the best werewolf picture mankind has developed so far. But watching THE HOWLING again reminded me there’s at least one giving a little friendly competition, keeping AMERICAN WEREWOLF honest. Even if it’s not as good.
THE HOWLING is directed by Joe “GREMLINS” Dante, so it has his usual Cormanite monster nerd business: Dick Miller in a supporting role, cameos by Roger Corman and Forrey Ackerman, some black humor here and there. But the tone is more serious than AMERICAN WEREWOLF and way more serious than anything else Dante’s ever done. Filmatically I would say it’s his best directing job by far. Instead of AMERICAN WEREWOLF’s contemporary twist on urban gothic THE HOWLING starts out as straight up sleazy urban noir, werewolves in the world of serial killing and bondage porn. At times it feels more like a David Cronenberg than a Joe Dante.
The creepy opening has Dee Wallace (not yet Dee Wallace Stone) as a news anchor going to meet a possible serial killer in a booth at a porno theater. Of course she’s wired, but the connection goes out as she’s walking through early ’80s L.A.’s equivalent of Times Square (shot on location). Wallace’s character is very straightlaced and naive – she’s in local news – so this is a scary alien place for her. Plus she’s meeting this weirdo. And then the lights go out and he turns into a werewolf.
Most of the movie takes place at The Colony, a place her famous author psychiatrist runs. It’s kind of a resort – you hang out outside at night under strings of lights, drinking locally brewed beer and listening to people play fiddle. A good way to live for a while, I bet. There are weirdos, though – everybody’s a patient. There’s the old guy who tries to end it every night by jumping in the campfire. And there’s this nymphomaniac who’s after Wallace’s husband (who, by the way, looks kind of like Charles Bronson, I noticed). I mean if you were staying here it would be fun at first, and you probaly wouldn’t suspect werewolf activity like you do as a viewer. But you would start getting a creepy WICKER MAN (original) type feeling pretty quick. Even before the cattle mutilations begin. (more…)
Underworld Evolution
Saturday, July 15th, 2006This is part 2 of the Underworld saga and unfortunately I’m less sold on this Len Wiseman individual after part 2. I gotta admit, I had hopes for this one. From the trailers it looked more exciting than the first one. I thought maybe after a little practice and with a bigger budget this guy was gonna make a movie that was more fun. Now I’m not gonna say that Len Wiseman has destroyed my faith in the human spirit and man’s knack for overcoming obstacles with innovation and hardwork, but the guy was definitely trying to. We, as a people, can do better than this.
This is one of those rare part 2s where if you haven’t seen the first one, you will have no clue what in fuck’s name is going on. Also, if you have seen the first one, even if you have seen it recently, and if you are me, you also will have no clue what in fuck’s name is going on. The movie starts with a long flashback to 1602 or something, where you find out all this new information about how there were two twin brothers who were the first vampire and first werewolf and the werewolves were attacking villages so the vampires were trying to kill the first werewolf and then they caught him and his brother didn’t want to kill him on account of them being brothers but the vampires were assholes and got mad so they locked the werewolf brother away forever.
Then it goes into a montage of clips from part 1 and Kate Beckinsale’s character Selene has some narration explaining to you everything that happened in that one. At the time, when I watched it, I felt like I understood what happened, but now that I have seen this montage I’m pretty sure I got no clue what this is all about. Something about vampires, werewolves, a guy named Viktor, an ancient war, some fire maybe, possibly magical crystals or dragons, the hybrid species of vampire and werewolf, maybe swords, who knows.
So the movie hasn’t even started, I’m already lost, and then it seems like virtually the entire god damn running time of the movie is devoted to people standing around talking about yet more backstory. They spend so much time talking about the backstory that there’s not much time for actual story. “Ah, you THOUGHT this is what happened hundreds of years ago, but actually THIS is what happened hundreds of years ago. Here is an engraving of it. And wait until you hear about THIS thing that happened which is equally monumental. And THIS!” (more…)
Underworld
Saturday, June 3rd, 2006
Some of you may be wondering why the Bruce icon would adorn a review for some corny movie about an ancient war between leather clad vampires and werewolves, especially since Bruce does not appear in the film and probaly hasn’t even seen it, unless maybe on a plane. But some of you know what I’m getting at. According to recent reports, Mr. Len Wiseman – whose sole accomplishments in Hollywood so far are directing the two Underworld pictures and marrying Kate Beckinsale – will be directing “Die Hard 4.0.”
Now, I got a history with this movie, sort of. A while back, an Ain’t It Cool talkbacker named IAmLegolas begged me to review Underworld Evolution. I said I couldn’t because I hadn’t seen the first one and considering how boring I’d heard that was it might be more research than I was willing to do. As soon as I read this Die Hard news though I realized that Legolas had been ahead of his time and that the research would have to be done. And he was sure to point this out to me too. Good job YouAreLegolas, hats off to you.
I was already skeptical of this Len Wiseman individual due to a lawsuit that was filed over UNDERWORLD. Some company accused the movie of copying all its ideas from their vampire and werewolf role playing dungeon and dragon playtime games that they have. Now, I’m not gonna be judgmental about copyright infringement, and I’m gonna assume they’re innocent until proven guilty because the case never went to trial and this is America. But buddy, when your ideas can be confused with a fuckin role playing game about werewolves, you got a problem. That is the type of smear on your record that, back when we had accountability in America, would’ve kept you from even saying “John McClane” 5 times into a mirror, let alone directing the new DIE HARD. I hope you know you got a whole fuckin lot to prove to us, Wiseman. Don’t fuckin blow it. (more…)
Cursed
Friday, February 25th, 2005Harry -
Don’t know if you’re sick of me yet this week but I just saw CURSED one day early, so what the fuck man you know what happens next. A review, some belligerent talkbacks, etc.
This is the new one from Wes Craven, who in my eyes at least still has some small amount of credibility. I know he tries his damndest to piss it away on executive produced projects like DRACULA 2000, WISHMASTER, WES CRAVEN’S SO-CALLED CARNIVAL OF SOULS, etc. And he’s done some bad ones all throughout his career. Like DEADLY FRIEND and DEADLY BLESSING. I forget which one is which. One of them involves a robot. And VAMPIRE IN BROOKLYN. And THE HILLS HAVE EYES 2.
But every once in a while he “hits one out of the park” as they say in baseball, and in everything else too I guess, but as a reference to baseball in those cases. I didn’t used to like LAST HOUSE ON THE LEFT but last time I watched it it kind of won me over. It has some kind of horrible, repulsive power, despite (maybe even because of) the occasional out of place bits of comedy, in the middle of a series of long, ugly, drawn out death. He’s pretty pretentious to claim that the movie is about Vietnam, but it sort of makes sense. It’s definitely a movie ten planets away from the sanitized horror we get now.
And then there’s THE HILLS HAVE EYES. Not perfect, like TEXAS CHAIN SAW MASSACRE, but an enjoyably relentless take on the same sort of deal. I mean, obnoxious suburban family break down their motor home in the middle of a desert missile testing site inhabited by a tribe of vicious inbred mutants, and lose whatever humanity they had fighting for their lives… how can you go wrong with that setup? I’m sure they’ll figure out how with the upcoming remake, but for the first go-round they did well. (more…)
Dog Soldiers
Saturday, January 1st, 2005Well we know the spanish can do good modern horror, and the japanese can do it, and there’s that one canadian dude. But what about the Brits? They had the great Hammer Studios way back when, and they made the Wickerman I believe, so they got a good tradition going. But it’s been a while since I’ve heard about a real good one. To be honest I haven’t paid too much attention to the british culture lately. All I know is they got those annoying crime movies and that tv show where you go into your friend’s house, repaint it and glue a bunch of pinecones and inner tubes together as decorations.
But now maybe they got the next horror visionary. A newcomer by the name of Neil Marshall, he wrote and edited a couple earlier movies and this is his debut as writer/director/editor/credit hog.
This is not a perfect movie, and I don’t think it’s as knock you on your ass inventive as say THE EVIL DEAD or something. But it’s just a great premise that crossbreeds familiar genres into something weird you’ve never seen before, sort of like when they genetically combined brocolli with asparagus. Only not as disturbing.
Here, let me just tell you the premise. Two groups of british soldiers, one just regular grunts and the other one special ops, are deployed in some remote wilderness for a war game. We’re with the grunts as they stalk the woods with a mixture of nervousness and boredom (one guy wants to be home watching the football/soccer ball game, others want to prove their worth by standing up to these special ops fuckers).
So then they’re sitting at the fire telling war stories when somebody throws a dead cow at them. (more…)




















